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Dr. Andrew May

Associate Professor

University of North Texas

Department of Composition Studies

(940) 891-6816

Email: Andrew.May@unt.edu

Education

  • PhD, University of California, San Diego, 2000
    Major: Music
    Specialization: computer music, conducting, improvised music
    Dissertation: Vanishing: A Composition for Ensemble and Computer
  • MFA, California Institute of the Arts, 1994
    Major: Music Composition
    Specialization: music composition and violin performance
  • BA, Yale University, 1990
    Major: Music (Int.)

Professional Positions

  • Associate Professor of Music, University of North Texas, Denton. University of North Texas, Denton. (2008 - Present).
  • Assistant Professor of Music, University of North Texas, Denton. University of North Texas, Denton. (2005 - 2008).
  • Assistant Professor of Music, University of Colorado, Boulder. University of Colorado, Boulder. (2001 - 2005).
  • Director of Music Technology, University of Colorado, Boulder. University of Colorado, Boulder. (2001 - 2005).
  • Visiting Lecturer (full-time), Mississippi State University, Starkville. Mississippi State University, Starkville. (2000 - 2001).
  • Instructor (part-time), University of California, San Diego. University of California, San Diego. (1998 - 2000).
  • Visiting Instructor (full-time), University of Wisconsin, La Crosse. University of Wisconsin, La Crosse. (1997 - 1998).
  • Teaching Assistant, California Institute of the Arts, Valencia. California Institute of the Arts, Valencia. (1992 - 1994).

    • Academic - Post-Secondary

  • Director of the Center for Experimental Music and Intermedia, University of North Texas, Denton. University of North Texas, Denton. (2005 - 2016).
  • Teaching Assistant, University of California, San Diego. University of California, San Diego. (1994 - 1997).

Professional Memberships

  • American Music Center. (Present).
  • Boulder County Arts Alliance (ensemble membership: Atomic Clock Music Events). (Present).
  • Broadcast Music, Inc. (composer affiliate). (Present).
  • College Music Society. (Present).
  • International Computer Music Association. (Present).
  • Society for Electro-Acoustic Music in the United States. (Present).

Development Activities

  • Faculty Development Leave, Faculty Development Leave, UNT. Denton,Texas,United States of America. (September 2018 - December 2018).

Teaching

Teaching Experience

    University of North Texas

  • MUAC 1540 - Private Lessons (Concentration) in Electronics, 2 courses.
  • MUAC 3540 - Private Lessons (Concentration) in Electronics, 2 courses.
  • MUCP 2080 - Secondary Composition I, 1 course.
  • MUCP 2180 - Intermediate Composition I, 2 courses.
  • MUCP 2190 - Intermediate Composition II, 3 courses.
  • MUCP 2200 - Composition Seminar, 2 courses.
  • MUCP 3180 - Advanced Composition I, 11 courses.
  • MUCP 3190 - Advanced Composition II, 13 courses.
  • MUCP 3670 - Introduction to Electroacoustic Music, 1 course.
  • MUCP 4080 - Secondary Composition II, 18 courses.
  • MUCP 4180 - Advanced Composition III, 17 courses.
  • MUCP 4190 - Senior Composition Recital, 2 courses.
  • MUCP 4195 - Senior Composition Capstone Project, 6 courses.
  • MUCP 4680 - History and Technology of Electroacoustic Music, 6 courses.
  • MUCP 4690 - Topics in Computer Music Media, 3 courses.
  • MUCP 4900 - Special Problems, 5 courses.
  • MUCP 4910 - Special Problems, 3 courses.
  • MUCP 5080 - Composition Seminar, 5 courses.
  • MUCP 5180 - Secondary Composition, 9 courses.
  • MUCP 5185 - Concentration Composition, 11 courses.
  • MUCP 5190 - Master's Composition, 13 courses.
  • MUCP 5680 - History and Technology of Electroacoustic Music, 7 courses.
  • MUCP 5690 - Topics in Computer Music, 7 courses.
  • MUCP 5710 - Real Time Computer Music Systems, 1 course.
  • MUCP 5900 - Special Problems, 8 courses.
  • MUCP 5910 - Special Problems, 6 courses.
  • MUCP 6190 - Doctoral Composition, 15 courses.
  • MUCP 6195 - Advanced Research in Composition, 1 course.
  • MUCP 6200 - Advanced Research in Computer Music, 9 courses.
  • MUCP 6400 - Topics in Contemporary Music, 1 course.
  • MUCP 6465 - Topics in Contemporary Music, 2 courses.
  • MUCP 6900 - Special Problems, 5 courses.
  • MUCP 6910 - Special Problems, 2 courses.
  • MUGC 5950 - Master's Thesis, 20 courses.
  • MUGC 6950 - Doctoral Dissertation, 17 courses.

Non-Credit Instruction

  • Seminar, UNT, 15 participants. (August 2021 - December 2023).
  • Uncompensated Instructional Overload, Center for Experimental Music and Intermedia, 8 participants. (September 1, 2022 - May 1, 2023).
  • Seminar, 15 participants. (August 2021 - December 2021).
  • Seminar, 15 participants. (August 2019 - December 2019).
  • Seminar, 6 participants. (January 2019 - May 2019).

Directed Student Learning

  • Master's Thesis Committee Chair, Composition Studies. (January 2023).
  • Related Field Professor, Instrumental Studies. (September 2022).
  • Related Field Professor, Instrumental Studies. (January 2022).
  • Related Field Professor, Jazz Studies. (January 2021).
  • Dissertation Committee Co-Chair, "PICTURES OF PERCY: SUITE FOR SOPRANO SAXOPHONE AND PIANO, AN ORIGINAL COMPOSITION IN THE STYLE OF PERCY GRAINGER," Instrumental Studies. (September 2022 - February 2024).
  • Bachelor's Degree Senior Recital Committee Chair, Composition Studies. (April 2023 - April 2023).
  • Bachelor's Degree Senior Recital Committee Chair, Composition Studies. (April 2023 - April 2023).
  • Bachelor's Degree Senior Recital Committee Member, Composition Studies. (April 2023).
  • Bachelor's Degree Senior Recital Committee Member, Composition Studies. (April 2023).
  • Related Field Professor, "SCRIABIN’S PROMETHEUS: PROBLEMS AND SOLUTIONS IN A TRANSCRIPTION FOR SOLO PIANO," Instrumental Studies. (January 2022 - April 2023).
  • Doctoral Comprehensive Exam Member or Grader, Composition Studies. (November 2021 - April 2023).
  • Dissertation Committee Member, "EVERYTHING AND THE KITCHEN SINK or: TOWARDS AN UNDERSTANDING OF A CREATIVE PRACTICE, CODEX SYMPHONIA, METAMODERNISM, AND RHIZOMIC COMPOSITION," Composition Studies. (August 2021 - April 2023).
  • Doctoral Advisory Committee Chair, "Resonance Ecology," Composition Studies. (August 2020 - April 2023).
  • Master's Thesis Committee Chair, "Rain Piece," Composition Studies. (August 2020 - April 2023).
  • Bachelor's Degree Senior Recital Committee Member, Composition Studies. (February 2023).
  • Doctoral Comprehensive Exam Member or Grader, Composition Studies. (November 2021 - May 2022).
  • Dissertation Defense Committee Member, "MOTIVIC STRATIFICATION IN FAURÉ’S LATE CHAMBER WORKS: PERSPECTIVES ON VOICE-LEADING AND TONAL COHERENCE," Music History, Theory and Ethnomusicology. (January 2021 - April 2022).
  • Master's Thesis Committee Chair, "Untune the Sky," Composition Studies. (August 2020 - April 2022).
  • Bachelor's Degree Senior Recital Committee Member, Composition Studies. (August 2021 - February 2022).
  • Bachelor's Degree Senior Recital Committee Member, Composition Studies. (November 2021).
  • Bachelor's Degree Senior Recital Committee Member, Composition Studies. (October 2021).
  • Master's Thesis Committee Member, Composition Studies. (August 2020 - October 2021).
  • Supervised Research, "Undergraduate Research Project: studies in the Korean Pansori tradition," Composition Studies. (September 2020 - May 2021).
  • Bachelor's Degree Senior Recital Committee Chair, Composition Studies. (April 2021 - April 2021).
  • Bachelor's Degree Senior Recital Committee Member, Composition Studies. (April 2021 - April 2021).
  • Doctoral Comprehensive Exam Member or Grader, Composition Studies. (November 2020 - April 2021).
  • Master's Thesis Committee Member, Composition Studies. (September 2020 - March 2021).
  • Bachelor's Degree Senior Recital Committee Chair, Composition Studies. (March 29, 2021).
  • Related Field Professor, "The Guaraldi Sound," Jazz Studies. (January 2019 - October 2020).
  • Major Professor, Composition Studies. (January 2019 - August 2020).
  • Related Field Professor, "SOUNDS THEMSELVES: INTERSECTIONS OF SERIALISM AND MUSIQUE CONCRÈTE IN KARLHEINZ STOCKHAUSEN’S ELEKTRONISCHE STUDIE I," Music History, Theory and Ethnomusicology. (September 2014 - June 2020).
  • Master's Thesis Committee Chair, "The Harbour of Incense," Composition Studies. (January 2019 - April 2020).
  • Master's Thesis Committee Member, "A Multi-Dimensional Approach towards Understanding Music Notation through Cognition," Composition Studies. (January 2019 - March 2020).
  • Bachelor's Degree Senior Recital Committee Chair, Composition Studies. (November 2019).
  • Other (Doctoral Degree Recital Committee Member), Instrumental Studies. (October 2017 - April 2019).
  • DMA Dissertation Recital - Committee Member, Instrumental Studies. (April 2018).
  • Dissertation Committee Chair, Composition Studies. (August 2017).
  • Dissertation Committee Member, Composition Studies. (August 2017).
  • Dissertation Committee Member, Composition Studies. (August 2017).
  • Master's Thesis Committee Chair, Composition Studies. (August 2017).
  • Master's Thesis Committee Chair, Composition Studies. (August 2017).
  • Dissertation Committee Chair, Composition Studies. (May 2017).
  • Doctoral Comprehensive Exam Member or Grader, Composition Studies. (May 2017).
  • Bachelor's Degree Senior Recital Committee Chair, Composition Studies. (April 2017).
  • Other (Doctoral Degree Recital Committee Member), Instrumental Studies. (April 2017).
  • Dissertation Committee Member, Composition Studies. (December 2016).
  • Other (Doctoral Degree Recital Committee Member), Instrumental Studies. (November 2016).
  • Doctoral Comprehensive Exam Member or Grader, Composition Studies. (August 2016).
  • Dissertation Committee Member, Composition Studies. (May 2016).
  • Doctoral Comprehensive Exam Member or Grader, Composition Studies. (May 2016).
  • Master's Thesis Committee Member, Composition Studies. (May 2016).
  • Related Field Professor, Instrumental Studies. (May 2016).
  • DMA Dissertation Recital - Committee Member, Instrumental Studies. (November 2015).
  • Doctoral Comprehensive Exam Member or Grader, Composition Studies. (November 2015).
  • Master's Thesis Committee Member, Composition Studies. (May 2015).
  • Bachelor's Degree Senior Recital Committee Chair, Composition Studies. (April 2015).
  • Bachelor's Degree Senior Recital Committee Chair, Composition Studies. (April 2015).
  • Bachelor's Degree Senior Recital Committee Member, Composition Studies. (April 2015).
  • Doctoral Comprehensive Exam Member or Grader, Composition Studies. (December 2014).
  • Doctoral Comprehensive Exam Member or Grader, Composition Studies. (December 2014).
  • Master's Thesis Committee Member, Music History, Theory and Ethnomusicology. (December 2014).
  • Master's Thesis Committee Member, Composition Studies. (December 2014).
  • Related Field Professor, Instrumental Studies. (December 2014).
  • Related Field Professor, Music History, Theory and Ethnomusicology. (December 2014).
  • Dissertation Defense Committee Member, Composition Studies. (May 2012).
  • Master's Thesis Committee Chair, Composition Studies. (May 2010).
  • Other, (2009 - 2009).
  • Other, (2009 - 2009).
  • Other, (2008 - 2008).
  • Other, (2008 - 2008).
  • Other, (2008 - 2008).
  • Other, (2008 - 2008).
  • Other, (2008 - 2008).
  • Other, (2008 - 2008).
  • Other, (2008 - 2008).
  • Other, (2008 - 2008).
  • Other, (2008 - 2008).
  • Other, (2008 - 2008).
  • Other, (2007 - 2007).
  • Other, (2007 - 2007).
  • Other, (2007 - 2007).
  • Other, (2007 - 2007).
  • Other, (2006 - 2006).
  • Other, (2006 - 2006).
  • Other, (2006 - 2006).

Awards and Honors

  • Chant/Songe selected for Music from SEAMUS vol. 15, National Conference attendees. (2006).
  • Artist residency, Yaddo artists' colony, for work on Lachrimae for string quartet, (2005).
  • The Twittering Machine selected for inclusion in the Zentrum Paul Klee archive, Basel, Switzerland, (2005).
  • Junior Faculty Development Award for composition Proteus for wind ensemble, UCB. (2003).
  • Retake selected for Sonic Circuits X touring repertory, American Composers' Forum. (2003).
  • Finalist, SEAMUS / ASCAP Commission Competition. (1999).
  • Margaret Jory Fairbanks Copying Assistance Grant for Promises of Babylon, (1999).
  • The Twittering Machine selected for Music from SEAMUS vol. 9, National Conference attendees. (1999).
  • Finalist, ASCAP Foundation Grants to Young Composers. (1996).

Research

Published Intellectual Contributions

    Abstracts and Proceedings

  • Andrew May. (2007). Studio Report: Center for Experimental Music and Intermedia.

    • Book Chapter

  • May, A. (2005). Philippe Manoury's 'Jupiter' in Mary Simoni, Analytical Methods of Electroacoustic Music.

    • Book Review

  • May, A. (2022). Frederic Rzewski: Non Sequiturs. The Anarchist Review of Books. 1 (3) New York, NY, https://www.anarchistreviewofbooks.org/
  • May, A. (2005). Third Practice Festival 2004.
  • May, A. (2004). 3rd October Afternoon.
  • May, A. (2002). David Rosenboom: Invisible Gold.
  • May, A. (1999). Philippe Manoury: Jupiter.

    • CD Recording - Chamber

  • McNutt, E.B., May, A. (2015). The Tornado Project.

    • CD Recording - Ensemble

  • May, A. (2017). Ada. SEAMUS Interactions 2016.
  • Andrew May. (2012). Edgewise for 2 violins. Dedications 2.
  • Andrew May. (2012). Still Angry for flute, clarinet, and computer. CDCM Volume 39: Music from the University of North Texas Center for Experimental Music and Intermedia.

    • CD Recording - Solo

  • May, A. (2018). Diatoms. Christian Verspay (electric guitar), Blood Moon.
  • Andrew May. (2012). Imaginary Friends: seven works for instruments and computer.
  • Andrew May. (2006). "Chant/Songe" on SEAMUS CD recording (peer reviewed selection.

    • Journal Article

  • Andrew May and Margaret Schedel. (2006). Sustainability in Electroacoustic Music.

    • Personal Essay

  • May, A. (2019). The Score Is an Affordance. DAMN.. https://newmusicpioneer.com/guest-post-the-score-is-an-affordance-damn/
  • May, A. (2015). Subtlety, Intricacy, and Hidden Complexity: Not a Manifesto. https://newmusicpioneer.com/guest-post-subtlety-intricacy-and-hidden-complexity-not-a-manifesto/

    • Popular Press Article

  • May, A. (2005). Chant/Songe for clarinet and computer discussed in F. Gerard Errante, "The Electric Clarinet, Part II".
  • May, A. (2005). Chant/Songe reviewed in Douglas Geers, "International Computer Music Conference 2004".
  • May, A. (2005). Chant/Songe reviewed in Peter Swendsen, "SEAMUS National Conference 2005".
  • May, A. (2004). Retake reviewed in Bonnie Miksch, "1st October Afternoon".
  • May, A. (2004). Ripped-Up Maps discussed in Jeremy Baguyos, "Interactive Computer Music for Double Bass" .
  • May, A. (2004). The Twittering Machine and Retake previewed in Wes Blomster, "Artists bring 'Wild Wired West' to BMOCA".
  • May, A. (2004). The Twittering Machine and Retake reviewed in Sabine Kortals, "McNutt tests exotic musical terrain".
  • May, A. (2004). The Twittering Machine reviewed in Robert Denham, "Elizabeth McNutt: Pipe Wrench".
  • May, A. (2003). The Twittering Machine reviewed in Waterman, Ellen, "Pipe Wrench: Music for Flute and Computer" (review).
  • May, A. (2003). The Twittering Machine, Retake discussed in Elizabeth McNutt, "Performing electroacoustic music: a wider view of interactivity".
  • May, A. (2001). The Twittering Machine reviewed in James Harley, "Elizabeth McNutt: Pipe Wrench".
  • May, A. (2000). Shimmer reviewed in "Summer Institute for Contemporary Piano Performance".
  • May, A. (1997). Altered in Transmission discussed in Pam Dixon, "Charting the future: computers usher composers to a whole new plane".
  • May, A. (1997). The Twittering Machine reviewed in Larry Fritts, "Friday afternoon concert".
  • May, A. (1996). Chicago: Ten and Six to Eight previewed in "Konzert: Vom Reinen und Schönen,".
  • May, A. (1996). Marginalia  reviewed in Herman Trotter, "Short, random ideas".
  • May, A. (1996). The Twittering Machine reviewed in Josef Woodard, "SONOR offers colorful, contemporary program".
  • May, A. (1996). The Twittering Machine  reviewed in Herman Trotter, "June in Buffalo Festival Opens with interactive computer music".
  • May, A. (1991). Singing Boxes reviewed in Courtenay Cauble, "Composers infuse Sprague Hall concert with new ideas".

    • Software

  • May, A. (2020). MaxScript. http://andrewmaymusic.com/Software/
  • May, A. (2008). Synth-o-rama: software modeling of voltage controlled analog synthesizer modules, for pedagogy and performance.
  • May, A. (2007). max_regress (revision): five external objects to the Max/MSP  computer music environment (written in c language).
  • May, A. (2007). pd_regress: a set of seven external objects to the pure data computer music environment (written in c language).
  • May, A. (2007). SoftSoundSpace system for live 3-dimensional audio diffusion: alpha version (unreleased).
  • May, A. (2005). Scrumpy: a script-based real-time environment for theater sound and music production (in collaboration with sound designer Gary Grundei).
  • May, A. (2005). Speaker Test Kit: software tools for measuring speaker and room response.
  • May, A. (2004). PeakGraph application for visualization of audio data, development versions.

Presentations Given

  • May, A. (Other), Interactive Computer Music, (2011 - 2011).
  • May, A. (Other), The Tornado Project: Creating a New Chamber Music Repertoire, (2010 - 2010).
  • May, A. (Other), Training Ghosts: A Perspective on Interactive Computer Music, (2010 - 2010).
  • May, A. (Presenter), Workshop on Max/MSP and Pure Data for Interactive Music, (2010 - 2010).
  • Recyclers, (2009 - 2009).
  • Recyclers, (2009 - 2009).
  • Still Angry, (2009 - 2009).
  • Composer-performer collaborations, (2007 - 2009).
  • Still Angry, Montreal, 2009; Ripped-Up Maps, Copenhagen, 2007; Chant/Songe, Miami, 2004; Retake, Singapore, 2003; The Twittering Machine, Thessaloniki, 1999, (1999 - 2009).
  • A Room Full of Ghosts, (2008 - 2008).
  • Altered in Transmission, (2008 - 2008).
  • Altered in Transmission, (2008 - 2008).
  • Altered in Transmission, (2008 - 2008).
  • Chant/Songe, (2008 - 2008).
  • Ripped-up Maps, (2008 - 2008).
  • Sketches of Ghosts, (2008 - 2008).
  • Still Angry, (2008 - 2008).
  • Treacherous Marbles, (2008 - 2008).
  • Wandering Through the Same Dream, (2008 - 2008).
  • Treacherous Marbles, Wandering Through the Same Dream, Altered in Transmission, 2008; Ripped-Up Maps, Retake, A Room Full of Ghosts, 2006; The Twittering Machine, 2005; Chant/Songe, 2004, (2004 - 2008).
  • A Room Full of Ghosts, (2007 - 2007).
  • A Room Full of Ghosts, (2007 - 2007).
  • A Room Full of Ghosts, (2007 - 2007).
  • Awake, Dreaming, (2007 - 2007).
  • Issues of Electroacoustic Music Performance (with Mario Davidovsky), (2007 - 2007).
  • Ripped-Up Maps, (2007 - 2007).
  • Still Angry, (2007 - 2007).
  • Still Angry, (2007 - 2007).
  • Studio Report: Center for Experimental Music and Intermedia, (2007 - 2007).
  • Suspensions, (2007 - 2007).
  • Raging Against Their Chains, 2007; Wandering Through the Same Dream, May 2006, (2006 - 2007).
  • Treacherous Marbles, 2007; from "Calamus," 2005; Retake, 2003; Ripped-Up Maps, Shimmer, 2002; Sketches of Ghosts, 2001, (2001 - 2007).
  • A Room Full of Ghosts, 2007; Ripped-Up Maps, 2006; Chant/Songe, 2005; Shimmer, 2004; Retake, 2002; The Twittering Machine, 1999, (1999 - 2007).
  • A Room Full of Ghosts, (2006 - 2006).
  • May, A. (Other), Chamber Music with the Computer (lecture-performance); Statistical Techniques in Real-Time Interaction, (2006 - 2006).
  • Chant/Songe, (2006 - 2006).
  • May, A. (Other), Compositional issues in the Illusions cycle, (2006 - 2006).
  • love is the every only god, (2006 - 2006).
  • May, A. (Other), New Works and Directions in Interactive Chamber Music, (2006 - 2006).
  • May, A. (Other), New Works and Directions in Interactive Chamber Music, (2006 - 2006).
  • The Twittering Machine and A Room Full of Ghosts, (2006 - 2006).
  • Wandering Through the Same Dream, (2006 - 2006).
  • Wandering Through the Same Dream, (2006 - 2006).
  • The Twittering Machine, Retake, 2002; The Twittering Machine, 2003; Ripped-Up Maps, 2003, 2004, 2005, 2006, (2002 - 2006).
  • May, A. (Other), Chamber Music with the Computer, lecture-demonstration on interactive computer music strategies, with Dr. Elizabeth McNutt, (2005 - 2005).
  • Chant/Songe, (2005 - 2005).
  • Chant/Songe, (2005 - 2005).
  • May, A. (Other), Modeling Music Intelligence, (2005 - 2005).
  • Proteus, (2005 - 2005).
  • Retake, (2005 - 2005).
  • Shimmer, (2005 - 2005).
  • Tender Intervals, (2005 - 2005).
  • The Twittering Machine, Retake, (2005 - 2005).
  • Wandering Through the Same Dream, (2005 - 2005).
  • Wandering Through the Same Dream, (2005 - 2005).
  • Wandering Through the Same Dream, (2005 - 2005).
  • Chant/Songe, Tender Intervals, 2005; The Twittering Machine, Retake, 2004, (2004 - 2005).
  • Wandering Through the Same Dream, 2005; Chant/Songe, The Twittering Machine, Retake, Ripped Up Maps, Singing Boxes, 2004, (2004 - 2005).
  • The Twittering Machine, 2005; Chant/Songe, 2004; Ripped-Up Maps, 2003; Retake, 2002, (2002 - 2005).
  • Chant/Songe, (2004 - 2004).
  • love is the every only god, (2004 - 2004).
  • May, A. (Other), Philip Glass and the Bang On A Can All-Stars, (2004 - 2004).
  • Retake, (2004 - 2004).
  • Sketches of Ghosts, (2004 - 2004).
  • May, A. (Presenter), (2003 - 2004).
  • May, A. (Other), Chamber Music with the Computer, (2003 - 2003).
  • May, A. (Other), Computer Tools for Ethnomusicology, (2003 - 2003).
  • May, A. (Other), Interactive Computer Music, (2003 - 2003).
  • Plausible Models of Musicality in Real-Time Interaction, (2003 - 2003).
  • Retake, (2003 - 2003).
  • Retake, (2003 - 2003).
  • Retake, (2003 - 2003).
  • Retake, (2003 - 2003).
  • Ripped Up Maps, (2003 - 2003).
  • Ripped Up Maps, (2003 - 2003).
  • Ripped-Up Maps, (2003 - 2003).
  • Sketches of Ghosts, (2003 - 2003).
  • May, A. (Other), Statistical Modeling of Musical Behavior in Real Time, (2003 - 2003).
  • Surviving and Growing as a Long-Term Ensemble, (2003 - 2003).
  • Suspensions, Retake, (2003 - 2003).
  • May, A. (Other), The Past and Future of Electronic Music, (2003 - 2003).
  • The Twittering Machine, (2003 - 2003).
  • Building the Celestial Railroad: The Transcendental Counterpoint of Charles Ives, (2002 - 2003).
  • Ghost Dances, 2003; Edgewise, 2002, (2002 - 2003).
  • May, A. (Other), computer music, composition, (2002 - 2002).
  • Finding the Words to Talk About Your Music, (2002 - 2002).
  • Ghost Dances, (2002 - 2002).
  • Issues of Gender in Music Technology, (2002 - 2002).
  • May, A. (Other), Modeling Musicality in Live Computer Music, (2002 - 2002).
  • May, A. (Other), Orchestration in Computer Music, (2002 - 2002).
  • Retake, (2002 - 2002).
  • Shimmer, (2002 - 2002).
  • Shimmer, (2002 - 2002).
  • May, A. (Other), Shimmer: Analysis of a Collaborative Process, (2002 - 2002).
  • The Twittering Machine, Retake, (2002 - 2002).
  • May, A. (Other), The Uses and Abuses of Music, (2002 - 2002).
  • Shimmer, 2002, Retake, 2001, (2001 - 2002).
  • Applications of Regression Analysis to Musical Data in Real Time, (2001 - 2001).
  • May, A. (Other), computer music, composition, (2001 - 2001).
  • Four Love Sonnets of Neruda, (2001 - 2001).
  • Retake, The Twittering Machine, (2001 - 2001).
  • Sketches of Ghosts, (2001 - 2001).
  • Sketches of Ghosts, (2001 - 2001).
  • Sketches of Ghosts, (2001 - 2001).
  • Four Love Sonnets of Neruda, (2000 - 2000).
  • May, A. (Other), Life and work of Charles Ives, (2000 - 2000).
  • May, A. (Other), sound recording techniques, composition, (2000 - 2000).
  • The Twittering Machine, (2000 - 2000).
  • The Twittering Machine, (2000 - 2000).
  • Cloning Dolly, (1999 - 1999).
  • The Twittering Machine, (1999 - 1999).
  • May, A. (Other), phenomenology of music in the age of recordings, (1998 - 1998).
  • Sketches of Ghosts, 1998, The Twittering Machine, 1996, (1996 - 1998).
  • Solo for Three, 1998; Chicago: Ten and Six to Eight, The Twittering Machine, 1996, (1996 - 1998).
  • The Twittering Machine, (1997 - 1997).
  • The Twittering Machine, (1997 - 1997).
  • Marginalia, The Twittering Machine, (1996 - 1996).
  • The Twittering Machine, (1996 - 1996).
  • The Twittering Machine, (1996 - 1996).
  • Raging Against Their Chains, The Twittering Machine, (1995 - 1995).
  • Raging Against Their Chains, Five Soliloquies for flute alone, (1994 - 1994).
  • Suspensions, Confluence, Five Soliloquies for flute alone, (1994 - 1994).
  • Distorting Mirror, Raging Against Their Chains, (1992 - 1994).
  • Singing Boxes, (1991 - 1991).
  • Singing Boxes, (1991 - 1991).
  • Without Undue Concern, (1990 - 1990).

    • Lecture

  • May, A. (Author & Presenter), Music Now, Les Souvenirs-reunis: collaborating toward a transpersonal musical biography, Division of Composition Studies, UNT, Denton, TX, United States of America. (2022 - 2022).
  • May, A. (Author & Presenter), Music Now, Notational Looks, Division of Composition Studies, UNT, Denton, TX, United States of America. (2022 - 2022).
  • May, A. (Author & Presenter), McNutt, E.B. (Author & Presenter), Music Now, Do It Wrong - Don't Play Our Game: The Sounds Modern Series, Division of Composition Studies, UNT, Denton, TX, United States of America. (2021 - 2021).
  • May, A. (Author & Presenter), Music Now, How Does Real Time Really Work?, Division of Composition Studies, UNT, Denton, TX, United States of America. (2020 - 2020).
  • May, A. (Author & Presenter), Music Now, Seeking Refuge: notes on an unfinished opera, UNT Composition Studies, Merrill Ellis Intermedia Theater, United States of America. (2019).
  • May, A. (Presenter), Music Now, Cautionary Tales (revising A Room Full of Ghosts), University of North Texas, Division of Composition Studies, Denton, Texas, United States of America. (2017).
  • May, A. (Presenter), Music Now, Wandering Through the Same Dream, University of North Texas, Division of Composition Studies, Denton, Texas, United States of America. (2017).
  • May, A. (Presenter), Music Now, Vanishing redux: chamber music with online conducting, University of North Texas, Division of Composition Studies, Denton, Texas, United States of America. (2017).
  • May, A. (Presenter), Interactivity, causality, and time, San Diego State University, San Diego, CA, United States of America. (2017).
  • May, A. (Presenter), Music Now, unsettled questions, University of North Texas, Division of Composition Studies, Denton, Texas, United States of America. (2016).
  • May, A. (Presenter), inner sOUndscapes, Models of musical knowledge for interaction, University of Oklahoma, Norman, OK, United States of America. (2016).
  • May, A. (Presenter), Music Now, ESCAPE Units: portable "boombox" computer music systems, University of North Texas, Division of Composition Studies, Denton, Texas, United States of America. (2015).
  • May, A. (Presenter), Music Now, Synchromorphology: an approach to music theory and practice, University of North Texas, Division of Composition Studies, Denton, Texas, United States of America. (2014).
  • May, A. (Presenter), Synchromorphology and interactive computer music, CCRMA, Stanford University, Palo Alto, CA, United States of America. (2014).

    • Project

  • McNutt, E.B. (Author & Presenter), May, A. (Author & Presenter), College Music Society National Conference, Recital: Hearing Outside the Lines, CMS, San Antonio, United States of America. (2017).

Artistic and Professional Performances and Exhibits

  • Music Production - Producer. May, A., "Sounds Modern: assorted audiovisual documents of live performances", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, TX, United States of America. (March 2019).
  • Music Performance - Free-lance. May, A., "Musical Meltdown 2", Allgood Cafe, Dallas, Texas, United States of America. (December 2, 2023 - December 2, 2023).
  • Music Composition - Major Work, Performance. May, A., "Flutter, Swoop, and Wheel", Sounds Modern / Amorsima Trio, Modern Art Museum of Fort Worth, Fort Worth, TX, United States of America. (September 9, 2023 - September 9, 2023).
  • Music Performance - Free-lance. May, A., "Musical Meltdown 1", Allgood Cafe, Dallas, Texas, United States of America. (August 5, 2023 - August 5, 2023).
  • Music Performance - Free-lance. May, A., "Molten Plains Improv Lotto", Rubber Gloves Rehearsal Studios / Molten Plains, Denton, Texas, United States of America. (July 19, 2023 - July 19, 2023).
  • Music Composition - Major Work, Publication. May, A., "Les Souvenirs-reunis (Les Souvenirs-fixés)", New York, NY, United States of America. (March 2023 - June 2023).
  • Music Composition - Major Work, Performance. May, A., Lucas, S., "Oh, Lou, We Are All Your Mirrors Now", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, TX, United States of America. (April 15, 2023 - April 15, 2023).
  • Music Composition - Major Work, Publication. May, A., Lucas, S., "Oh, Lou, We Are All Your Mirrors Now", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, Texas, United States of America. (March 1, 2023 - April 14, 2023).
  • Music Composition - Major Work, Performance. May, A., "Les Souvenirs-reunis (fixed media version, Les Souvenirs-fixés)", SEAMUS National Conference, Benzaquen Hall, DiMenna Center, New York, NY, United States of America. (April 8, 2023 - April 8, 2023).
  • Music Performance - Free-lance. May, A., "Nebulae improvisation event", Nebulae, Denton, Texas, United States of America. (November 11, 2022 - November 11, 2022).
  • Music Composition - Major Work, Publication. May, A., "Conversation Without Words (for Danyel)", Year of Deep Listening in Memory of Pauline Oliveros, Renssalear Polytechnical Institute, Renssalear, NY, United States of America. (July 2022 - August 2022).
  • Music Composition - Major Work, Publication. May, A., "Les Souvenirs-reunis", Madeleine Shapiro, cello and spoken word, with computer, personal commission, New York, NY, United States of America. (June 2021 - June 2022).
  • Music Performance - Free-lance. May, A., "Molten Plains Festival 2", Rubber Gloves Rehearsal Studios / Molten Plains, Dentos, Texas, United States of America. (June 29, 2022 - June 29, 2022).
  • Music Composition - Major Work, Performance. May, A., "Les Souvenirs-reunis", New York City Electroacoustic Music Festival / Madeleine Shapiro, cello and spoken word, Loreto Theater, Sheen Center, New York, NY, United States of America. (June 24, 2022 - June 24, 2022).
  • Other. McNutt, E.B., May, A., Klein, J.P., "Cobra by John Zorn", Sounds Modern, Wild Detectives, 6 Foot Love Series, Dallas, TX, United States of America. (April 21, 2022).
  • Other. McNutt, E.B., May, A., Klein, J.P., "Replay", Sounds Modern, Museum of Modern Art Fort Worth, United States of America. (April 16, 2022).
  • Music Composition - Major Work, Performance. May, A., "Flutter, Swoop, and Wheel", Amorsima Trio, Ensemble Mise-En / Mise-En Place Brooklyn, Brooklyn, NY, United States of America. (March 6, 2022 - March 6, 2022).
  • Music Composition - Major Work, Publication. May, A., "Flutter, Swoop and Wheel", Amorsima Trio, Grayson College, Denison, TX, United States of America. (February 26, 2022 - February 26, 2022).
  • Music Composition - Major Work, Publication. May, A., "Flutter, Swoop and Wheel", United States of America. (December 2021).
  • Music Composition - Major Work, Performance. Klein, J., McNutt, E., May, A., Joyner, W., "Canetti-menagerie", Canetti touring ensemble (eight performers), Arc Project, York, UK (online), United Kingdom. (December 11, 2021 - December 19, 2021).
  • Music Performance - Free-lance. May, A., "Molten Plains Improv Lotto", The Wild Detectives / Molten Plains, Dallas, Texas, United States of America. (November 18, 2021 - November 18, 2021).
  • Music Performance - Participation. May, A., McNutt, E., "Blues Unions", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, TX, United States of America. (October 9, 2021 - October 9, 2021).
  • Music Composition - Major Work, Performance. May, A., McNutt, E.B., "A Room Full of Ghosts", Elizabeth McNutt, piccolo, International Computer Music Conference 2021, Santiago, Chile (on line owing to pandemic), United States of America. (July 27, 2021 - July 27, 2021).
  • Music Composition - Major Work, Performance. May, A., "unsettled questions (shadow and shape)", New York City Electroacoustic Music Festival, New York, NY, United States of America. (June 2021 - June 2021).
  • Music Performance - Participation. May, A., McNutt, E., "The Home of My Ears", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, TX, United States of America. (May 15, 2021 - May 15, 2021).
  • Music Production - Producer. May, A., "arrangement, Daniel Bernard Romain (DBR), Hip-Hop Etudes (three selected from Book I)", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, TX, United States of America. (October 2020 - October 2020).
  • Music Performance - Participation. May, A., McNutt, E., "The Some of It's Parts", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, TX, United States of America. (October 17, 2020 - October 17, 2020).
  • Music Composition - Major Work, Performance. May, A., Wettstein, S., "Charnel House", Shannon Wettstein, pianist, 1st Christian Church, Columbus, IN, United States of America. (March 7, 2020 - March 7, 2020).
  • Music Composition - Major Work, Performance. May, A., Wettstein, S., "Charnel House", Shannon Wettstein, Gobin United Methodist Church, Greencastle, IN, United States of America. (March 5, 2020 - March 5, 2020).
  • Music Composition - Major Work, Performance. May, A., Wettstein, S., "Charnel House", Shannon Wettsein, St. Cloud State Univesity, St. Cloud, MN, United States of America. (February 19, 2020 - February 19, 2020).
  • Music Performance - Free-lance. May, A., "Trio du Sang at Spinster, Dallas", Trio du Sang, Spinster Records, Dallas, TX, United States of America. (January 31, 2020 - January 31, 2020).
  • Music Performance - Free-lance. May, A., "Trio du Sang at Revelers Hall", Trio du Sang, Revelers Hall, Dallas, TX, United States of America. (January 25, 2020 - January 25, 2020).
  • Music Composition - Major Work, Performance. May, A., Wettstein, S., "Charnel House", Shannon Wettstein, Sounds Modern, Modern Art Museum of Fort Worth, TX, United States of America. (January 4, 2020 - January 4, 2020).
  • Music Performance - Participation. May, A., McNutt, E., "Alone Within the Herd: Music to Celebrate the Art of Robyn O'Neil", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, TX, United States of America. (January 4, 2020 - January 4, 2020).
  • Other. McNutt, E., May, A., "Brazenly Self Effacing", Sounds Modern, Modern Art Museum, Fort Worth, TX, United States of America. (2019).
  • Other. McNutt, E., May, A., "Broken Dolls", Sounds Modern, Modern Art Museum, United States of America. (2019).
  • Music Composition - Major Work, Publication. May, A., "Cut and Run", United States of America. (November 2019).
  • Music Performance - Free-lance. May, A., "Trio du Sang at Revelers Hall", Trio du Sang, Revelers Hall, Dallas, Texas, United States of America. (November 29, 2019).
  • Music Performance - Free-lance. May, A., "Improvisations with Dennis Gonzales, Kyle Motl, Monte Espina, Kourtney Newton", Dallas, Texas, United States of America. (October 6, 2019).
  • Music Performance - Free-lance. May, A., "Trio du Sang at Revelers Hall", Trio du Sang, Revelers Hall, Dallas, Texas, United States of America. (September 21, 2019).
  • Music Performance - Free-lance. May, A., "Trio du Sang at Top Ten Records", Trio du Sang, Top Ten Records, Dallas, Texas, United States of America. (September 7, 2019).
  • Music Performance - Free-lance. May, A., "Trio du Sang at UNT on the Square", Trio du Sang, UNT on the Square, Denton, Texas, United States of America. (August 15, 2019).
  • Music Composition - Major Work, Publication. May, A., "Marimbarnettes", United States of America. (June 2019).
  • Music Composition - Major Work, Performance, Prof Ensemble. May, A., "Ada for violin and computer", Maja Cerar, violinist; Andrew May, electronics, International Computer Music Conference / New York City Electroacoustic Music Festival, New York, NY, United States of America. (June 20, 2019).
  • Music Composition - Major Work, Performance, Prof Ensemble. May, A., "Calli", Calliope Duo, China-ASEAN Music Festival, Nanning, China, China. (June 2, 2019).
  • Music Composition - Major Work, Performance, Prof Ensemble. May, A., "Calli", Calliope Duo, Hong Kong International Flute Society, Hong Kong, Hong Kong. (May 24, 2019).
  • Residency – Artist. May, A., "Brush Creek Artist Residency", Brush Creek Foundation for the Arts, Wyoming, United States of America. (April 27, 2019 - May 21, 2019).
  • Music Composition - Major Work, Performance. Klein, J., McNutt, E., Luevano, K., May, A., Stec, K., Shapiro, M., "Canetti-menagerie", UNT Faculty and Guest Ensemble, Texas State University, San Marcos, TX, United States of America. (April 23, 2019).
  • Music Composition - Major Work, Performance. Klein, J., McNutt, E., Luevano, K., May, A., Stec, K., Shapiro, M., "Canetti-menagerie", UNT Faculty and Guest ensembles, Stephen F. Austin State University, Nacogdoches, TX, United States of America. (April 22, 2019).
  • Music Performance - Free-lance. May, A., "Trio du Sang at UNT on the Square", Trio du Sang, UNT On the Square, Denton, Texas, United States of America. (April 4, 2019).
  • Music Composition - Major Work, Performance. Klein, J., McNutt, E., Luevano, K., May, A., Holt, J., Joyner, W., Garcia, J., Llupa, R., "Canetti-menagerie", UNT Faculty and Guest performers, Texas A&M University - Commerce, Commerce, TX, United States of America. (March 8, 2019).
  • Music Composition - Major Work, Performance. Klein, J., McNutt, E., Luevano, K., May, A., Holt, J., Joyner, W., Garcia, J., Llupa, R., "Canetti-menagerie", UNT faculty and guest artists, University of Oklahoma, Norman, OK, United States of America. (March 7, 2019).
  • Music Performance - Participation. May, A., "Broken Dolls", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, Texas, United States of America. (January 19, 2019 - January 19, 2019).
  • Music Composition - Major Work, Publication. May, A., "Thoughts at Year's End", United States of America. (December 2018).
  • Music Performance - Free-lance. May, A., "Dallas Observer Music Awards performance", They Say the Wind Made Them Crazy, Reno's Chop Shop, Dallas, Texas, United States of America. (December 1, 2018 - December 1, 2018).
  • Music Performance - Participation. May, A., "Ken Ueno, That I May Time Transcend", Amorsima Trio, UNT, Denton, Texas, United States of America. (October 28, 2018 - October 28, 2018).
  • Music Composition - Major Work, Performance, Prof Ensemble. Klein, J.P., Deane, C.J., McNutt, E.B., Samayoa, R.R., May, A., Holt, J.H., Mickens, S.R., Rennick, P.J., Mooney, D.M., Harlos, S.C., Bubeck, D.L., "An Unaware Cosmos—modular work for multiple soloists and chamber ensembles", International Contemporary Ensemble, Mélange Saxophone Quartet, Nova Ensemble, University of North Texas Institute for the Advancement of the Arts, Denton, TX, United States of America. (October 26, 2018).
  • Other. Klein, J.P., Soriano, K.A., Hong, S., Kokoras, P., Nelson, J.C., McNutt, E.B., May, A., Schnurr, A.A., "UNT composers featured on WWFM-Trenton program, "Celebrating Our Musical Future"", WWFM-Trenton, hosted by David Osenburg, WWFM-Trenton, Trenton, NJ, United States of America. (October 8, 2018 - October 15, 2018).
  • Other. McNutt, E.B., May, A., "Sounds from the Strange Forest (soft control)", Sounds Modern, Modern Art Museum, Fort Worth, TX, United States of America. (September 2018).
  • Music Performance - Free-lance. May, A., "Outward Bound Mixtape", Trio du Sang, RBC, Dallas, Texas, United States of America. (September 10, 2018 - September 10, 2018).
  • Music Performance - Free-lance. May, A., "Improv Lotto", ad-hoc trio, Dan's Silverleaf, Denton, Texas, United States of America. (August 17, 2018 - August 17, 2018).
  • Music Performance - Free-lance. May, A., "Trio du Sang", Trio du Sang, UNT on the Square, Denton, Texas, United States of America. (August 3, 2018 - August 3, 2018).
  • Music Performance - Free-lance. May, A., "Trio du Sang", Trio du Sang, MudHen, Dallas, Texas, United States of America. (April 21, 2018 - April 21, 2018).
  • Music Composition - Major Work, Performance. May, A., "Wandering Through the Same Dream", Luke Ellard and Erin Cameron, clarinetists, UNT, Denton, Texas, United States of America. (April 13, 2018 - April 13, 2018).
  • Music Composition - Major Work, Performance. Klein, J., Wilson, C., Joyner, W., McNutt, E., Luevano, K.C., May, A., Deane, C., Holt, J., Garcia, J., Shapiro, M., "Canetti-menagerie: A Surreal Soirée", UNT faculty ensemble, UNT, Dallas, TX, United States of America. (April 11, 2018 - April 11, 2018).
  • Music Composition - Major Work, Performance. May, A., "A Room Full of Ghosts", Texas New Music Ensemble / Meg Griffith, The Hideout, Austin, Texas, United States of America. (March 29, 2018 - March 29, 2018).
  • Music Performance - Participation. May, A., McNutt, E.B., "Gerhard Staebler, Siebzehn Augenblicke", Nova Ensemble, UNT, Denton, Texas, United States of America. (March 26, 2018 - March 26, 2018).
  • Music Performance - Free-lance. May, A., "Trio du Sang", Trio du Sang, Top Ten Records, Dallas, Texas, United States of America. (March 8, 2018 - March 8, 2018).
  • Music Composition - Major Work, Performance. May, A., Newton, K., "Awake, Dreaming", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, Texas, United States of America. (March 3, 2018 - March 3, 2018).
  • Music Performance - Participation. May, A., McNutt, E.B., "Form I / James Tenney", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, Texas, United States of America. (March 3, 2018 - March 3, 2018).
  • Music Composition - Major Work, Performance. May, A., "A Room Full of Ghosts", Texas New Music Ensemble / Meg Griffith, Modern Art Museum of Fort Worth, Fort Worth, Texas, United States of America. (March 1, 2018 - March 1, 2018).
  • Music Composition - Major Work, Performance. May, A., Polgar, E., "rien ne coule plus, ni larmes, ni sang, ni sons", Eva Polgar, UNT College of Music, Denton, Texas, United States of America. (February 17, 2018 - February 17, 2018).
  • Other. McNutt, E.B., May, A., Capparelli Gerling, D.C., Klein, J.P., Luevano, K.C., "House Taken Over", Sounds Modern, Modern Art Museum, Fort Worth, United States of America. (2017 - 2017).
  • Other. McNutt, E.B., Klein, J.P., May, A., "Cobra by John Zorn", Sounds Modern, Full City Rooster, Dallas, TX, United States of America. (2017).
  • Music Composition - Major Work, Publication. May, A., "rien ne coule plus, ni larmes, ni sang, ni sons", solo piano, United States of America. (2017).
  • Music Performance - Full Solo Recital. McNutt, E.B., May, A., "Faculty Recital: music of Sollberger, Furrer, May, Murail", Calliope Duo, UNT, Denton, TX, United States of America. (2017 - 2017).
  • Other. McNutt, E.B., May, A., "Electric EARth: Doug Aitken", Sounds Modern, Museum of Modern Art, Fort Worth, TX, United States of America. (2017 - 2017).
  • Other. McNutt, E.B., May, A., Capparelli Gerling, D.C., "Vanishing, by Andrew May", UNT, Denton, TX, United States of America. (2017 - 2017).
  • Music Performance - Free-lance. May, A., Espinel, M., "3 Improv Collabs", Full City Rooster, Dallas, Texas, United States of America. (December 9, 2017).
  • Music Composition - Major Work, Publication. May, A., "A Room Full of Ghosts (revision)", piccolo and computer (8 channels), United States of America. (September 2017 - November 2017).
  • Music Composition - Major Work, Performance. May, A., "A Room Full of Ghosts", Texas New Music Ensemble, Houston, Texas, United States of America. (November 18, 2017).
  • Music Composition - Major Work, Publication. May, A., "Wandering Through the Same Dream (revision)", two clarinets and computer, United States of America. (June 2017 - October 2017).
  • Music Composition - Major Work, Performance. May, A., "after Diebenkorn", Calliope Duo and Andrew May, College Music Society National Conference, San Antonio, Texas, United States of America. (October 27, 2017).
  • Music Composition - Major Work, Performance. May, A., "Wandering Through the Same Dream", Nova Ensemble, CEMIcircles Festival, Denton, Texas, United States of America. (October 21, 2017).
  • Music Composition - Major Work, Performance. May, A., "Ghost Dances", Sounds Modern, Fort Worth, Texas, United States of America. (September 23, 2017).
  • Music Composition - Major Work, Performance. May, A., "Flock-song", Andrew May, electric violin, Artists Enclave of Denton County, Denton, Texas, United States of America. (September 10, 2017).
  • Music Composition - Major Work, Performance. May, A., "Flower", Andrew May, electric violin, Artists Enclave of Denton County, Denton, Texas, United States of America. (September 10, 2017).
  • Music Composition - Major Work, Performance. May, A., "Calli", Calliope Duo, Nirmita Composers' Workshop, Bangkok, Thailand, Thailand. (July 16, 2017).
  • Music Composition - Major Work, Performance. May, A., "Calli", Calliope Duo, Texas Flute Symposium, Commerce, Texas, United States of America. (June 12, 2017).
  • Music Composition - Major Work, Performance. May, A., "Still Angry", Sounds Modern, Fort Worth, Texas, United States of America. (June 10, 2017).
  • Music Composition - Major Work, Performance. May, A., McNutt, E.B., "unsettled questions", Elizabeth McNutt, flute, SEAMUS National Conference, St. Cloud, Minnesota, United States of America. (April 22, 2017).
  • Music Composition - Major Work, Performance. May, A., "after Diebenkorn", Calliope Duo and Andrew May, UNT College of Music, Denton, Texas, United States of America. (March 29, 2017).
  • Music Composition - Major Work, Performance. May, A., "Awake, Dreaming", Andrew May, violin and Kourtney Newton, cello, Spectrum series, Denton, Texas, United States of America. (March 20, 2017).
  • Music Composition - Major Work, Performance. May, A., "Abstraction with Reference", Open Space Festival of New Music, Greeley, Colorado, United States of America. (March 10, 2017).
  • Music Composition - Major Work, Publication. May, A., "Vanishing (revision)", 3 soloists (flute, piano, percussion), 2 violas, 2 cellos, computer, United States of America. (October 2016 - February 2017).
  • Music Composition - Major Work, Performance. May, A., "Vanishing", Spectrum series, Denton, Texas, United States of America. (February 27, 2017).
  • Other. McNutt, E.B., Klein, J.P., May, A., "Cobra by John Horn", Sounds Modern, Dan's Silver Leaf, Denton, TX, United States of America. (2016).
  • Other. McNutt, E.B., Klein, J.P., May, A., "Dallas Art Museum Late Night", Sounds Modern, DMA and Earle Brown Music Foundation, Dallas, United States of America. (2016).
  • Music Composition - Major Work, Publication. May, A., "Abstraction with Reference", violin, clarinet, and piano, United States of America. (2016).
  • Music Conducting - Professional Ensemble, Regular. Klein, J.P., McNutt, E.B., May, A., "John Zorn: Cobra; Mark Applebaum: Tlön", Sounds Modern, Fort Worth Modern (Fort Worth TX), United States of America. (December 3, 2016).
  • Music Composition - Major Work, Performance. May, A., "Ada", Andrew May, electric violin, Third Practice Festival, Richmond, Virginia, United States of America. (November 4, 2016).
  • Music Composition - Major Work, Performance. May, A., "Abstraction with Reference", Triopolis Ensemble, University of North Texas, Denton, Texas, United States of America. (October 13, 2016).
  • Music Composition - Major Work, Performance. May, A., "Abstraction with Reference", Triopolis Ensemble, UNT on the Square, Denton, Texas, United States of America. (October 11, 2016).
  • Music Composition - Major Work, Performance. May, A., "Abstraction with Reference", Triopolis Ensemble, University of Oklahoma, Norman, Oklahoma, United States of America. (October 9, 2016).
  • Music Performance - Participation. Luevano, K.C., May, A., McNutt, E.B., Deane, C.J., Holt, J.H., Underriner, C.F., "Joseph Klein Faculty Recital-Die Tuckenfanger", University of North Texas, Denton, TX, United States of America. (September 2016).
  • Music Composition - Major Work, Performance. May, A., "Abstraction with Reference", Triopolis Ensemble, Ensemble 75, Dallas, Texas, United States of America. (September 25, 2016).
  • Music Composition - Major Work, Performance. May, A., "Calli", Calliope Duo, National Flute Association Convention, San Diego, California, United States of America. (August 12, 2016).
  • Music Composition - Major Work, Performance. May, A., "Chant/Songe", Mark Kleine, clarinet, Cincinnati Conservatory of Music, Cincinnati, Ohio, United States of America. (April 24, 2016).
  • Music Composition - Major Work, Performance. May, A., "Abstraction with Reference", Triopolis Ensemble, University of Houston, Houston, Texas, United States of America. (March 24, 2016).
  • Music Composition - Major Work, Performance. May, A., "Ada", Andrew May, electric violin, Inner sOUndscapes Festival, Norman, Oklahoma, United States of America. (March 24, 2016).
  • Music Composition - Major Work, Performance. May, A., "Flower", Andrew May, electric violin, Inner sOUndscapes Festival, Norman, Oklahoma, United States of America. (March 24, 2016).
  • Music Composition - Major Work, Performance. May, A., "unsettled questions", Elizabeth McNutt, flute, Inner sOUndscapes Festival, Norman, Oklahoma, United States of America. (March 24, 2016).
  • Music Composition - Major Work, Performance. May, A., "Ada", Andrew May, electric violin, SEAMUS National Conference, Statesboro, Georgia, United States of America. (February 12, 2016).
  • Music Composition - Major Work, Publication. May, A., "unset", 12-24 instrumentalists, 8 ESCAPE Units, percussion ad lib, Donald Judd's 15 untitled works in concrete, United States of America. (2015).
  • Music Composition - Major Work, Publication. May, A., "unsettled questions", flute and computer, United States of America. (2015).
  • Music Composition - Major Work, Performance. May, A., "Ripped-Up Maps", Jolene Masone, bassoon, UNT College of Music, Denton, Texas, United States of America. (November 10, 2015).
  • Music Composition - Major Work, Publication. Klein, J.P., Nelson, J.C., Kokoras, P., May, A., Stout, D.L., "An Unaware Cosmos; Cornell Set", Janacek Academy of Music & Performing Arts, Janacek Academy of Music & Performing Arts (Brno, Czech Republic), Czech Republic. (October 21, 2015).
  • Music Composition - Major Work, Performance. May, A., "unsettled questions", Elizabeth McNutt, flute, Sounds Modern, Fort Worth, Texas, United States of America. (October 17, 2015).
  • Music Composition - Major Work, Performance. May, A., McNutt, E.B., "unsettled questions", Elizabeth McNutt, flute, International Computer Music Conference, Denton, Texas, United States of America. (September 27, 2015).
  • Music Composition - Major Work, Performance. May, A., "unset", Sounds Modern Ensemble, Chinati Foundation, Marfa, Texas, United States of America. (August 1, 2015).
  • Music Composition - Major Work, Performance. May, A., "Tender Intervals", Esperanza, UNT on the Square, Denton, Texas, United States of America. (June 23, 2015).
  • Music Performance - Full Chamber Recital. May, A., Harlos, S.C., "Esperanza: Compositions and Improvisations for violin, cello, and piano", Esperanza, UNT On the Square, United States of America. (June 23, 2015).
  • Music Composition - Major Work, Performance. May, A., "Ripped-Up Maps", Pete Furniss, clarinet, Horten Chamber Music Festival, Horten, Norway, Norway. (June 20, 2015).
  • Music Composition - Major Work, Performance. May, A., "Ripped-Up Maps", Pete Furniss, clarinet, 2nd Workshop on Philosophy of Human+Computer Music, Sheffield, UK, United Kingdom. (May 27, 2015).
  • Music Composition - Major Work, Performance. May, A., "Tender Intervals", Sounds Modern, Modern Art Museum of Fort Worth, Fort Worth, Texas, United States of America. (May 16, 2015).
  • Music Performance - Full Chamber Recital. Harlos, S.C., May, A., McNutt, E.B., "Sounds Modern", Sounds Modern, Fort Worth Modern Art Museum, Fort Worth, TX, United States of America. (May 16, 2015 - May 16, 2015).
  • Music Composition - Other Work, Performance. May, A., "Folly", Andrew May, violin, UNT Composers' Forum, UNT on the Square, Denton, Texas, United States of America. (March 26, 2015).
  • Other. "A Room Ful of Ghosts (DuoInteraktiv)", Fort Lewis College, Durango, CO, (2012 - 2012).
  • Other. "A Room Full of Ghosts (DuoInteraktiv)", Baylor University, Waco, TX, (2012 - 2012).
  • Other. "A Room Full of Ghosts (DuoInteraktiv)", Florida Flute Convention, Orlando, FL, (2012 - 2012).
  • Other. "A Room Full of Ghosts (DuoInteraktiv)", National Flute Association Convention, Las Vegas, NV, (2012 - 2012).
  • Other. "Calli (Calliope Duo)", Search Results Festival of New American Music, Sacramento, CA, (2012 - 2012).
  • Other. "Chant/Songe (Odd Partials Duo)", New Frontiers Festival, Laramie, WY, (2012 - 2012).
  • Other. "Chant/Songe (Odd Partials Duo)", UNT on the Square, Denton, TX, (2012 - 2012).
  • Other. "Edgewise (Négyesy-Nykter Duo)", University of California, San Diego, (2012 - 2012).
  • Other. "Recyclers (Kansas City Electronic Music and Arts Alliance)", KC Soundwalk, Kansas City, MO, (2012 - 2012).
  • Other. "Ripped-Up Maps (Felix Olschofka, violin)", New West Electro Acoustic Music Organization Festival, San Diego, CA, (2012 - 2012).
  • Other. "Chant/Songe (Zhen Sun, clarinet); Ripped-Up Maps (Andrew May, violin)", SiChuan Conservatory of Music, Chengdu, China, (2012 - 2012).
  • Other. "Chant/Songe (Peter Furniss, clarinet); Ripped-Up Maps (Peter Furniss, clarinet); Altered In Transmission (Patti Cudd, vibraphone)", Hanyang University, Seoul, Korea, (2012 - 2012).
  • Other. "Frederic Rzewski, Coming Together (played violin part)", Modern Art Museum of Fort Worth, (2012 - 2012).
  • Other. "Sketches of Ghosts (Wayla Chambo, piccolo)", UNT Recital Hall, (2012 - 2012).
  • Other. "Sketches of Ghosts (Wayla Chambo, piccolo)", Cove Presbyterian Church, Covesville, VA, (2012 - 2012).
  • Other. "Sketches of Ghosts (Wayla Chambo, piccolo)", United Church of Chapel Hill, NC, (2012 - 2012).
  • Other. "After Diebenkorn (Calliope Duo with Andrew May, violin); Calli (Calliope Duo)", Modern Art Museum of Fort Worth, (2011 - 2011).
  • Other. "Calli (Calliope Duo)", Augsburg College, Minneapolis, MN, (2011 - 2011).
  • Other. "Calli (Calliope Duo)", UNT, Voertmann Hall, (2011 - 2011).
  • Other. "GR--V- (IRAMA Ensemble)", UNT Merrill Ellis Intermedia Theater, (2011 - 2011).
  • Other. "A Room Full of Ghosts (Elizabeth McNutt, piccolo)", Third Practice Festival, Richmond, VA, (2011 - 2011).
  • Other. "Calli (Calliope Duo)", Sonic Diasporas Festival, San Diego, CA, (2011 - 2011).
  • Other. "Chant/Songe (Amandy Bandeira de Araûjo, clarinet)", X Encontro Brasileiro de Clarinetistas, (2011 - 2011).
  • Other. "EnFolded Strings (Andrew May and NoiseFold)", UNT Merrill Ellis Intermedia Theater, (2011 - 2011).
  • Other. "Ripped-Up Maps (Jeremy Baguyos, bass)", Lawrence University Conservatory of Music, Appleton, WI, (2011 - 2011).
  • Other. "Ripped-Up Maps (Andrew May, violin)", UNT, Recital Hall, (2011 - 2011).
  • Other. "Ripped-Up Maps (Jeremy Baguyos, bass)", La Esquina, Kansas City, MO, (2011 - 2011).
  • Other. "Ripped-Up Maps (Felix Olschofka)", UNT, Voertmann Hall, (2011 - 2011).
  • Other. "Calli (Calliope Duo)", University of Wisconsin, Eau Claire, (2010 - 2010).
  • Other. "Charnel House (Pamela Paul, piano)", Festival de Nohant, France, (2010 - 2010).
  • Other. "Wandering Through the Same Dream (Clarion Synthesis Duo)", International Clarinet Association ClarinetFest, Austin, TX, (2010 - 2010).
  • Other. "Wandering Through the Same Dream (Clarion Synthesis Duo)", SEAMUS Conference, St. Cloud, MN, (2010 - 2010).
  • Other. "Shimmer (Eun Jun Oh, piano)", UNT In Korea Festival (Knokuk University, Baeksoek Arts University, Seoul, Korea), (2010 - 2010).
  • Other. "Still Angry (Tornado Project, with Andrew May, electronics)", Cincinnati Conservatory of Music, OH, (2010 - 2010).
  • Other. "Chant/Songe (Rachel Yoder, clarinet)", UNT, Merrill Ellis Intermedia Theater, (2010 - 2010).
  • Other. "The Twittering Machine; Retake (Elizabeth McNutt, flute)", Sonic Arts Lab, Queens University, Belfast, UK, (2010 - 2010).
  • Other. "Charnel House (Pamela Mia Paul, piano)", UNT Recital Hall, (2010 - 2010).
  • Other. "Ripped-Up Maps (Andrew May, violin)", University of Iowa, Cedar Rapids, IA, (2010 - 2010).
  • Other. "Ripped-Up Maps (Charles Lime, classical guitar)", University of Nebraska, Omeha, (2010 - 2010).
  • Other. "Sketches of Ghosts (Elizabeth McNutt, piccolo)", National Flute Association Convention, Anaheim, CA, (2010 - 2010).
  • Other. "101, dance to The Twittering Machine, choreography and dance by Mary Wohl Haan, video by AK Mullen, 2007", Nexus 2009, CU Boulder, (2009 - 2009).
  • Other. "Still Angry (Tornado Project)", International Computer Music Conference, Montreal, Canada, (2009 - 2009).
  • Other. "Still Angry (Tornado Project, with Andrew May, electronics)", SEAMUS Conference, Fort Wayne, IN, (2009 - 2009).
  • Other. "Chant/Songe (Peter Furniss, clarinet)", Shadow Play Concert, Hanyang University, Seoul, Korea, (2009 - 2009).
  • Other. "Still Angry (Tornado Project)", UNT, Merrill Ellis Intermedia Theater, (2009 - 2009).
  • Other. "Still Angry (Tornado Project)", Sonic Arts Lab, Queens University, Belfast, UK, (2009 - 2009).
  • Other. "Still Angry (Tornado Project)", University of Aberdeen, UK, (2009 - 2009).
  • Other. "Still Angry (Tornado Project, with Andrew May, electronics)", Arizona State University newcollege, Phoenix, AZ, (2009 - 2009).
  • Other. "Recyclers (Nova Ensemble)", eARTh Day Celebration, UNT, (2009 - 2009).
  • Other. "Recyclers (Nova Ensemble)", Modern Art Museum of Fort Worth, (2009 - 2009).
  • Other. "Treacherous Marbles (Leong-Cremaschi Duo)", University of Colorado, Boulder, (2008 - 2008).
  • Other. "Altered In Transmission (Julie Licata, vibraphone)", New Genre XV Festival, Tulsa, OK, (2008 - 2008).
  • Other. "Altered in Transmission (Julie Licata, vibraphone)", Now Music Festival, Columbus, OH, (2008 - 2008).
  • Other. "Sketches of Ghosts (Elizabeth McNutt, piccolo)", University of Oregon, Eugene, (2008 - 2008).
  • Other. "Still Angry (Tornado Project, with Andrew May, electronics)", New York University, NY, (2008 - 2008).
  • Other. "Treacherous Marbles (Leong-Cremaschi Duo)", UNT Recital Hall, (2008 - 2008).
  • Other. "Wandering Through the Same Dream (Rachel Yoder and Deanna Brizgys, clarinets)", UNT Merrill Ellis Intermedia Theater, (2008 - 2008).
  • Other. "Altered In Transmission (Julie Licata, vibraphone)", UNT, Merrill Ellis Intermedia Theater, (2008 - 2008).
  • Other. "Ripped-Up Maps (Jeremy Baguyos, bass)", University of Nebraska, Omaha, (2008 - 2008).
  • Other. "Flock (final section of Biome), choreography by Jodi Lomask to the musical work Singing Boxes", Capacitor, San Francisco, (2007 - 2008).
  • Other. "101, dance to The Twittering Machine, choreography and dance by Mary Wohl Haan, video by AK Mullen", Sans Souci Festival of Dance Cinema, Boulder, CO, (2007 - 2007).
  • Other. "Ripped-Up Maps (Andrew May, violin)", International Computer Music Conference, Copenhagen, Denmark, (2007 - 2007).
  • Other. "Still Angry (Tornado Project)", Mantis Festival, Manchester, UK, (2007 - 2007).
  • Other. "violinist, spoken word performer, and technologist", International Computer Music Conference, (2007 - 2007).
  • Other. "Electric LaTex Festival", hosted regional computer music festival at UNT, (2007 - 2007).
  • Other. Sonorities Festival, Belfast, Northern Ireland, (2007 - 2007).
  • Other. University of Oklahoma (recital), Norman, (2007 - 2007).
  • Other. May, A., "violinist, chamber music of Donatoni, May, Larsen, Mamlok, Reich, Cage, Tower, Feldman, Betkowski, Riley, Bach", Atomic Clock Music Ensemble, Boulder, Colorado, United States of America. (2004 - 2007).
  • Other. "Chant/Songe", Music from SEAMUS, volume 15, (2006 - 2006).
  • Other. "101, dance to The Twittering Machine, choreography and dance by Mary Wohl Haan and Haan Dances", Dairy Center for the Arts, Boulder, CO, (2006 - 2006).
  • Other. "violinist and technologist", SEAMUS national conference, Eugene, OR, (2006 - 2006).
  • Other. "violinist, music of Rzewski, Ives, Tenney conductor, Spectrum series, University of North Texas", Nova ensemble, University of North Texas, (2006 - 2006).
  • Other. "Music from CEMI, Synthèse Festival with Jon Christopher Nelson, co-organized a concert of student works", Bourges, France, (2006 - 2006).
  • Other. National Flute Association convention, (2006 - 2006).
  • Other. Society for Electro-Acoustic United States (SEAMUS) National Conference, (2006 - 2006).
  • Other. Synthèse Festival, Bourges, Frances, (2006 - 2006).
  • Other. University of Texas, Austin, (2006 - 2006).
  • Other. "lecture-recital", University of California, San Diego, (2006 - 2006).
  • Other. "violinist and technologist, CEMI Presents and Centerpieces concerts", University of North Texas, (2005 - 2006).
  • Other. "Electric LaTex Festivals (curate and organize proposals for concerts of student works at regional computer music festival)", University of Texas Austin 2005, Louisiana State University 2006, (2005 - 2006).
  • Other. "recital", Center for Experimental Music and Intermedia, University of North Texas, (2005 - 2006).
  • Other. "Wandering Through the Same Dream", Clarion Synthesis, (2005 - 2005).
  • Other. "Wandering Through the Same Dream: two clarinets and computer, 6'", (2005 - 2005).
  • Other. Spark Festival, Minneapolis, MN, (2005 - 2005).
  • Other. Third Practice Festival, University of Richmond, VA, (2005 - 2005).
  • Other. "recital", Digital Arts Conference Series, Bowling Green, OH, (2005 - 2005).
  • Other. "Pendulum: New Music at CU (6-8 concerts per year of student compositions projects in new music performance, guest performers)", UCB, (2001 - 2005).
  • Other. "Chant/Songe", F. Gerard Errante, (2004 - 2004).
  • Other. "Chant/Songe: clarinet and computer, 11'", (2004 - 2004).
  • Other. "violinist and technologist", Third International Festival of New Music, Las Vegas, NV, (2004 - 2004).
  • Other. "The Twittering Machine", KGNU 88.5, Boulder, (2004 - 2004).
  • Other. Boulder Museum of Contemporary Art, Colorado, (2004 - 2004).
  • Other. Most Significant Bytes Festival, Mount Union College, OH, (2004 - 2004).
  • Other. "from "Calamus"", SoYoung Lee, (2003 - 2003).
  • Other. "Tender Intervals", EAR Unit, (2003 - 2003).
  • Other. "from "Calamus": baritone voice, cello, piano, 6'", (2003 - 2003).
  • Other. "Tender Intervals: violin, cello, piano, 8'", (2003 - 2003).
  • Other. "Treacherous Marbles: piano duo, 9'", (2003 - 2003).
  • Other. "violinist, music of Stravinsky and Bartòk", CU Boulder Faculty Tuesdays, Boulder, CO, (2003 - 2003).
  • Other. "Ripped-Up Maps", Yekaterinburg City Radio, Russia, (2003 - 2003).
  • Other. "violinist, music of Spies, MacMillan, Campbell, Powell, May", Pendulum series, Boulder, CO, (2001 - 2003).
  • Other. "Edgewise", Négyesy–Nykter Duo, (2002 - 2002).
  • Other. "Edgewise: violin duo, 4 1/2'", (2002 - 2002).
  • Other. "love is the every only god (text: E.E. Cummings): SATB choir with soloists, 8'", (2002 - 2002).
  • Other. "Shimmer: piano and stereo recording, 12'", (2002 - 2002).
  • Other. "violinist, Notes from the Underground concert", King Center Recital Hall, Denver, CO, (2002 - 2002).
  • Other. "The Twittering Machine", Foldover program, WOBC FM 91.5, Oberlin, Ohio, (2002 - 2002).
  • Other. "The Twittering Machine", Virtual Concert Hall program, Resonance FM 104.4, London, England, (2002 - 2002).
  • Other. Electronic Music Midwest Festival (featured guest artist performances), (2002 - 2002).
  • Other. "recital", New Music Circle, St. Louis, MO, (2002 - 2002).
  • Other. "recital", Peabody Conservatory, Baltimore, MD, (2002 - 2002).
  • Other. "Workshop on Interaction", SEAMUS National Conference, Iowa City, (2002 - 2002).
  • Other. "Ghost Dances", Robert Damm, (2001 - 2001).
  • Other. "Shimmer", Shannon Wettstein, (2001 - 2001).
  • Other. "Clarion Arabesque: solo trumpet in c, 4'", (2001 - 2001).
  • Other. "Diatoms: solo electric guitar, 4'", (2001 - 2001).
  • Other. "Ghost Dances: violin and darabukka, 7'", (2001 - 2001).
  • Other. "Retake (with Elizabeth McNutt): flute (improvising) and computer, 8 – 10'", (2001 - 2001).
  • Other. "The Twittering Machine", on pipe wrench: flute + computer, EMF Media, (2000 - 2000).
  • Other. "Folly: violin (improvising) and computer (also violin solo), 6 – 8'", (2000 - 2000).
  • Other. "Vanishing (text: Ralph Waldo Emerson): flute/piccolo, piano, percussion, strings, computer, 22'", (2000 - 2000).
  • Other. "The Twittering Machine", Music from SEAMUS, volume 9, (1999 - 1999).
  • Other. "Promises of Babylon", SONOR Ensemble, dir. Harvey Sollberger, (1999 - 1999).
  • Other. "Cloning Dolly (with E. McNutt, H. Castle): piccolo, violin, and live computer-controlled electronics, 10 – 12'", (1999 - 1999).
  • Other. "Promises of Babylon (text: Andrew May): soprano, bass-baritone, and twelve instruments, 31'", (1999 - 1999).
  • Other. "Four Love Sonnets of Neruda", Canto Battuto, Switzerland, (1998 - 1998).
  • Other. "Four Love Sonnets of Neruda (text: Pablo Neruda): soprano and percussion, 27'", (1998 - 1998).
  • Other. "Sketches of Ghosts: solo piccolo, 8'", (1998 - 1998).
  • Other. "GR—V–", Vanessa Tomlinson, (1997 - 1997).
  • Other. "Altered in Transmission (revised version): vibraphone and computer, 15 – 20'", (1997 - 1997).
  • Other. "GR––V–: percussion (two players), 2 – 4'", (1997 - 1997).
  • Other. "ensemble violinist, SONOR (faculty ensemble)", UC San Diego Creative Ensemble, (1993 - 1997).
  • Other. "Insieme", on The Music of Claudio Spies, CRI (as violinist), (1996 - 1996).
  • Other. "Altered in Transmission", Brett Reed, (1996 - 1996).
  • Other. "The Twittering Machine", Elizabeth McNutt, (1996 - 1996).
  • Other. "Ripped-Up Maps (revised 2000, 2003): violin or other solo instrument (improvising) and computer, 6 – 10'", (1996 - 1996).
  • Other. "Solo for Three (revised version): C trumpet, percussion, and violin, 8 1/2'", (1996 - 1996).
  • Other. "Strategies: A Card Game: large improvising ensemble, 8 – 12'", (1996 - 1996).
  • Other. "guest conductor", GNOM, Baden, Switzerland, (1996 - 1996).
  • Other. "Aquì (text: Octavio Paz): soprano and flute, 1 1/2'", (1995 - 1995).
  • Other. "Chicago: Ten and Six to Eight (text: Andrew May): soprano, flute, percussion, cello, and piano, 17'", (1995 - 1995).
  • Other. "The Twittering Machine: flute and computer (version for flute and pre-recorded electronics: 1996), 7'", (1995 - 1995).
  • Other. "Marginalia", Erika Duke-Kirkpatrick, Robin Lorentz, (1994 - 1994).
  • Other. "Five Soliloquies for flute alone (revised version): solo flute, 8'", (1994 - 1994).
  • Other. "Frei, Aber Einsam: solo viola, 7'", (1994 - 1994).
  • Other. "Liberty of Movement: large conducted improvising ensemble, 5 – 10'", (1994 - 1994).
  • Other. "Marginalia: violin and cello, 10'", (1994 - 1994).
  • Other. "Suspensions: flute, violin and piano. 2'", (1994 - 1994).
  • Other. "guest violinist, Music Next Millenium", San Franciso, CA, (1994 - 1994).
  • Other. "guest violinist, Musics Alive!", Ventura County Symphony, (1994 - 1994).
  • Other. "ensemble violinist, New Century Players (faculty ensemble)", CalArts, (1991 - 1994).
  • Other. "Frei, Aber Einsam", Laura Kuennen-Poper, (1993 - 1993).
  • Other. "Confluence: violin and piano, 7 1/2'", (1993 - 1993).
  • Other. "Distorting Mirror: string quartet, 6'", (1993 - 1993).
  • Other. "Raging Against Their Chains: clarinet and percussion, 8'", (1993 - 1993).
  • Other. "Five Soliloquies for flute alone", Elizabeth McNutt, (1992 - 1992).
  • Other. "Drei Kleine Klavierstücke: solo piano, 4'", (1992 - 1992).
  • Other. "Informed Consent: solo instrument (improvising) and electronics, 5 – 7'", (1992 - 1992).
  • Other. "Prelude in B Minor: solo piano, 2 ½'", (1992 - 1992).
  • Other. "Vital Signs (texts: Andrew May): 13 rock songs (recorded), 48' total", (1992 - 1992).
  • Other. "Singing Boxes", Jonathan Dubay, (1991 - 1991).
  • Other. "Suite: Songs of Praise", Third Unitarian Church of Chicago, (1991 - 1991).
  • Other. "Singing Boxes: violin with pre-recorded electronics, 8 1/2'", (1991 - 1991).
  • Other. "Suite: Songs of Praise: oboe, clarinet, cello, and piano, 17'", (1991 - 1991).
  • Other. "Without Undue Concern", Yale Bach Society, (1990 - 1990).
  • Other. "construction/destruction (text: Anthony May): recorded electronics, 5'", (1990 - 1990).
  • Other. "Without Undue Concern: symphonic orchestra (with electric guitar and drum set), 15'", (1990 - 1990).

Media Contributions

    Internet

  • "Ross Feller, "Tornado Project" (review)," Computer Music Journal online. (2016).

    • Magazine

  • "UNT Research Magazine," Research Spring 2024. (March 2024).
  • ""Tornado Project" (review)," The Clarinet. (September 2016).

    • Radio

  • "Still Angry (Tornado Project CD)," WTUL 91.5 FM, New Orleans, LA. (August 31, 2015).
  • "Still Angry (Tornado Project CD)," Radio Horizon 93.9 FM, Johannesburg, South Africa. (August 27, 2015).

Contracts, Grants, Sponsored Research

    Fellowship

  • May, A., "Seeking Refuge: artist residency, Kimmel Harding Nelson Center for the Arts," sponsored by Kimmel Harding Nelson Center for the Arts, National, $600 Funded. (2021 - 2021).
  • May, A., "Institute for Advancement of the Arts Fellowship," sponsored by IAA, University of North Texas, $9000 Funded. (2017 - 2018).
  • May, A., "At Night in My City: Augmented-Reality Chamber Opera," sponsored by MacDowell Colony, International, Funded. (2018 - 2018).
  • May, A., "At Night in My City: Augmented-Reality Chamber Opera," sponsored by MacDowell Colony, International, Funded. (2018 - 2018).

    • Grant - Research

  • May, A., McNutt, E.B., "Sounds Modern performs Feldman and Brown," sponsored by Earle Brown Foundation, Private, $2000 Funded. (2016 - 2017).
  • May, A., "Scholarly and Creative Activity Grant: Vanishing revision," University of North Texas, $4700 Funded. ( - 2017).
  • May, A., "Emergency Grant: unset," sponsored by Foundation for Contemporary Arts, Private, $2000 Funded. (2015 - 2015).
  • May, A., "ORED Small Grant: Tornado Project post production," University of North Texas, $825 Funded. ( - 2015).
  • May, A., McNutt, E., "Sounds Modern performs Feldman and Brown," sponsored by Earle Brown Foundation, Private, Funded. (2016 - 2017).
  • May, A., "Emergency Grant: unset," sponsored by Foundation for Contemporary Arts, Private, Funded. (2015 - 2015).

Service

University Service

  • Committee Member, Faculty Advisory Committee. (January 2024 - Present).
  • Faculty Mentor, Composition Studies. (September 2022 - Present).
  • Committee Member, Composition Division Planning Committee. (2005 - Present).
  • University Senate Service, Faculty Senate. (September 2021 - August 2024).
  • Member, Composition Division PAC. (September 2023 - May 2024).
  • Member, Composition Division RPTC. (September 2023 - May 2024).
  • Member, Faculty Senate Committee on Committees. (September 2021 - May 2024).
  • Program Coordinator, Electronics concentration. (January 2022 - December 2023).
  • Member, Composition Division PAC. (September 2022 - May 2023).
  • Member, Composition Division RPTC. (September 2022 - May 2023).
  • Member, Web services committee. (September 2022 - May 2023).
  • Committee Member, Faculty Search Committee: Popular/Commercial Music. (August 2021 - June 2022).
  • Committee Chair, Composition Division PAC. (September 2021 - May 2022).
  • Committee Chair, Composition Division RPTC. (September 2021 - May 2022).
  • Host of Guest Artist, Music Now Series. (April 25, 2022 - April 25, 2022).
  • Host of Guest Artist, Music Now Series. (February 21, 2022 - February 21, 2022).
  • Program Coordinator, Music Now Series. (September 2021 - December 2021).
  • Director, Center for Experimental Music and Intermedia. (June 2019 - August 2020).
  • Committee Member, Composition Division PAC. (January 2019 - May 2020).
  • Member, Faculty Senate Committee on Committees. (October 2017 - May 2018).
  • University Senate Service, Faculty Senate. (September 2014 - December 2017).
  • Committee Member, Composition Division Admissions Committee. (2005 - 2017).
  • Chairperson, Composition Division Personnel Affairs Committee. (September 2016 - May 2017).
  • Director, Center for Experimental Music and Intermedia (CEMI). (2005 - 2016).
  • Member, College of Music Personnel Affairs Committee. (September 2015 - May 2016).
  • Chairperson, Composition Division Personnel Affairs Committee. (September 2015 - May 2016).
  • Other (lecture/performance series organizer), Music Now. (August 2015 - December 2015).
  • Reference Writer, alumnus Camilo Salazar. (2015).
  • Reference Writer, alumnus Chapman Welch. (2015).
  • Reference Writer, alumnus David Gedosh. (2015).
  • Reference Writer, alumnus Jason Fick. (2015).
  • Reference Writer, alumnus L. Scott Price. (2015).
  • Reference Writer, student Bradley Robin. (2015).
  • Reference Writer, student John Clay Allen. (2015).
  • Reference Writer, student Joseph Lyszczarz. (2015).
  • Reference Writer, student Martin Morgan. (2015).
  • Member, Initiative for Advanced Research in Technology and the Arts planning committee. (2008 - 2015).
  • Member, Composition Division Personnel Affairs Committee. (September 2014 - May 2015).
  • Member, UNT College of Music Composition search committee. (2011 - 2011).
  • Other, University of North Texas Scholarship Committee. (2006 - 2011).
  • Member, UNT College of Music Curriculum Committee. (2008 - 2010).
  • Member (Board member, collaborate in planning, coordination, and production of CD series on Centaur label), Consortium to Distribute Computer Music. (2005 - 2009).
  • Other (UNT State Employee Charitable Campaign representative), Division of Composition Studies. (2007 - 2007).
  • Other (UNT College of Music Faculty secretary), College of Music. (2006 - 2007).
  • Other, UNT College of Music Stringed Instrument Repair search committee. (2006 - 2006).
  • Other, UNT College of Music, Music Theory search committee. (2006 - 2006).
  • Other, UNT College of Music Composition search committee. (2005 - 2006).
  • Other, University of Colorado ATLAS Center Planning Committee. (2004 - 2005).
  • Other, University of Colorado Composition Search Committee. (2004 - 2005).
  • Other, University of Colorado Curriculum Committee. (2003 - 2005).
  • Other, University of Colorado Faculty Advisory Committee on Information Technology. (2002 - 2005).
  • Other (Director of Music Technology), University of Colorado Boulder. (2001 - 2005).
  • Other, University of Colorado Instructional Computing Working Group committee. (2001 - 2005).
  • Other, University of Colorado Pendulum Series Committee. (2001 - 2005).
  • Other (University of Colorado music representative), Educational Technology Facilities Coordination pilot. (2002 - 2002).
  • Other, University of Colorado Uses of Technology Group, Educational Technology Strategic Planning. (2001 - 2001).

Professional Service

  • Board of Advisors, Indiana University CECM. Denton, TX. (July 2022 - Present).
  • Other (Assistant Director), Sounds Modern. (2007 - Present).
  • Reviewer, Conference Paper, NYCEMF. New York, NY. (January 2023 - March 2023).
  • Reviewer, Grant Proposal, DAAD Prime Grants. Denton, Texas. (November 17, 2022 - February 5, 2023).
  • Other (Director for the Americas Region), International Computer Music Association. (2004 - 2008).
  • Other (Secretary and Treasurer), International Computer Music Association. (2004 - 2008).
  • Other (New music organization co-director), Atomic Clock Music Events. Denver and Boulder, CO. (2004 - 2007).

Consulting

  • Interactive software systems, computer audio hardware, live sound production and engineering, studio and live recording, (1992).
  • Peabody Trio concert, Nasher Sculpture Garden, (2006 - 2006).
  • Elizabeth McNutt, pipe wrench: flute + computer, (2000 - 2000).
  • Annett Recording Studio, UWL, (1997 - 1998).
  • FluteSource, (1996 - 1996).
  • University of California, San Diego, (1994 - 1994).
  • CalArts Spring Music Festival, Los Angeles, (1992 - 1992).