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Dr. Bernardo E. Illari

Associate Professor

University of North Texas

Department of Music History, Theory and Ethnomusicology

(940) 565-4528

Email: Bernardo.Illari@unt.edu

Education

  • PhD, University of Chicago, 2001
    Major: Music
    Specialization: Music History
  • MA, University of Chicago, 1995
    Major: Music
    Specialization: Music History
  • BA, Universidad Nacional de Córdoba, 1987
    Major: Music Composition

Professional Positions

  • Associate Professor, University of North Texas. University of North Texas. (2009 - Present).
  • Assistant Professor, University of North Texas. University of North Texas. (2001 - 2008).

Professional Memberships

  • Society for Seventeenth-Century Music. (January 2018 - Present).
  • International Musicological Society. (January 2017 - Present).
  • American Musicological Society. (1998 - Present).

Development Activities

  • Faculty Development Leave, Domenico Zipoli revisited: Cultural Genealogy and the Composer as Subject, University of North Texas. Lima (Peru), Concepción and San Ignacio de Moxos (Bolivia), Santiago (Chile), Denton,United States of America. (August 2018 - December 10, 2018).

Teaching

Teaching Experience

    University of North Texas

  • MUGC 5950 - Master's Thesis, 19 courses.
  • MUGC 6950 - Doctoral Dissertation, 34 courses.
  • MUMH 1600 - Music in Human Imagination, 3 courses.
  • MUMH 3500 - Music History and Literature to 1750, 11 courses.
  • MUMH 4070 - Operatic Literature, 1 course.
  • MUMH 4910 - Special Problems, 1 course.
  • MUMH 4920 - Senior Thesis in Music History, 1 course.
  • MUMH 5010 - Introduction to Research in Music, 11 courses.
  • MUMH 5020 - Introduction to Musicology, 3 courses.
  • MUMH 5030 - Advanced Issues in Music Research, 13 courses.
  • MUMH 5110 - History of Opera, 1 course.
  • MUMH 5332 - Western Music History, 1400 1600, 7 courses.
  • MUMH 5333 - Western Music History, 1600 1700, 18 courses.
  • MUMH 5430 - Music in Latin America, 6 courses.
  • MUMH 5500 - Music History and Literature to 1750, 6 courses.
  • MUMH 5630 - Performance Practice: Baroque, 4 courses.
  • MUMH 5711 - Proseminar in Musicology, 6 courses.
  • MUMH 5910 - Special Problems, 3 courses.
  • MUMH 6000 - Seminar in Musicology, 3 courses.
  • MUMH 6030 - Renaissance Music, 1 course.
  • MUMH 6080 - Chamber Music, 2 courses.
  • MUMH 6160 - Major Composers, 4 courses.
  • MUMH 6530 - Performance Practice: Baroque, 5 courses.
  • MUMH 6740 - Baroque Music, 4 courses.
  • MUMH 6900 - Special Problems, 6 courses.
  • MUMH 6910 - Special Problems, 4 courses.

Teaching at Other Institutions

  • Universidad de Valladolid (Spain), DIstinto percibir: Criollismo y sensibilidad en la música de La Plata (hoy Sucre, Bolivia), Fall 2021.
  • Universidad Nacional Autónoma de México, N/A Música y modernidad: Ser latinoamericano en los siglos 18 y 19, Spring 2016.
  • Colegio de San Jerónimo, Historia de la música en Hispanoamérica (History of Music in Spanish America), Spring 2015.

Directed Student Learning

  • Dissertation Committee Co-Chair, Instrumental Studies. (November 15, 2023).
  • Dissertation Committee Member, Other - Outside UNT. (September 2022).
  • Dissertation Committee Co-Chair, Instrumental Studies. (August 2022).
  • Major Professor, Music History, Theory and Ethnomusicology. (2016).
  • Related Field Professor, Instrumental Studies. (September 2022 - November 11, 2024).
  • Dissertation Committee Co-Chair, "Brazilian Adaptations of Baroque and Classical Elements in the Piano Sonata in F minor, Op. 9 by Alberto Nepomuceno," Instrumental Studies. (October 2022 - May 2023).
  • Doctoral Advisory Committee Member, "The Nexus of Old and New, East and West: A Harmonic and Formal Analysis of Chen Qigang's La Joie de la Souffrance with reference to the Compositional Influence of Olivier Messiaen," Instrumental Studies. (April 2022 - May 2023).
  • Dissertation Committee Co-Chair, "Antonio María Valencia’s “Dúo en forma de sonata”: An International Approach to Colombian National Music.," Instrumental Studies. (August 2020 - November 7, 2022).
  • Major Professor, "Dido the Chaste: A Characterization of Dido in Spanish Baroque Pasticcio Opera," Music History, Theory and Ethnomusicology. (August 2020 - March 4, 2022).
  • Dissertation Committee Member, Instrumental Studies. (September 2019 - November 2021).
  • Related Field Professor, Music History, Theory and Ethnomusicology. (August 2017 - November 24, 2021).
  • Dissertation Committee Co-Chair, Keyboard Studies. (October 2019 - October 15, 2021).
  • Dissertation Committee Co-Chair, Instrumental Studies. (November 2019 - April 27, 2021).
  • Other (Second evaluator for related-field exam of doctoral student), Music History, Theory and Ethnomusicology. (November 2020 - February 2, 2021).
  • Related Field Professor, Instrumental Studies. (February 2020 - March 27, 2020).
  • Dissertation Committee Member, "Re-Assessing Nationalism in the Art Songs of Jaime León," Instrumental Studies. (March 2018 - March 7, 2020).
  • Dissertation Committee Member, Instrumental Studies. (May 2017 - July 2019).
  • Dissertation Committee Member, Instrumental Studies. (January 2017 - April 2018).
  • Major Professor, "La música para tecla de las misiones jesuíticas de Chiquitos: la importación de repertorio y la composición musical en las misiones del Paraguay.," Other - Outside UNT. (2009 - November 28, 2017).
  • Major Professor, "Opera in Argentine Society: Felipe Boero's El Matrero," Music History, Theory and Ethnomusicology. (2012 - April 26, 2017).
  • Master's Thesis Committee Member, "Looking through a Different Lens, Beyond Censorship: The American Reception of "Lady Macbeth of the Mtsensk District"," Music History, Theory and Ethnomusicology. (2015 - August 2016).
  • Dissertation Committee Member, "THE USE OF THE TRUMPET IN EARLY SEVENTEENTH CENTURY SPANISH MUSIC DRAMAS: A COMPARATIVE ANALYSIS OF SELECTED WORKS BY SEBASTIÁN DURÓN, JOAQUÍN MARTÍNEZ DE LA ROCA, AND ALESSANDRO SCARLATTI," Instrumental Studies. (2014 - June 24, 2016).
  • Master's Thesis Committee Member, "The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps," Music History, Theory and Ethnomusicology. (2014 - December 2015).
  • Related Field Professor, "TONALITY AND THE EXTENDED COMMON PRACTICE IN THE MUSIC OF THAD JONES," Music History, Theory and Ethnomusicology. (2011 - May 2015).
  • Dissertation Committee Member, "Carlos Guastavino’s Sonata Para Trombón O Trompa Y Piano: Analysis of Argentine Song and Formal Western Music Tradition Applied to Trombone Repertoire," Instrumental Studies. (2013 - August 2014).
  • Related Field Professor, "The Changing Symbolic Images of the Trumpet: Bologna and Venice in the Seventeenth Century," Instrumental Studies. (August 2013 - March 4, 2014).

Awards and Honors

  • Premio Graffiti 2021 to the best Uruguayan CD of Classical music, Premios Graffiti (www.premiosgraffiti.com.uy). (September 22, 2021).
  • 2015 Bruno Nettl Prize for the History of Ethnomusicology, Society for Ethnomusicology. (2015).
  • Otto Mayer-Serra Award, University of California, Riverside. (2014).

Research

Published Intellectual Contributions

    Annotated edition of a late mentor's article

  • Illari, B., Huseby, G. (2018). “Una reformulación del canto litúrgico en las Misiones chiquitanas”. Músicas coloniales a debate: procesos de intercambio euroamericanos, edited by Javier Marín. 103-115. Madrid, Instituto Complutense de Ciencias Musicales.

    • Book

  • Illari, B.E. (2011). Domenico Zipoli: Para una genealogía de la música "clásica" latinoamericana.
  • Illari, B.E. (2009). Juan Pedro Esnaola, Cuaderno de música (1844). [ Facsimile edition with a preliminary study by Bernardo Illari]..

    • Book Chapter

  • Illari, B. (2020). La estrella, la sangre y la cruz: "La púrpura de la rosa" en dos villancicos de Chuquisaca. Celebración y sonoridad en Hispanoamérica (siglos XVI-XIX), ed. by Anastasia Krutiskaya. 367-410. Morelia, Universidad Nacional Autónoma de México. Escuela Nacional de Estudios Superiores Unidad Morelia.
  • Illari, B. (2019). Agudeza de villancico: Los plumajes de Torrejón (Conceit of the Villancico: Torrejón’s Plumages).. El villancico en la encrucijada: nuevas perspectivas en torno a un género literario-musical (siglos XV-XIX), edited by Javier Marín and Esther Borrego. Kassel, Reichenberger.
  • Illari, B. (2018). Martin Schmid, músico: apuntes para una genealogía (Martin Schmid as Musician: Notes for a Genealogy). Músicas coloniales a debate: procesos de intercambio euroamericanos, edited by Javier Marín. 209-241. Madrid, Instituto Complutense de Ciencias Musicales.
  • Illari, B., Mansilla, S.L. (2015). Estrategias modales de Guastavino. Estudios sobre Carlos Guastavino. 17-50.
  • Illari, B., Cámara, E. (2015). Vega: Nacionalismos y (a)política. Estudios sobre la obra de Carlos Vega. 137-185. Buenos Aires, Gourmet Musical.
  • Illari, B., Plesch, M. (2014). ¿Son modos? Tonos y salmodia en Andrés Lorente. Analizar, interpretar, hacer música: De las Cantigas de Santa María a la organología. Escritos In Memoriam Gerardo Huseby. 289-326. Buenos Aires, Gourmet Musical.
  • Tess Knighton and Geoff Baker. (2010). The Slave's Progress: Music as Profession in Criollo Buenos Aires. Music and Urban Society in Colonial Latin America.

    • Book Review

  • Illari, B. (2017). Sacred Music from Eighteenth-Century Boliva. Review of Un ciclo musical para la vida en la misión Jesuítica: los cuadernos de ofertorios de San Rafael, Chiquitos (S.XVIII), editados por Leonardo Waisman et al (Córdoba, Argentina: Editorial Brujas, 2015).. Notes, Quarterly Journal of the Music Library Association. 74 (2) 303-306. Philadelphia,

    • CD liner notes

  • Illari, B. (2017). Cuzco: Órganos de la catedral de Cusco. Barcelona,
  • Illari, B. (2015). A Musical Celebration of the Organ of Cadaquès. CD title: A la Dansa! A Contemporary Celebration of the Cadaqués Organ, performed by Cristina García Banegas. Barcelona,

    • Journal Article

  • Illari, B. (2020). Ideas de Sumaya (Sumaya's Ideas). Other. 47 (2) 587-628. Madrid, Sociedad Española de Musicología.
  • Illari, B. (2016). La música que libera: profesionales afroamericanos y conflicto interétnico en el Cono Sur (1760-1800). Boletín Musica. New Era, 44 3-39. Havana, Casa de las Américas.
  • Illari, B. (2015). “¿Una nueva y gloriosa nación? Retórica y subjetividad en la Marcha patriótica rioplatense de 1813. Latin American Music Review. 36 (1) 1-39. Austin, Texas,
  • Illari, B. (2014). De México a la Asunción: Preámbulos musicales y misionales a las prácticas jesuítico-guaraníes. Cuadernos de Música Iberoamericana. (25-26) 189-202. Madrid, Universidad Complutense de Madrid.
  • Illari, B.E. (2010). Esnaola contra Rosas.
  • Illari, B.E. (2009). Relevés d'apprenti: La formación profesional del compositor Esnaola.

    • Other

  • Illari, B., García Banegas, C. (2020). Zipoli: Olvidados y Ocultos (Zipoli: forgotten and hidden pieces). 10. Montevideo, www.perroandaluz.com

Presentations Given

    Invited Talk

  • Illari, B. (Author & Presenter), V Jornadas de música antigua. De la fuente a la interpretación, La elocuencia musical del Barroco: ¿retórica o realidad (Musical Eloquence of the Baroque Period: Rhetoric or Reality?)., Universidad de Valladolid, Valladolid, Spain. (2018).
  • Illari, B. (Author & Presenter), Contrapuntos estratégicos: Antonio Durán de la Mota como criollo, Universidad Católica Argentina, Buenos Aires, Argentina, Argentina. (2017 - 2017).
  • Illari, B. (Author & Presenter), Colonial Conundrums: Persistence and Change in South American Music, National Taiwan University, Taipei, Taiwan, Taiwan. (2017 - 2017).
  • Illari, B. (Author & Presenter), ARLAC (IMS regional) meeting, Criollismos musicales peruanos: Orejón y Mesa, University of Cartagena, Cartagena de Indias, Colombia. (2015 - 2015).
  • Illari, B. (Author & Presenter), ARLAC (IMS Regional) Meeting, Martin Schmid (1694-1772), músico: apuntes para una genealogía, University of Cartagena, Cartagena de Indias, Colombia. (2015 - 2015).

    • Keynote/Plenary Address

  • Illari, B. (Author & Presenter), Congreso internacional “Celebración y sonoridad”, Diferencia del villancico misional: Chiquitos y Moxos, Universidad Nacional Autónoma de México (Morelia campus), Morelia, Mexico, Mexico. (2019 - 2019).

    • Lecture

  • Illari, B.E. (Author & Presenter), Festival "Música de dos mundos", Dos Misas, dos épocas, dos afectos (Two Masses, Two Eras, Two Affections), Secretary of Culture, Argentina; Secretary of Culture, city of Córdoba, Colegio Nacional de Montserrat, Córdoba (Argentina), Argentina. (2022).
  • Illari, B.E. (Author & Presenter), Semana de la música antigua, “Músicas paralelas. Inspiraciones translatlánticas de América nuestra” (Parallel Musics: Transatlantic Inspirations of América Nuestra), Conservatorio Superior de Música “Manuel de Falla”, Ciudad Autónoma de Buenos Aires (Argentina), Argentina. (2022).
  • Illari, B. (Author & Presenter), António Durão da Mota, compositor português, Universidade Nova de Lisboa, Lisbon, Portugal, Portugal. (2020 - 2020).
  • Illari, B. (Author & Presenter), ¿Pura fantasía o canto antiguo? El canto gregoriano en la Córdoba del siglo XVIII, Archivo Histórico de la Provincia de Córdoba, Córdoba, Argentina, Argentina. (2016 - 2016).

    • Oral Presentation

  • Illari, B. (Author & Presenter), March Meeting of the Grupo de Estudos de Música Antiga, Conceit of the Villancico: Torrejón’s Plumages, CESEM, Universidade Nova, Lisboa, Portugal. (2018).
  • Illari, B. (Author & Presenter), International meeting, Music, Inclusion and Erasure: The Jesuit Missions of Paraguay., International musicological society, University of the Arts, Tokyo, Japan. (2017).

    • Other

  • Illari, B.E. (Chair), VI Congreso de la Asociación Regional para América Latina y el Caribe de la Sociedad Internacional de Musicología, Transferencias transoceánicas: Migraciones musicales de España a las Indias, ARLAC/IMS, Universidad Nacional Autónoma de México, Mexico City, Mexico. (2024).
  • Illari, B.E. (Chair), Medieval and Renaissance Music Conference, Vicente Lusitano’s Liminality: Counterpoint and Composition, Iberia and Italy, University of Granada, Spain, Granada, Spain, Spain. (2024 - 2024).

    • Panel Presentation

  • Bakulina, E. (Coordinator/Organizer), Heidlberger, F.M. (Panelist), Virani, V. (Panelist), Illari, B.E. (Panelist), Music and Cultural Transfer: the case of Russian Theories of Music, UNT, United States of America. (2019 - 2019).

    • Paper

  • Illari, B.E. (Author & Presenter), Medieval and Renaissance Music Conference, Lusitano's Manifold Positioning: The Tensions of a Sixteenth Century Subject, University of Granada, Spain, Granada, Spain, Spain. (2024).
  • Illari, Bernardo , B.E. (Author & Presenter), Polyphonic Culture: Early music on the 21st-Century Horizon, Latin America: Local-born Polyphonies?, Ohio State University, Columbus, Ohio, United States of America. (2023).
  • Illari, Bernardo, B.E. (Author & Presenter), National Meeting, Motet persona: Vicente Lusitano, polyphonist of color, and his quest for legitimacy, American Musicological Society, Denver, Colorado, United States of America. (2023).
  • Illari, Bernardo, B.E. (Author & Presenter), Lost and Found: Traces of Early Music. An International Colloquium on Fragmentology, Tiny Remains of the Most Brilliant Day: Jesuit-Guarani Music Fragments, Communication, and the Amerindian Self,, Universidade Nova, Lisbon, Cascais, Portugal, Portugal. (2023).
  • Illari, Bernardo E, B.E. (Author & Presenter), Music’s Institution and the (De) Colonial, Music to Empower the Colonized Self: Reverse Assimilation in South America (to 1920), Lund University, Lund, Sweden, Sweden. (2023).
  • Illari, B.E. (Author & Presenter), Musicology’s Modernist Moment, 1918-1933, Modernism in Tension: Carlos Vega, Julián Ribera, and Argentine Folk Musicology, Institut für Musikwissenschaft at the University of Vienna, Vienna, Austria, Austria. (2024).
  • Illari, B.E. (Author & Presenter), National Meeting, Style Change as Tactical Repositioning: José Maurício Nunes Garcia as a Black Colonial Subject, American Musicological Society, Chicago, IL, United States of America. (2024).
  • Illari, B.E. (Author & Presenter), Ethnographic and Historical Perspectives on Music. Calling Disciplinary Distinctions into Question, Musical Clues and their Cultural Correspondences: Ethnographic Fragments of Indigenous Latin America, Royal Academy of Letters, Sweden, Stockholm, Sweden, Sweden. (2024).
  • Illari, B.E. (Author & Presenter), VI Congreso de la Asociación Regional para América Latina y el Caribe de la Sociedad Internacional de Musicología, Impronta lusitana en la música barroca de Charcas: Antonio Durán de la Mota en Potosí y Chuquisaca, ARLAC/IMS, Universidad Nacional Autónoma de México, Mexico City, Mexico. (2024).
  • Illari, B.E. (Author & Presenter), Annual Meeting of the SSCM, Kerll Goes to the Paraguay Missions but Suffers in the Process: Jesuit Arrangements and Amerindian Choices, Society for Seventeenth-Century Music, Princeton, New Jersey, United States of America. (2024 - 2024).
  • Illari, B.E. (Author & Presenter), XVIII International Conference on the Jesuit Missions, Música barroca, subjetividad y cambio: los guaraníes en el siglo XVII (Baroque Music, Subjectivity, and Change: The Guarani in the 17th Century), Universidad de la República and Museo Histórico Nacional, Montevideo, Uruguay, Uruguay. (2022).
  • Illari, B.E. (Author & Presenter), Musical Interactions, 1400–1650, López’s Interactive Wit: A Late Mexican Flowering of Franco-Flemish Seeds, Charles University (Prague), Katholieke Universiteit Leuven, Prague (Czech Republic), Czech Republic. (2022).
  • Illari, B. (Author & Presenter), National Meeting, American Musicological Society, Durán’s Gift: The Portuguese Seeds of Chuquisaca’s Musical Identification, American Musicological Society, United States of America. (2021).
  • Illari, B. (Author & Presenter), Bienal de música isabelina 2020 – jornadas de estudio, Canción, pensamiento y sociedad: el cosmopolitismo en el Buenos Aires de Rosas (1829-1852), Madrid, Spain (remotely), Spain. (2021).
  • Illari, B. (Author & Presenter), Annual meeting, Society for Seventeenth-Century Music, Hanacpachap Cussicuinin: Music as Intercultural Communication (Peru, 1631), University of Oregon, Oregon (remotely), United States of America. (2021 - 2021).
  • Illari, B. (Author & Presenter), Naturalising Sounds: How Instrumental Music Is Made National, Ginastera: A National Self-Discourse and its Tensions, Universität Regensburg, Germany, Regensburg, Germany (remotely), Germany. (2021 - 2021).
  • Illari, B. (Author & Presenter), Popular Songs in the 19th Century, Popular Music as Nation Building: Tertulia Songs in Buenos Aires, 1810-1840, Centro Studi Opera Omnia Luigi Boccherini, Lucca, Italy, Italy. (2019 - 2019).
  • Illari, B. (Author & Presenter), Musicology or Ethnomusicology? Discussing Disciplinary Boundaries in Non-Western Art Music, Musicological Complexity and the Mid-Nineteenth-Century Tertulia Song: The Case of Juan Pedro Esnaola in Buenos Aires, University of Cambrige, Cambridge, UK, United Kingdom. (2019 - 2019).
  • Illari, B. (Author & Presenter), Symposium Modernisation of Musical Traditions: Global Perspectives, Negotiated Renewal as Paradigmatic Shift: Spanish Tradition and Italian Modernisation in Eighteenth-Century Latin American Music, International Network for a Global History of Music (ICTM), Universidade Nova, Lisbon, Portugal, Portugal. (2019 - 2019).
  • Illari, B. (Author & Presenter), Annual Conference, Musical Wit of the Mexican Motet: Francisco López’s Creative Anachronism, Society for Seventeenth-Century Music, Boulder, Colorado, United States of America. (2018).
  • Illari, B. (Author & Presenter), V Coloquio de Musicología, ¡Fuera, fuera! de nuevo: un modelo ambivalente de sociedad criolla, Universidad Nacional Autónoma de México, sede Morelia, Morelia, Mexico, Mexico. (2017 - 2017).
  • Illari, B. (Author & Presenter), International meeting, A National Symphony—with a Twist: Argentine Alberto Williams’ Witch of the Mountains (1910)., International Musicological Society, University of the Arts, Tokyo, Japan. (2017 - 2017).
  • Illari, B. (Author & Presenter), International meeting, Ideas de Sumaya: Una retórica deliberativa al servicio de la música, International musicological society, University of the Arts, Tokyo, Japan. (2017).
  • Illari, B. (Author & Presenter), Second ARLAC-IMS conference, Complejidad tópica del Occidentalismo: la Sorcière de Williams, University Alberto Hurtado, Santiago de Chile, Chile. (2016 - 2016).
  • Illari, B. (Author & Presenter), The Global Music Culture of the Catholic Missions in the 17th-18th centuries, Guarani Mission Music: Colonial Assimilation and its Limits, Balzan Foundation and University of London, King's College, London, United Kingdom. (2015 - 2015).

Artistic and Professional Performances and Exhibits

  • Other. Illari, B.E., "Córdoba, Lima, Chiquitos y Charcas: Barroco Sudamericano", Confluencia Barroca, Festival "Música de dos mundos", Carmelite church, Córdoba, Argentina, Argentina. (July 15, 2023).
  • Other. Illari, B.E., "Devoción y Drama: Música Barroca del Pasado Cordobés", Seminario de Canto del Teatro, Confluencia Barroca, Festival Música de Dos Mundos, Cathedral church, Córdoba, Argentina, Argentina. (July 6, 2023).
  • Other. Illari, B., Kraemer, M., ""América, Música, Diferencia" (Latin America, Music, Difference)", Rare Fruit Council, Festivalul de Muzica Veche (Early Music Festival), Timisoara, Romania. (September 28, 2019 - September 28, 2019).
  • Music Performance - Guest Artist Lecture Recital. Illari, B., García Banegas, C., "Música e Investigación: Domenico Zipoli en Latinoamérica", Cristina García Banegas, organist, Universidad Católica del Uruguay, Montevideo, Uruguay. (May 31, 2019 - May 31, 2019).
  • Music Composition - Major Work, Performance. Illari, B., "Canciones de García Lorca", Kathryn Mueller, soprano; Eric Stellrecht, piano, East Carolina University, School of Music, Greenville, North Carolina, United States of America. (September 14, 2017 - September 14, 2017).
  • Other. Illari, B., "“Lágrimas que son tan bellas”: Tonos humanos from the Olmeda Collection", Meridionalis, dir. by Sebastian Zubieta, Hispanic Society of America, New York City Department of Cultural Affairs in partnership with GRoW @ Annenberg, and the Spain Culture New York-Consulate General of Spain., New York City, NY, United States of America. (May 18, 2017 - May 18, 2017).
  • Other. Illari, B., "Santa Rosa de Lima", Meridionalis, dir. by Sebastian Zubieta, Hispanic Society of America, New York City Department of Cultural Affairs in partnership with GRoW @ Annenberg, and the Spain Culture New York-Consulate General of Spain., New York City, NY, United States of America. (April 27, 2017 - April 27, 2017).
  • Other. Illari, B., "Luna sin mancha, Sol sin ocaso", Meridionalis, dir. by Sebastian Zubieta, Americas Society, Hispanic Society of America, New York city, NY, United States of America. (December 8, 2016 - December 8, 2016).
  • Other. Illari, B., "Vísperas y Misa de San José en la Puebla de los Ángeles", Meridionalis; Ars Longa de La Habana, dir. by Sebastian Zubieta, Americas Society and Festival de Música Antigua Esteban Salas, Havana, Cuba, Cuba. (February 21, 2016 - February 21, 2016).
  • Other. Illari, B., "Clasicismos del Río de la Plata", Ellos (vocal ensemble) and La Barroca del Suquía (period instrument orchestra), dir. by Manfredo Kraemer, Centro Cultural Kirchner, Buenos Aires, Argentina, Argentina. (November 12, 2015).
  • Other. Illari, B., "Music of Francisco López Capillas", Meridionalis, dir. by Sebastian Zubieta, Americas Society, Hispanic Society of America, New York city, NY, United States of America. (April 27, 2015 - April 27, 2015).

Contracts, Grants, Sponsored Research

    Grant - Research

  • Illari, B.E., "Documenting Durán: The Early Life of a Baroque Composer Who Opposed Colonialism," sponsored by UNT, University of North Texas, $2000 Funded. (2022 - 2022).
  • Illari, B. (Principal), "The Indo-Jesuit Musics of Moxos (Bolivian Amazon)," University of North Texas, $5000 Funded. (2019 - 2019).

Service

University Service

  • Committee Member, Ad Hoc Workload Committee. (November 20, 2024 - Present).
  • Other (De facto chairperson), Ad-hoc committee for writing a letter to the Dean about early music. (February 2024 - Present).
  • Committee Member, RPTC/PAC. (August 2022 - Present).
  • Other (Area coordinator), Musicology area. (August 2024 - May 2027).
  • Other (Area coordinator (interim)), Musicology area. (August 2023 - May 2024).
  • Committee Member, Graduate Preformance Degree Committee. (August 2019 - May 2024).
  • Chairperson, Search Committee for tenure-track position in musicology, pre-1750 specialty. (September 2023 - March 2024).
  • Other (I first served as committee member and was appointed chair replacing Dr. Peter Mondelli), Search Committee for tenure-track position in musicology, pre-1750 specialty. (November 2022 - April 2023).
  • Other (Editor), GPDC. (August 2022 - September 2022).
  • Chairperson, Search Committee for tenure-track position in musicology, 20-21st century specialty. (September 2021 - April 2022).
  • Committee Member, Division RPTC - PAC. (August 2017 - May 2020).
  • Committee Member, Lecture committee. (2002 - May 2020).
  • Committee Member, Graduate Degrees Academic Committee. (2014 - May 2019).
  • Co-Director, Digital Ficta project. (April 2017 - September 2018).
  • Other (Program notes writer), Dallas Symphony Orchestra on the Go. (September 16, 2018).
  • Committee Member, Diversity committee. (2002 - May 2018).
  • Committee Member, Admissions committee. (March 2016 - May 2016).
  • Committee Member, Music theory search. (November 2015 - February 2016).

Public Service

  • Other (Artistic director), Festival "Música de dos mundos". Córdoba, Córdoba. (September 2022 - Present).

Professional Service

  • Editorial Review Board Member, Universidad Complutense de Madrid, Instituto Complutense de Ciencias Musicales, Cuadernos de Música Iberoamericana. (January 2021 - December 2025).
  • Reviewer, Ad Hoc Reviewer, FONDECYT Chile. (November 15, 2021).
  • Reviewer, Ad Hoc Reviewer, Oxford University Press. (October 8, 2021 - October 8, 2021).
  • Committee Member, American Musicological Society, Palisca Award Committee. (August 2019 - July 2021).
  • Committee Member, University of Illilnois at Urbana-Champaign: dissertation committee, Christopher Manson. (November 2020 - April 5, 2021).
  • Reviewer, Ad Hoc Reviewer, Harvard University, Villa I Tatti. (August 13, 2020 - October 8, 2020).
  • Reviewer, Journal Article, Revista Musical Chilena (Universidad de Chile). (March 8, 2019 - July 3, 2019).
  • Other (Contributor, scanning project), Facultad de Artes, Universidad de Chile. (April 2, 2019 - May 10, 2019).
  • Reviewer, Journal Article, Resonancias (Universidad Católica de Chile). Santiago de Chile, Chile. (February 4, 2019 - May 4, 2019).
  • Reviewer, Book, University of California Press. (September 14, 2018 - October 22, 2018).
  • Reviewer, Journal Article, American Musicological Society. (July 12, 2018 - July 19, 2018).
  • Reviewer, Journal Article, Asociación Argentina de Musicología (Argentine Musicological Society). (2015).
  • Reviewer, Journal Article, Tulane University, New Orleans. (2015).
  • Committee Member, University of California at Riverside, Otto Mayer-Serra international prize in musicology. (2015).