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Dr. Courtney B. Donoghue

Associate Professor

University of North Texas

Department of Media Arts

Email: Courtney.Donoghue@unt.edu

Education

  • PhD, University of Texas at Austin, 2011
    Major: Radio, Television, and Film
    Specialization: Media Studies
    Dissertation: “Lighting Up Screens Around the World”: Sony’s Local Language Production Strategy Meets Contemporary Brazilian and Spanish Cinema
  • MA, University of Texas at Austin, 2006
    Major: Radio, Television, and Film
    Specialization: Media Studies & Latin American Studies
    Dissertation: A retomada do cinema brasileiro: Rebirth and commercialization of the contemporary Brazilian film industry
  • BA, Texas A&M University - College Station, 2004
    Major: English Literature
    Specialization: Film Studies

Professional Positions

    Academic - Post-Secondary

  • Associate Professor, Oakland University. Oakland University. (2018 - 2019).
  • Assistant Professor, Oakland University. Oakland University. (2012 - 2018).

Professional Memberships

  • Film Festival Research Network. (2020 - Present).
  • Women's Film and Television History Network. (2019 - Present).
  • International Communication Association. (2012 - Present).
  • Society for Cinema and Media Studies. (2006 - Present).

Development Activities

  • Other (International Film Festival: screenings, panels, & fieldwork), Toronto International Film Festival, Toronto International Film Festival. Toronto,Canada. (September 7, 2023 - September 12, 2023).
  • Other (International Film Festival: screenings, panels, & fieldwork), Toronto International Film Festival, Toronto International Film Festival. Toronto,Canada. (September 9, 2022 - September 16, 2022).
  • Other (International Film Festival and Market), Cannes Film Festival, Cannes Film Festival. Cannes,France. (May 17, 2022 - May 28, 2022).
  • Workshop, CLASS Tenure & Promotion Session, CLASS, UNT. United States of America. (April 2022).
  • Workshop, Working with Inclusive Pedagogy and Cultural Responsiveness, Faculty Success, Office of the Provost. United States of America. (October 19, 2021).
  • Workshop, Promotion and Tenure Workshop, Office of the Provost, UNT. United States of America. (April 19, 2021).
  • Other (Session), CLASS Promotion & Tenure Information Session, College of Liberal Arts and Sciences, UNT. United States of America. (April 8, 2021).
  • Workshop, Grantsmanship for the Arts and Humanities Workshop, Office of Research and Innovation, UNT. United States of America. (April 5, 2021 - April 8, 2021).
  • Seminar, Faculty First Flight, Center for Learning, Experimentation, Application, and Research. United States of America. (August 2019 - May 2020).
  • Workshop, Grantsmanship Training Workshop, Office of Research and Innovation. United States of America. (February 27, 2020 - February 27, 2020).
  • Other (Film Festival), Sundance Film Festival, Sundance Institute. United States of America. (January 2020 - January 2020).
  • Other, Faculty Writing Retreat, UNT Faculty Writing Group. United States of America. (October 2019 - October 2019).
  • Other, Women's Faculty Network Luncheon, Women's Faculty Network. United States of America. (October 2019 - October 2019).
  • Workshop, Promotion & Tenure workshop, Office for Faculty Success. United States of America. (September 2019 - September 2019).

Teaching

Teaching Experience

    University of North Texas

  • INTE 3020Z - Global Intensive Opportunity, 1 course.
  • MRTS 3615 - Understanding Media Industries, 6 courses.
  • MRTS 4360 - Global Media, 5 courses.
  • MRTS 4435 - Media Marketing and Branding, 2 courses.
  • MRTS 4445 - Media in the 21st Century, 2 courses.
  • MRTS 4450 - Topics in Media Industry Studies, 7 courses.
  • MRTS 5125 - Media Industry Studies, 1 course.
  • MRTS 5460 - Global Media, 3 courses.
  • MRTS 5660 - Industry Studies Topics, 9 courses.
  • MRTS 5900 - Special Problems, 3 courses.
  • MRTS 5950 - Master's Thesis, 2 courses.

Teaching at Other Institutions

  • Oakland University, CIN 4910 Film Festival as Global Market, Fall 2018.
  • Oakland University, CIN 3230 History of Global Film: Into the 21st Century, Fall 2018.
  • Oakland University, CIN 3900 Women in Hollywood, Fall 2018.
  • Oakland University, CIN 3230 History of Global Film: Into the 21st Century, Summer 2018.
  • Oakland University, ENG 2800 Latin American Media, Winter 2018.
  • Oakland University, CIN 3900 Transmedia Storytelling, Winter 2018.
  • Oakland University, CIN 4900 Detroit Media, Fall 2017.
  • Oakland University, CIN 3330 Understanding Media Industries, Fall 2017.
  • Oakland University, CIN 303 History of Global Film: In the 21st Century, Winter 2017.
  • Oakland University, ENG 260 Latin American Cinema, Winter 2017.
  • Oakland University, HC 205 Media, Culture, & Technology, Fall 2016.
  • Oakland University, CIN 485 Toronto International Film Festival, Fall 2016.
  • Oakland University, CIN 325 Understandng Media Industries, Fall 2016.
  • Oakland University, CIN 303 History of Global Film: Into the 21st Century, Summer 2016.
  • Oakland University, CIN 450 Detroit Media, Winter 2016.
  • Oakland University, CIN 322 Indie Cinema, Winter 2016.
  • Oakland University, CIN 320 Film Festivals, Fall 2015.
  • Oakland University, CIN 150 Introducton to Film, Fall 2015.
  • Oakland University, CIN 303 History of Global Film: Into the 21st Century, Winter 2015.
  • Oakland University, CIN 325 Understanding Media Industries, Winter 2015.
  • Oakland University, ENG 260 Latin American Cinema, Fall 2014.
  • Oakland University, CIN 320 Transmedia Storytelling, Fall 2014.
  • Oakland University, ENG 260 Latin American Cinema, Winter 2014.
  • Oakland University, ENG 566 Narrative Strategies, Winter 2014.
  • Oakland University, CIIN 300 History of Global Film: Silent Film, Fall 2013.
  • Oakland University, CIN 314 Transnational Cinema, Fall 2013.
  • Oakland University, CIN 350 Indie Cinema, Winter 2013.
  • Oakland University, CIN 150 Introduction to Film, Winter 2013.
  • Oakland University, HC 201 Media & Globalization, Fall 2012.
  • Oakland University, CIN 325 Understanding Media Industries, Fall 2012.

Directed Student Learning

  • Master's Comprehensive Exam Member or Grader, Media Arts. (August 2023).
  • Master's Thesis Committee Member, "Saba and Savta," Media Arts. (September 2022).
  • Master's Thesis Committee Member, "The Netflix Strategy in France: Local Language Productions, Teen Audiences, and Social Media Marketing," Media Arts. (January 2022 - December 2022).
  • Master's Thesis Committee Member (MFA Thesis Committee Member), "Doble Identidad," Media Arts. (June 2021 - December 2022).
  • Supervised Research (Supervised Research Assistant), Media Arts. (January 2022 - May 2022).
  • Master's Thesis Committee Member, "Creating TMNT: Orality Problems with IP and Authorship," Media Arts. (March 2021 - May 2022).
  • Master's Comprehensive Exam Member or Grader, Media Arts. (November 2021 - April 2022).
  • Master's Comprehensive Exam Member or Grader, Media Arts. (October 2021 - April 2022).
  • Supervised Research (Supervised Research Assistant), Media Arts. (August 2021 - December 2021).
  • Master's Comprehensive Exam Member or Grader, Media Arts. (January 2021 - May 2021).
  • Supervised Research, Media Arts. (January 2021 - May 2021).
  • Master's Comprehensive Exam Member or Grader, Media Arts. (November 2020 - May 2021).
  • Master's Thesis Committee Chair, "King of the Merchandise: How Showa Era Paratexts Forever Changed the Godzilla Franchise," Media Arts. (April 2020 - May 2021).
  • Supervised Research, Media Arts. (August 2020 - December 2020).
  • Supervised Research (Supervised Research Assistant), Media Arts. (January 2020 - May 2020).
  • Supervised Research (Supervised Research Assistant), Media Arts. (August 2019 - December 2019).

Awards and Honors

  • Scholarly and Creative Activity Award, College of Liberal Arts & Social Sciences. (January 2021).
  • PI Research Academy Scholar, Provost Office, Oakland University. (2017).

Research

Published Intellectual Contributions

    Book

  • Brannon Donoghue, C. (2023). The Value Gap: Female-Driven Films from Pitch to Premiere. 368. University of Texas Press. https://utpress.utexas.edu/9781477327302/the-value-gap/
  • Brannon Donoghue, C., McDonald, P., Havens, T. (2021). Digital Media Distribution: Portals, Platforms, Pipelines. Collection co-editor and introductory chapter co-author. 392 pages. New York University Press (Critical Cultural Communication book series).
  • Brannon Donoghue, C. (2017). Localising Hollywood. 194. London, British Film Institute Press.

    • Book Chapter

  • Brannon Donoghue, C. (2022). TV Globo: Global Expansions and Cross-media Convergence from Broadcast to Streaming. From Networks to Netflix: A Guide to Changing Channels, Second Edition. 69-78. Routledge.
  • Brannon Donoghue, C. (2021). Methodological Approaches to Women's Work in Hollywood. Routledge Companion to Media Industries, edited by Paul McDonald. 172-181. Routledge.
  • Brannon Donoghue, C., Havens, T., McDonald, P. (2021). Media Distribution Today. introductory chapter to the edited collection: Digital Media Distribution: Portals, Platforms, Pipelines. 1-24. New York University Press.
  • Brannon Donoghue, C. (2020). Hollywood and Gender Equity Debates in the #metoo Time’s Up era. Women in the International Film Industry: Policy, Practice and Power. 235-252. Palgrave Macmillan.
  • Brannon Donoghue, C. (2019). Shop, Makeover, Love: Female-driven Franchises and Consumer Fandom in Conglomerate Hollywood. Point of Sale: Analyzing Media Retail (Edited by Daniel Herbert and Derek Johnson). 142-159. Rutgers University Press.
  • Brannon Donoghue, C. (2018). Rede Globo: Global Expansions and Cross-Media Extensions in the Digital Era. From Networks to Netflix: A Guide to Changing Channels, edited by Derek Johnson. 45-53. Routledge.
  • Brannon Donoghue, C. (2015). Adapting Lisbeth for Hollywood: The Industrial Logic and Franchising of Sony’s The Girl With The Dragon Tattoo Remake. Future Texts: Subversive Performance and Feminist Bodies, edited by Virginia Kuhn and Vicki Callahan. 91-109. Parlor Press.
  • Brannon Donoghue, C. (2014). Brazilian Cultures of Production: The Power of the Producer in a Contemporary Trans/national Cinema. Making Media Work: Cultures of Management in the Entertainment Industries (edited by Derek Johnson, Derek Kompare, and Avi Santo). 165-187. New York University Press.
  • Brannon Donoghue, C. (2011). Importing and Translating Betty: Contemporary Telenovela Format Flow within the United States Television Industry. Soap Operas and Telenovelas in the Digital Age (edited by Diana Rio and Mari Castaneda). 257-274. Peter Lang.
  • Brannon Donoghue, C. (2010). Globo Filmes, Sony and Franchise Filmmaking: (Trans)national Commercial Industry in the Brazilian pós-retomada. New Trends in Argentine/Brazilian Cinema (edited by Cacilda Rêgo and Carolina Rocha). 51-66. Intellect.

    • Book Review

  • Donoghue, C. (2017). Review of Gillian Doyle, Philip Schlesinger, Raymond Boyle, and Lisa W. Kelly, The Rise and Fall of the UK Film Council. Media, Culture & Society. 446-448.
  • Brannon Donoghue, C. (2009). Review of Paul Grainge, Branding Hollywood. The Velvet Light Trap. 63 75-77.

    • Journal Article

  • Brannon Donoghue, C. (2024). Ryan Gosling Brings the Kenergy, Or Barbie’s Night Out at the Oscars. FlowTV. (30.05) University of Texas at Austin. https://www.flowjournal.org/2024/04/ryan-gosling-brings-the-kenergy/
  • Brannon Donoghue, C. (2023). “Life in Plastic, It’s Fantastic”: Barbie, Gendered Expectations, and the Female-Driven Blockbuster. FlowTV. (30.02) https://www.flowjournal.org/2023/11/life-in-plastic-its-fantastic/
  • Brannon Donoghue, C. (2019). Gendered Expectations for Female-Drive Films: Risk and Rescue Narratives Around Warner Bros.’ Wonder Woman. Feminist Media Studies. 22 (3) 485-501.
  • Brannon Donoghue, C. (2014). Death of the DVD Market and the Rise of Digital Piracy: Industrial Shifts in the Spanish Film Market Since the 2000s. Quarterly Review of Film and Video. 31 (4) 350-363.
  • Brannon Donoghue, C. (2014). Sony and Local-Language Productions: How Conglomerate Hollywood Is Changing Localization Strategies and Its Approach to the Global Film M. Journal of Cinema and Media Studies. 53 (4) 3-27.
  • Brannon Donoghue, C. (2014). The Rise of the Brazilian Blockbuster: How Ideas of Scale, Exceptionality, and Neoliberal Logic Shape a Booming Cinema. Media, Culture & Society. 36 (4) 536-550.

    • Published roundtable

  • Brannon Donoghue, C. (2022). Distribution in the Streaming Era: A Scholarly Roundtable. The Velvet Light Trap. 00 (90)

    • Special issue of a journal

  • Brannon Donoghue, C. (2014). Creative Industries Journal (Special Issue: Media Industries). Creative Industries Journal. 7 (1)

Presentations Given

    Invited Talk

  • Brannon Donoghue, C. (Author & Presenter), Mind the Gap: Women’s Work in Hollywood, Lewis & Clark College; Department of Rhetoric and Media Studies & Department of Gender Studies, United States of America. (2024).
  • Brannon Donoghue, C. (Author & Presenter), The Value Gap: Book Talk, Arizona State University; Film and Media Studies Program in the Department of English and the Humanities Institute, Arizona State University, United States of America. (2024).
  • Brannon Donoghue, C. (Author & Presenter), Franchise Everything! Global Entertainment in the Age of Serial Storytelling, Global/Local Media Franchising, Film Quarterly; School of Cinematic Arts at the University of Southern California, University of Southern California, United States of America. (2024).
  • Brannon Donoghue, C. (Author & Presenter), Boston Cinema/Media Seminar, The Value Gap: Female-Driven Filmmaking & Women’s Work in Hollywood, Wellesley College, Department of Art, Wellesley, MA, United States of America. (2023).
  • Brannon Donoghue, C. (Author & Presenter), Media Industry Research Methods and Global Hollywood, California State University-Long Beach, Women in Film, Virtual Presentation, United States of America. (2023).
  • Brannon Donoghue, C. (Author & Presenter), Media Industry Research Methods and Global Hollywood, University of Michigan, Department of Film, Television, & Media, Virtual Presentation, United States of America. (2023).
  • Brannon Donoghue, C. (Author & Presenter), The Value Gap: Female-Driven Films, Cornell University, Department of Performing & Media Arts, Ithaca, NY, United States of America. (2023).
  • Brannon Donoghue, C. (Author & Presenter), Department of Communication Arts Colloquium, The Value Gap: Women’s Work in Development and Producing, University of Wisconsin-Madison, Madison, Wisconsin, United States of America. (2023).
  • Brannon Donoghue, C. (Presenter), Research Series for Media Industry Studies Interest Group, Digital Media Distribution, Society for Cinema & Media Studies, Virtual Panel, United States of America. (2021).
  • Brannon Donoghue, C. (Panelist), Film Festival Research Network, Indie Film Ecosystem and US Film Festivals, Virtual, United States of America. (2020).
  • Brannon Donoghue, C. (Author & Presenter), CARLA 2020: A Global Digital Conference on Diversity and Inclusion in the Film and TV Industry, Hollywood since #metoo & Time's Up, Women in Film and Television International, Carla International Film Festival, and Swedish Film Institute, Virtual, Sweden. (2020 - 2020).
  • Brannon Donoghue, C. (Author), Local Hollywood, Global Market, Department of Communication Arts, University of Wisconsin - Madison, United States of America. (2018 - 2018).

    • Keynote/Plenary Address

  • Brannon Donoghue, C. (Author & Presenter), Communication and Media Week, TAMU-CC, Local Hollywood, Department of Communication and Media, Texas A&M University - Corpus Christi, United States of America. (2019 - 2019).
  • Brannon Donoghue, C. (Author & Presenter), Tag Lectureship Series, Breaking Hollywood's Glass Ceiling: The Battle for Gender Equity in the Film Industry, Department of English, East Carolina University, Greenville, NC, United States of America. (2018).
  • Brannon Donoghue, C. (Author & Presenter), Murphy Creative Innovations Symposium, Chasing the Film Business Down A Fieldwork Rabbit Hole, Honors College, Oakland University, Oakland University, United States of America. (2018 - 2018).

    • Oral Presentation

  • Brannon Donoghue, C. (Panelist), Global Fusion Conference, Interrupting Global Media Studies, Virtual, United States of America. (2021 - 2021).

    • Other

  • Brannon Donoghue, C. (Other), International Communication Association, Netflix Originals and the Brazilian Market: Expanding Distribution Strategies from Local to Global, Washington DC, United States of America. (2019 - 2019).
  • Brannon Donoghue, C. (Discussant), Society for Cinema and Media Studies Conference, Global Research, Local Labor, Seattle, WA, United States of America. (2019).
  • Brannon Donoghue, C. (Discussant), Console-ing Passions Feminist Media Studies Conference, Emotional Labor in Academia, University of Notre Dame, United States of America. (2016 - 2016).
  • Brannon Donoghue, C. (Panelist), Society for Cinema and Media Studies Conference, Midlevel Methods and Industry Interviews, Atlanta, GA, United States of America. (2016 - 2016).

    • Panel Presentation

  • Donoghue, C.B. (Author & Presenter), Media Industries Conference, Film Festivals and Media Industries Experiential Learning, King’s College London,, London, UK, United Kingdom. (2024 - 2024).
  • Donoghue, C.B. (Panelist), Locating Media Industries: Spaces, Places, Cities, Networked Texas? A Case Study of the Media Industries at the Subnational Level, King's College London, London, UK, United Kingdom. (2023 - 2023).
  • Brannon Donoghue, C. (Panelist), Society for Cinema & Media Studies 2023 Conference, (Re)Creating Experiential Learning in a Pandemic World at Trade Shows, Film Festivals, & Production Locations, Society for Cinema & Media Studies, Denver, CO, United States of America. (2023 - 2023).
  • Brannon Donoghue, C. (Presenter), Console-ing Passions: International Conference on Television, Video, Audio, New Media, and Feminism, Perspectives on Navigating Academic Careers, Console-ing Passions, Orlando, FL, United States of America. (2022 - 2022).
  • Brannon Donoghue, C. (Author & Presenter), Media Industries Conference-Cancelled Due to COVID, Lessons from the Road: Creating Authentic Learning Opportunities for Students at Media Industry Trade Shows, Sales Markets, Festivals, and in the Field Production (CANCELLED DUE TO COVID), King's College London, London, UK, United Kingdom. (2020 - 2020).

    • Paper

  • Brannon Donoghue, C. (Author & Presenter), Society for Cinema & Media Studies Conference, Little Women in a League of Their Own: Female-Driven, Mid-budget Movies in Early Conglomerate Hollywood, Society for Cinema & Media Studies, Boston, MA, United States of America. (2024 - 2024).
  • Donoghue, C.B. (Author & Presenter), Doing Women’s Film and TV History VI Conference, What Makes a Movie “Theater-worthy”?: Female-Driven Filmmaking and the Decline of the Studio Mid-Budget Release, Doing Women’s Film and TV History Network; University of Sussex, Brighton, UK (University of Sussex), United Kingdom. (2023 - 2023).
  • Brannon Donoghue, C. (Author & Presenter), International Communication Association Conference, Building Blocks for a Global Pipeline: Netflix and the Brazilian Market, International Communication Association, Paris, France, France. (2022 - 2022).
  • Brannon Donoghue, C. (Author & Presenter), Society for Cinema & Media Studies Conference, Black Widow Takes on Disney: The Sacrifice of Female-Driven Tentpoles in the Streaming Wars, Society for Cinema & Media Studies, Virtual, United States of America. (2022 - 2022).
  • Brannon Donoghue, C. (Author & Presenter), Doing Women’s Film and Television History Conference, Gender Equity, Industry Gatekeeping, and International Film Festivals in the #Metoo Era (RESCHEDULED FROM 2020 DUE TO COVID), Maynooth University, Maynooth University, Ireland, Ireland. (2021 - 2021).
  • Brannon Donoghue, C. (Author & Presenter), International Communication Association, “Where HBO Meets So Much More”: Branding and Expanding HBO Max, Virtual conference due to Covid, United States of America. (2021 - 2021).
  • Brannon Donoghue, C. (Author & Presenter), Society for Cinema & Media Studies, Foxy Fox 2000 in the Mouse House: The Decline of Female-Driven Mid-Budget Films, Virtual Conference, United States of America. (2021 - 2021).
  • Brannon Donoghue, C. (Author & Presenter), Media Industries Conference-Cancelled Due to COVID, ‘Everything the Men Did, Except Backwards and With Ideals’: Conglomerate Hollywood and the Gender Swap Reboot (CANCELLED DUE TO COVID), King's College London, London, England, United Kingdom. (2020 - 2020).
  • Brannon Donoghue, C. (Author & Presenter), Console-ing Passions Feminist Media Studies Conference, I’m with Her: Negotiating Gender and Labor Inequities in Conglomerate Hollywood, University of Notre Dame, United States of America. (2018 - 2018).
  • Brannon Donoghue, C. (Author & Presenter), Media Industries Conference, Telling Her Story: The Gendered Work of Contemporary Hollywood Female Screenwriters, King’s College London, London, England, United Kingdom. (2018 - 2018).
  • Branon Donoghue, C. (Author & Presenter), Society for Cinema & Media Studies, Set up to Fail: How Hollywood Devalues Female-Driven Films, Toronto, Canada, Canada. (2018 - 2018).
  • Brannon Donoghue, C. (Author & Presenter), International Communication Association, Leaning In and Cracking Ceilings: How Female Media Workers Navigate Hollywood’s Gender Inequity, San Diego, CA, United States of America. (2017 - 2017).
  • Brannon Donoghue, C. (Author & Presenter), Distribution Matters, Transnational Distribution Cultures and Work at Cannes, Berlin, and Toronto, San Diego, CA, United States of America. (2017 - 2017).
  • Brannon Donoghue, C. (Author & Presenter), Society for Cinema & Media Studies, Hollywood’s Problem with Women: Navigating Professional Barriers and Managing Power from Financing to Festivals, Chicago, IL, United States of America. (2017 - 2017).
  • Brannon Donoghue, C. (Author & Presenter), Digital Media and New Cinemas in the Global South Symposium, Netflix’s Global Expansion and Local Investment: Brazil’s SVOD, Department of Communication Arts, University of Wisconsin - Madison, United States of America. (2017 - 2017).
  • Brannon Donoghue, C. (Author & Presenter), Society for Cinema & Media Studies Conference, Breaking ‘Hollywood’s Glass Ceiling’?: Institutional Structures, Management Cultures, Atlanta, GA, United States of America. (2016 - 2016).

    • Symposium

  • Brannon Donoghue, C. (Author & Presenter), Global Media Symposium, Global Media Methods and Fieldwork, Department of Film, Television, and Media, University of Michigan, Ann Arbor, Michigan, United States of America. (2018).
  • Brannon Donoghue, C. (Author & Presenter), Hollywood’s International Operations: A Local Perspective, Queen's University, Belfast, Northern Ireland, United Kingdom. (2018 - 2018).

Media Contributions

    Magazine

  • "From pitch to premiere: Media Arts professor researching value placed on female-driven films," UNT Research Magazine. (July 28, 2022).

    • Newspaper

  • "U.S. Seek to Satisfy Foreign Audiences’ Desire for Locally Made Films," Los Angeles Tmes. (December 2015).

    • Radio

  • "US film studios set sights on foreign markets," Public Radio International. (December 2015).

    • TV

  • "Can Streaming and Movie Theaters Coexist After the COVID-19 Pandemic?," PBS, Arizona affiliate. (August 2021).

Contracts, Grants, Sponsored Research

    Fellowship

  • Brannon Donoghue, C. (Principal), "How Female-Driven Films are Valued from Pitch to Premiere," sponsored by National Endowment of the Humanities, Award for Faculty at Hispanic-Serving Institutions, Federal, $55000 Funded. (2022 - 2022).
  • Brannon Donoghue, C. (Principal), "University Research Council Faculty Research Fellowship," sponsored by Oakland University, State, $10000.00 Funded. (2016 - 2017).
  • Brannon Donoghue, C. (Principal), "University Research Council Faculty Research Fellowship," sponsored by Oakland University, State, $10000.00 Funded. (2012 - 2013).
  • Brannon Donoghue, C. (Principal), "University Graduate Continuing Fellowship," sponsored by University of Texas - Austin, Graduate School, State, $19000 Funded. (2010 - 2011).

    • Grant - Research

  • Brannon Donoghue, C.B. (Principal), "CREATE Conference Support," sponsored by Office of Faculty Success, University of North Texas, $1000 Funded. (2022 - 2022).
  • Brannon Donoghue, C. (Co-Principal), Porst, J. (Co-Principal), "Team Grant - Mentoring Program," sponsored by Faculty Success, Office of the Provost, University of North Texas, $5000 Funded. (2021 - 2022).
  • Brannon Donoghue, C. (Principal), "CLASS Small Grant," sponsored by CLASS, University of North Texas, $1000 Funded. (2021 - 2021).
  • Brannon Donoghue, C. (Principal), "Scholarly and Creative Activity Award ($4,700)," sponsored by College of Liberal Arts & Social Sciences, University of North Texas, $4700 Funded. (2021 - 2021).
  • Brannon Donoghue, C. (Principal), "Junior Faculty Summer Research Grant," sponsored by Faculty Success, Office of the Provost, University of North Texas, $5000 Funded. (2020 - 2020).
  • Brannon Donoghue, C. (Principal), "University Research Council Faculty Research Award," sponsored by Oakland University, State, $1500.00 Funded. (2013 - 2014).
  • Brannon Donoghue, C. (Principal), "Dissertation Field Grant," sponsored by Teresa Lozano Long Institute of Latin American Studies, Other, $1500 Funded. (2007 - 2007).

Service

University Service

  • Committee Member, CLASS Acts. (April 2023 - Present).
  • Committee Member, Awards & Events Committee. (January 2023 - Present).
  • Member, Women's Faculty Network. (September 2019 - Present).
  • Committee Member, Graduate Curriculum Committee. (August 2019 - Present).
  • Committee Chair, Awards & Events Committee. (August 2023 - December 2023).
  • Committee Member, Tenure-track Faculty Search Committee Member (Production). (January 2022 - May 2022).
  • Committee Member, CLASS Scholarly and Creative Awards Selection Committee. (August 2021 - December 2021).
  • Committee Member, MRTS Executive Committee. (August 2021 - December 2021).
  • Faculty Mentor, Writing, Research, and Professionalization for MFA students. (July 2020 - May 2021).
  • Committee Member, Undergraduate Curriculum Committee. (August 2019 - July 2020).

Professional Service

  • Reviewer, Journal Article, New Review of Film and Television. (2022 - Present).
  • Reviewer, Book, Rutgers University Press. (2022 - Present).
  • Reviewer, Journal Article, International Journal of Cultural Studies. (September 2020 - Present).
  • Reviewer, Conference Paper, International Communication Association. (October 2018 - Present).
  • Member, Media Industries Studies Interest Group (International Communication Association). (May 2015 - Present).
  • Committee Chair, Conference Program Committee (Society for Cinema and Media Studies). (June 2023 - June 2024).
  • Board of Directors, Society for Cinema and Media Studies. (July 2021 - June 2024).
  • Committee Member, Conference Program Committee (Society for Cinema and Media Studies). (July 2021 - June 2023).
  • Reviewer, Journal Article, Media Industries Journal. (2022 - 2022).
  • Reviewer, Book, State University of New York Press. (2021 - 2021).
  • Reviewer, Journal Article, Feminist Media Studies. (2019 - 2021).
  • Chairperson, Media Industries Special Interest Group (Society for Cinema and Media Cultures). (July 2018 - June 2021).
  • Reviewer, Conference Paper, Media Industries Conference. (2019 - 2020).
  • Reviewer, Journal Article, Journal of Cinema and Media Studies. (March 2020 - September 2020).
  • Other (Advisory Committee), Media Industries Conference. London, (January 2019 - April 2020).
  • Reviewer, Journal Article, Media Industries Journal. (2019 - 2019).
  • Reviewer, Journal Article, Television & New Media. (2019 - 2019).