International Musicological Society. (2008 – Present).
Society for Seventeenth-Century Music. (April 2003 – Present).
American Musicological Society. (2003 – Present).
Faculty Development Leave,"Aristotelianism in Venetian Opera," UNT, United States of America. (August 1, 2016 – December 31, 2016).
Corresponding Member for Europe, Society for Seventeenth-Century Music. (2003 – 2009).
Dissertation Committee Chair,"Music of Augsburg: The Cultural Impact of Civic Musicians in Early Modern Germany," Music History, Theory and Ethnomusicology. (January 2021 – Present).
Dissertation Committee Chair,"Singing Emotion Before The Passions of the Soul: Music, Gesture and the Depiction of Affect in Venetian Opera, c. 1639-1658," Music History, Theory and Ethnomusicology. (February 2015 – March 2018).
Dissertation Committee Chair,"Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment," Music History, Theory and Ethnomusicology. (October 2015).
Schulze, H. (Author & Presenter), Zwischen Improvisation und Virtuosität: Ostinate Bassmodelle im frühen 17. Jahrhundert, Hochschule für Musik und Tanz Köln, Cologne, Germany, Germany. (2021 – 2021).
Schulze, H. (Author & Presenter), Fragen der Autorschaft und des Werkcharakters in Monteverdis späten Opern, Universität Jena, Jena, Germany, Germany. (2021 – 2021).
Schulze, H. (Author & Presenter), 27th Annual Conference of the Society for Seventeenth-Century Music, Monteverdi, Cavalli, and the Aristotelians: What Did They Mean When They Said ‘Opera’?, Society for Seventeenth-Century Music, Durham, NC, United States of America. (2019).
Schulze, H. (Author & Presenter), Lecture Series, Opera as a Material Object, or What Was Francesco Cavalli’s Idea of “Opera”?, University of Kentucky, Lexington, KY, United States of America. (2015).
Schulze, H. (Author & Presenter), Autorschaft und Werk: Claudio Monteverdi und L’incoronazione di Poppea, Universität Tübingen, Tübingen, Germany, Germany. (2020).
Schulze, H. (Author & Presenter), Wer ist der Komponist von L'incoronazione di Poppea, und warum ist diese Frage von Bedeutung?, Hochschule für Musik "Franz Liszt" Weimar, Weimar, Germany, Germany. (2019).
Schulze, H. (Author & Presenter), Musikwissenschaftliche Symposium "Bach bearbeitet," Bachfestes Tübingen/Germany, 2018, Die Johann Crüger’schen Choralmelodien und ihre Veränderung durch Bach, Musikwissenschaftliches Institut, Universität Tübingen, Tübingen, Germany, Germany. (2018).
Schulze, H. (Author & Presenter), Claudio Monteverdi’s Venetian Operas: Sources, Performance, Interpretation, Editing Poppea: Source Provenance, Performance Practice, and Authorship, Fondazione Giogrio Cini, Venice, Italy. (2017).
Schulze, H. (Author & Presenter), 25th Annual Conference of the Society for Seventeenth-Century Music, Monteverdi rimaneggiato: Re-Evaluating L’incoronazione di Poppea, Society for Seventeenth-Century Music, Providence, RI, United States of America. (2017).
Schulze, H. (Author & Presenter), 2016 Annual Meeting of the American Musicological Society, Monteverdi, Cavalli, “Natural” Depiction of Affection, and the Principle of Dialogue, American Musicological Society, Vancouver, BC, Canada. (2016).
Schulze, H. (Author & Presenter), Intersecting Practices in the Production of Sacred Music, ca. 1400–1650, Music Publishing as Theoretical Discourse: The 1610 Mass and Vespers as Monteverdi’s Last Word in the Debate with Artusi, UT Austin, United States of America. (2015).
Schulze, H. (Author & Presenter), International Conference "The Power of Affections", Cavalli, Minato, and the Property of Affects: What Is the Role of the Librettist in Representing Affections in Opera?, University of Pennsylvania, Philadelphia, PA, United States of America. (2014).
Music Performance - Full Solo Recital. Snider, J. A., Schulze, H., Puccinelli, E., Begnoche, D., "Faculty Recital," UNT College of Music, Denton, TX, United States of America. (January 25, 2015 – January 25, 2015).
Faculty Mentor, Faculty Mentor, Rebecca Geoffroy-Schwinden. (August 2018 – Present).
Faculty Mentor, Faculty Mentor, Justin Lavacek. (September 2017 – Present).
Committee Member, Division RPTC. (2016 – Present).
Faculty Advisor, Faculty Advisor, GAMuT. (2012 – Present).
Committee Member, GADCom. (August 2021 – May 2024).
Committee Member, Division RPTC. (August 2020 – May 2023).
Committee Member, Search Committee Music History, Music after 1800. (August 2021 – April 2022).
Chairperson, Search Committee Musicology/Popular Music - Music and Media. (October 2018 – April 2019).
Program Coordinator, Interim Area Coordinator. (August 2017 – December 2017).
Committee Member, Graduate Performance Degree Committee. (2012 – 2017).
Committee Member, Search Committee Lecturer for Harpsichord. (2015 – 2016).
Committee Member, Search Committee Senior Lecturer Music in General Education. (2015 – 2016).
Committee Member, Faculty Advisory Committee. (2013 – 2016).
Committee Member, Committee to Determine Satisfactory Achievement Criteria. (2010 – 2016).
Committee Member, Division PR Committee. (2010 – 2016).
Committee Member, Guest Lecture Committee. (2010 – 2016).
Committee Member, Search Committee Junior Position Music History. (2014 – 2015).
Committee Member, Scholarly and Creativity Award Committee. (September 2013 – May 2015).
Committee Member, Search Committee Early Keyboard. (2012 – 2013).
Committee Member, Early Music Taskforce. (2010 – 2013).
Committee Member, Search Committee Administrative Assistant. (2012).
Committee Member, Graduate Academic Degree Committee. (2011 – 2012).
Committee Member, Search Committee Senior Position Music History. (2011 – 2012).
Committee Member, Student Travel Award Committee. (2010 – 2012).
Committee Member, College Website Committee. (2010 – 2011).
Committee Member, Division Website Committee. (2010 – 2011).