Dr. Hendrik Schulze
University of North Texas
Music History, Theory and Ethnomusicology
Email:

Education

Habilitation, Universitat Heidelberg, 2010.
Major: Musicology
PhD, Universitat Heidelberg, 2002.
Major: Musicology, Medieval History, Philosophy
Dissertation Title: Die Figur des Odysseus in der venezianischen Oper des 17. Jahrhunderts
MA, Technische Universitat Berlin, 1995.
Major: Musicology, Medieval History, Philosophy
Dissertation Title: Probleme der Edition im zweiten Akt von Francesco Cavallis Artemisia

Professional Positions

Uncategorized
Visiting Assistant Professor, University of Illinois/Urbana-Champaign. (20092010).
Postdoctoral Researcher, Universitat Heidelberg. (20052009).
Assistant Lecturer, Universitat Salzburg. (19992005).

Professional Memberships

International Musicological Society. (2008 – Present).

Society for Seventeenth-Century Music. (April 2003 – Present).

American Musicological Society. (2003 – Present).

Development Activities Attended

Faculty Development Leave,"Aristotelianism in Venetian Opera," UNT, United States of America. (August 1, 2016December 31, 2016).

Awards and Honors

Corresponding Member for Europe, Society for Seventeenth-Century Music. (20032009).

Teaching

Teaching Experience

University of North Texas
MUGC 5950, Master's Thesis, 5 courses.
MUGC 6950, Doctoral Dissertation, 17 courses.
MUMH 3500, Music History and Literature to 1750, 11 courses.
MUMH 4070, Operatic Literature, 1 course.
MUMH 4900, Special Problems, 2 courses.
MUMH 5010, Introduction to Research in Music, 5 courses.
MUMH 5030, Advanced Issues in Music Research, 1 course.
MUMH 5110, History of Opera, 3 courses.
MUMH 5333, Western Music History, 1600 1700, 1 course.
MUMH 5500, Music History and Literature to 1750, 7 courses.
MUMH 5711, Proseminar in Musicology, 3 courses.
MUMH 5900, Special Problems, 1 course.
MUMH 6080, Chamber Music, 1 course.
MUMH 6160, Major Composers, 2 courses.
MUMH 6510, Seminar in Historical Performance Practices, 2 courses.
MUMH 6740, Baroque Music, 4 courses.
MUMH 6900, Special Problems, 4 courses.

Directed Student Learning

Dissertation Committee Chair,"Singing Emotion Before The Passions of the Soul: Music, Gesture and the Depiction of Affect in Venetian Opera, c. 1639-1658," Music History, Theory and Ethnomusicology. (February 2015March 2018).

Dissertation Committee Chair,"Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment," Music History, Theory and Ethnomusicology. (October 2015).

Research

Published Intellectual Contributions

Book
Schulze, H. (2015). Musical Text as Ritual Object.
Schulze, H. (2013). Identität, Kosmologie und Ritual: Französischer Tanz und Tanzmusik in Europa zur Zeit Ludwigs XIV..
Schulze, H. (2010). Body, Performance, Agency, and Experience.
Schulze, H. (2004). Odysseus in Venedig. Sujetwahl und Rollenkonzeption in der venezianischen Oper des 17. Jahrhunderts.
Book Chapter
Schulze, H. (2019). "Drama, not Epic: Il ritorno d’Ulisse in patria and the Aesthetic Discourse in Subsequent Librettos", in: Wendy Heller and Eleonora Stoppino (eds), Performing Homer. Performing Homer, edited by Wendy Heller and Eleonora Stoppino.
Schulze, H. (2015). "Ritualistic vs. Transcendental Work Concept: Editing Operatic Texts", in: Hendrik Schulze (ed), Musical Text as Ritual Object.
Schulze, H. (2013). "Ritualmacher und Kapellmeister: Ein Nachwort", in: Jörg Genglagel, Gerald Schwedler, Ritualmacher hinter den Kulissen. Zur Rolle von Experten in historischer Ritualpraxis.
Schulze, H. (2013). "Editing the Performance Score: Toward a New Understanding of Seventeenth-Century Work Concepts", in: Ellen Rosand (ed.), Manuscript - Edition - Production: Readying Cavalli's Operas for the Stage,.
Schulze, H. (2009). "Narration, Mimesis and the Question of Genre: Dramatic Approaches in Giovanni Legrenzi's Solo Cantatas, Opp. 12 and 14", in: Michael Talbot (ed.): Aspects of the Baroque Cantata in Late Baroque Italy.
Schulze, H. (2004). "Matthias Sigismund Biechteler als Lautenist. Die Instrumentaltechnik als kompositorischer Faktor", in: Andrea Lindmayr-Brandl/ Thomas Hochradner (eds.): Auf eigenem Terrain. Beiträge zur Salzburger Musikgeschichte.
Schulze, H. (2004). "Ordnung und Unordnung: Zur Funktion von Tanz im Drama der venezianischen Oper des 17. Jahrhunderts", in: Gunhild Oberzaucher-Schüller/ Daniel Brandenburg/ Monika Woitas (eds.): Prima la danza. Festschrift für Sibylle Dahms ,.
Book Review
Schulze, H. (2017). Review of Kordula Knauss. Männer als Ammen – Frauen als Liebhaber: Cross-gender Casting in der Oper 1600-1800. Stuttgart: Franz-Steiner-Verlag, 2011. Other. 20, . http://sscm-jscm.org/jscm-issues/volume-20-no-1/mnner-als-ammen-frauen-als-liebhaber-cross-gender-casting-in-der-oper-1600-1800/
Schulze, H. (2010). Review of Ellen Rosand, Monteverdi's Last Operas. A Venetian Trilogy, Berkeley/Los Angeles: University of California Press, 2007; and John Whenham/Richard Wistreich (eds), The Cambridge Companion to Monteverdi, Cambridge: Cambridge University Press, 2008, in: Music & Letters 91 (2010), 102-105..
Schulze, H. (2008). Review of the Edition Francesco Cavalli, La Calisto, ed. by Jennifer Williams Brown, Middleton, WI: A-R, 2007, in: Early Music 36 (2008), 472-474..
Schulze, H. (2006). Review of Gottfried Scholz, Tanzfeste der Könige. Die englische Court Masque im Spiegel der europäischen Kulturgeschichte, Vienna: Böhlau, 2005, in: Musicologica Austriaca, 25 (2006), 180—183..
Schulze, H. (2006). Review of the Edition Jacopo Melani, Il potestà di Colognole, ed. by James Leve, Middleton, WI: A-R, 2005, in: Early Music 34 (2006), 690—692..
Schulze, H. (2004). Review of Mara Parker: The String Quartett 1750—1797. Four Types of Musical Conversation, Aldershot: Ashgate, 2002, in: Mozart-Jahrbuch 2004, 290—291..
Schulze, H. (2004). Review of the Editions Francesco Cavalli, La Doriclea, ed. by Christopher J. Mossey, Middleton, WI: A-R, 2004; Loreto Vittori, La Galatea, ed. by Thomas A. Dunn, Middleton, WI: A-R, 2002; and Riccardo Carnesecchi (ed.): La danza barocca a teatro. Ritornelli a ballo nell'opera veneziana del Seicento, Vicenza: Neri Pozza, 2003, in: Early Music 32 (2004), 336—338..
Conference Proceeding
Schulze, H. (2009). "Der König auf der Bühne: Tanz und Ritual im Ballet de Cour", in: Thomas Betzwieser/ Anno Mungen/ Andreas Münzmay/ Stephanie Schroedter (eds.), Tanz im Musiktheater - Tanz als Musiktheater.
Schulze, H. (2009). "Wo ist der König? Das Problem der Identifizierung der Person Ludwigs XIV. als Tänzer im Ballet de Cour", in: Renate Schlesier/ Ulrike Zellmann (eds.): Ritual als provoziertes Risiko.
Schulze, H. (2006). "Cavalli Manuscript Scores and Performance Practice", in: Dinko Fabris (ed.): Francesco Cavalli. La circolazione dell'opera Veneziana nel Seicento.
Schulze, H. (2006). "Dramaturgical Setting, Representation of Characters, and the Mythological Basis in Giacinto Andrea Cicognini's and Francesco Cavalli's Giasone ", in: Metoda Kokole/ Barbara Murovec/ Marjeta Šašel Kos/ Michael Talbot (eds.): Mediterranean Myths from the Classical Antiquity to the Eighteenth Century.
Schulze, H. (2002). "Afrikaner auf der Opernbühne im 17. und 18. Jahrhundert", in: Jürg Stenzl/ Uta Straka (eds.): Mozart und Afrika.
Schulze, H. (2002). "Die Figur des Odysseus und die Frühzeit der venezianischen Oper", in: Peter Csobádi (ed.): Europäische Mythen von Liebe, Leidenschaft, Untergang und Tod im (Musik)-Theater. Der Trojanische Krieg.
Encyclopedia Article
Schulze, H. (2011). Article "Imeneo" in: Hans Joachim Marx (ed.), Händel-Lexikon.
Schulze, H. (2009). Articles "Aufführungspraxis der Händel-Oper" and "Imeneo" in: Arnold Jakobshagen/ Panja Mücke (eds.), Händel-Handbuch Oper.
Schulze, H. (2008). Articles "Händel, Georg Friedrich" and "Gluck, Christoph Wilibald" in: Heinz v. Loesch (ed.): Beethoven-Lexikon.
Schulze, H. (2007). Article "Zamboni, Giovanni", in: MGG2P, Vol. 17.
Schulze, H. (2005). Article "Sacrati, Francesco", in: MGG2P, Vol. 14.
Schulze, H. (2004). Article "Lucio, Francesco" in: MGG2P, Vol. 11.
Schulze, H. (2004). Article "Pallavicino, Carlo and Stefano Benedetto", in: MGG2P, Vol. 13.
Schulze, H. (2004). Article "Pellegrini, Ferdinando", in: MGG2P, Vol. 13.
Schulze, H. (2003). Article "Laurenzi, Filiberto", in: MGG2P, Vol. 10.
Schulze, H. (2002). 71 articles in Elisabeth Schmierer (ed.): Lexikon der Oper (biographies of and operas by Albinoni, Ariosti, Cavalli, Cesti, Galuppi, Gasparini, Gazzaniga, Händel, Landi, Legrenzi, Leo, Logroscino, Pergolesi, Porpora, L. Rossi, M. Rossi, Sacrati, Sartorio, Vinci, and Vivaldi)..
Schulze, H. (2002). Article "Gabrielli, Domenico", in: MGG2P, Vol. 7.
Schulze, H. (2000). Article "Cavalli, Pier Francesco", in: MGG2P, Vol. 4.
Schulze, H. (2000). Six articles in: Silke Leopold/Ullrich Scheideler (eds.), Oratorienführer (Oratorios by Caldara, Foggia, and Leo)..
Journal Article
Schulze, H. (2008). "Love and Politics in Seventeenth-Century Venetian Opera. On the Differences between the Images of Republican and Monarchist Rulers", in: Yearbook of the Alamire Foundation 7 (2008), 307-324.
Schulze, H. (2004). "Plot Structure, Characters, and Aria Position in Francesco Cavalli/Nicolò Minato's Artemisia (1657)", in: Musica & Storia 12 (2004), 91—102..
Musical edition
Schulze, H., Stangalino, S. (2020). Francesco Cavalli: Xerse. Kassel: Bärenreiter.
Schulze, H., Badolato, N., Anderson, R. M., Barnett, Jr., J., Cassell, H. K., Emanski, J., Guiliano, N., Hagen, E., Hague, J. S., La Spata, A. N., Lill, K., Lovern, K. R., McDannald, B. K., Morrison, S., Pearce, K., Russell, M. L., Simone, E. J., Smith, E. M., Turner, J. A., Vagts, A. (2017). Claudio Monteverdi: L'incoronazione di Poppea.
Schulze, H. (2013). Claudio Monteverdi, Vespers of 1610.
Schulze, H., Stangalino, S. (2013). Francesco Cavalli: Artemisia.
Popular Press Article
Schulze, H. (2007). "Musical Journeys in Italy: Report on the International Symposium 'Passaggio in Italia'" in: 17th-Century Music 16,2 (2007), 1; 9-10..
Schulze, H. (1999). Report on the International Symposium "Giovanni Valentini (ca. 1582—1649), Kapellmeister am Kaiserhof", in: Die Musikforschung 52 (1999), 99—100..

Presentations Given

Invited Talk

Schulze, H. (Author & Presenter), 27th Annual Conference of the Society for Seventeenth-Century Music, Monteverdi, Cavalli, and the Aristotelians: What Did They Mean When They Said ‘Opera’?, Society for Seventeenth-Century Music, Durham, NC, United States of America. (2019).

Schulze, H. (Author & Presenter), Lecture Series, Opera as a Material Object, or What Was Francesco Cavalli’s Idea of “Opera”?, University of Kentucky, Lexington, KY, United States of America. (2015).

Lecture

Schulze, H. (Author & Presenter), Autorschaft und Werk: Claudio Monteverdi und L’incoronazione di Poppea, Universität Tübingen, Tübingen, Germany, Germany. (2020).

Schulze, H. (Author & Presenter), Wer ist der Komponist von L'incoronazione di Poppea, und warum ist diese Frage von Bedeutung?, Hochschule für Musik "Franz Liszt" Weimar, Weimar, Germany, Germany. (2019).

Paper

Schulze, H. (Author & Presenter), Musikwissenschaftliche Symposium "Bach bearbeitet," Bachfestes Tübingen/Germany, 2018, Die Johann Crüger’schen Choralmelodien und ihre Veränderung durch Bach, Musikwissenschaftliches Institut, Universität Tübingen, Tübingen, Germany, Germany. (2018).

Schulze, H. (Author & Presenter), Claudio Monteverdi’s Venetian Operas: Sources, Performance, Interpretation, Editing Poppea: Source Provenance, Performance Practice, and Authorship, Fondazione Giogrio Cini, Venice, Italy. (2017).

Schulze, H. (Author & Presenter), 25th Annual Conference of the Society for Seventeenth-Century Music, Monteverdi rimaneggiato: Re-Evaluating L’incoronazione di Poppea, Society for Seventeenth-Century Music, Providence, RI, United States of America. (2017).

Schulze, H. (Author & Presenter), 2016 Annual Meeting of the American Musicological Society, Monteverdi, Cavalli, “Natural” Depiction of Affection, and the Principle of Dialogue, American Musicological Society, Vancouver, BC, Canada. (2016).

Schulze, H. (Author & Presenter), Intersecting Practices in the Production of Sacred Music, ca. 1400–1650, Music Publishing as Theoretical Discourse: The 1610 Mass and Vespers as Monteverdi’s Last Word in the Debate with Artusi, UT Austin, United States of America. (2015).

Schulze, H. (Author & Presenter), International Conference "The Power of Affections", Cavalli, Minato, and the Property of Affects: What Is the Role of the Librettist in Representing Affections in Opera?, University of Pennsylvania, Philadelphia, PA, United States of America. (2014).

Artistic and Professional Performances and Exhibits

Music Performance - Full Solo Recital. Snider, J. A., Schulze, H., Puccinelli, E. L., Begnoche, D., "Faculty Recital," , Denton, TX, United States of America. (January 25, 2015January 25, 2015).

Contracts, Grants and Sponsored Research

Grant - Research
Schulze, H., "Aristotelianism in Seventeenth-Century Venetian Opera," University of North Texas, $5000 Funded. (June 2016July 2016).
Uncategorized
Schulze, H. (Other), "Editing Francesco Cavalli's Xerse," Sponsored by UNT, $5000. (20142014).
Schulze, H. (Other), "Aristotle on the Stage: 17th-Century Venetian Opera and its Philosophical Background," Sponsored by UNT. (20122012).
Schulze, H. (Other), "Aristotle on the Stage: 17th-Century Venetian Opera and its Philosophical Background," Sponsored by UNT. (20112011).
Schulze, H. (Other), "Musical Text as Ritual Object," Sponsored by Deutsche Forschungsgemeinschaft. (20112011).
Schulze, H. (Other), "Musical Text as Ritual Object," Sponsored by Deutsche Forschungsgemeinschaft. (20112011).
Schulze, H. (Other), "Identität, Kosmologie und Ritual," Sponsored by Deutsche Forschungsgemeinschaft. (20102011).
Schulze, H. (Other), "How Does a 17th-Century Venetian Opera Work? Understanding "Artemisia"," Sponsored by Alexander-von-Humboldt-Stiftung. (20092010).
Schulze, H. (Other), "Tanz im Ancien Regime," Sponsored by Deutsche Forschungsgemeinschaft. (20052009).
Schulze, H. (Other), "ERASMUS," Sponsored by European Union. (19931994).

Service

University Service

Faculty Mentor, Faculty Mentor, Rebecca Geoffroy-Schwinden. (August 2018 – Present).

Faculty Mentor, Faculty Mentor, Justin Lavacek. (September 2017 – Present).

Committee Member, Division RPTC. (2016 – Present).

Faculty Advisor, Faculty Advisor, GAMuT. (2012 – Present).

Chairperson, Search Committee Musicology/Popular Music - Music and Media. (October 2018April 2019).

Program Coordinator, Interim Area Coordinator. (August 2017December 2017).

Committee Member, Graduate Performance Degree Committee. (20122017).

Committee Member, Search Committee Lecturer for Harpsichord. (20152016).

Committee Member, Search Committee Senior Lecturer Music in General Education. (20152016).

Committee Member, Faculty Advisory Committee. (20132016).

Committee Member, Committee to Determine Satisfactory Achievement Criteria. (20102016).

Committee Member, Division PR Committee. (20102016).

Committee Member, Guest Lecture Committee. (20102016).

Committee Member, Search Committee Junior Position Music History. (20142015).

Committee Member, Scholarly and Creativity Award Committee. (September 2013May 2015).

Committee Member, Search Committee Early Keyboard. (20122013).

Committee Member, Early Music Taskforce. (20102013).

Committee Member, Search Committee Administrative Assistant. (2012).

Committee Member, Graduate Academic Degree Committee. (20112012).

Committee Member, Search Committee Senior Position Music History. (20112012).

Committee Member, Student Travel Award Committee. (20102012).

Committee Member, College Website Committee. (20102011).

Committee Member, Division Website Committee. (20102011).

Professional Service

Board of Directors, Society for Seventeenth-Century Music. (20132016).