Campbell, B. S. (2022). Featured Shows, “Someday Morning” Artsy. https://www.artsy.net
Campbell, B. S. (2022). Northern California Critic Picks, Cliff Notes, Variable West. https://variablewest.com
Campbell, B. S. (2022). Terrell, Benjamin, “My Foolish Boat Leaning- On the Work of Brian Scott Campbell” Notes On Persistant Awe, The Semi-Finalist. https://www.thesemi-finalist.com/notes-of-persistent-awe
Campbell, B. S. Pinotti, Maria V. “The aerial and geometrical logic of the landscape” Juliet, June 16.
Campbell, B. S. Guaglianone, Pericle, “Dipingere l’ordinario. Brian Scott Campbell in mostra a Roma”, Artribune, June 9.
Campbell, B. S. Kelly, Brian P., Artsy Editorial, “The Best Booths at New York Art Week 2022” Artsy, May 6.
Campbell, B. (2021). Art Maze Magazine Issue 22. https://artmazemag.com/issue-22/
Campbell, B. (2021). Terrell, Benjamin, "Brian Scott Campbell" Notes of Persistent Awe, The Semi-Finalist. https://www.thesemi-finalist.com/notes-of-persistent-awe/5-3102021
Campbell, B. (2020). New American Paintings, West Issue No. 150. (No. 150), . Boston, MA:.
Campbell, B. (2020). Blair, Michael Frank, "Come Together: Whole Cloth at Site 131", Glasstire.
Campbell, B. (2019). Haggerty, Catherine "Yulia Losilzon: Trapped in Paradise", Two Coats of Paint. New York, New York: Two Coats of Paint.
Campbell, B. (2019). Brian Scott Campbell at Harbinger Project Space, Art Viewer, September 15. https://artviewer.org/brian-scott-campbell-at-harbinger-project-space/
Campbell, B. (2019). Art Maze Mag, Autumn Issue #14, September. (Issue #14), . London:. https://artmazemag.com/autumn-issue-14/
Campbell, B. (2019). Like A Ship by Brian Scott Campbell at Harbinger, Reykjavík, Tzvetnik, August 25. https://tzvetnik.online/portfolio_page/brian-scott-campbell-at-harbinger/?fbclid=IwAR13o-3czMWsuCo-ZUHEOU-ekRRX5uBUuNTx-RFh_0oepJBN3d7NnqziZ5U
Campbell, B. (2019). Minding the Toil & Till by Brian Scott Campbell at Left Field, Los Osos, Tzvetnik, May 13. https://tzvetnik.online/portfolio_page/brian-scott-campbell-at-left-field/?fbclid=IwAR0l2lRU_pO04ShkTGNIEIzJoajN193UGKfC-xooXQ7b2pfcj73td_YIS3o
Campbell, B. (2019). Brian Scott Campbell at Left Field, Art Viewer, May 2. https://artviewer.org/brian-scott-campbell-at-left-field-gallery/
Campbell, B. S. (2018). As If A Field Could Become Some Dream at No Place, Art Viewer, June 9 2018.
Campbell, B. S. (2018). As If A Field Could Become Some Dream at No Place, Kuba Paris, June 8 2018.
Campbell, B. S. (2018). As If A Field Could Become Some Dream at No Place, Tzvetnik Online, June 7 2018.
Campbell, B. S. (2017). Ljósmynd, “Zing Zam Blunder opnuð í Harbinger´Morganblaðið.
Campbell, B. S. (2017). Yamasaki, Parker, “The Remote and the Vital” The Reykjavík Grapevine.
Campbell, B. S. (2016). Pacific Coast Edition No. 127, New American Paintings.
Campbell, B. S. (2016). Shi, Diana, “Ai Dreamgirls and Digital Shrimp Cocktails Color This Post-Internet Group Show” The Creators Project / Vice Magazine.
Campbell, B. S. (2022). When the Trees Touch the Clouds. Rome: Galerie Richter Fine Art.
Campbell, B. (2020). Home & Garden. New York, New York: Freight & Volume Gallery. http://www.artsandleisure.net/publications/brian-scott-campbell-home-garden