Faculty Profile

Horacio Conteras Espinoza

Title
Associate Professor
Department
Instrumental Studies
College
College of Music

    

Education

DMA, University of Michigan, 2016.
Major: Music Performance - Cello
MMus, University of Michigan, 2013.
Major: Performance - Cello
Certificate, Escola de Musica de Barcelona, 2001.
Major: Cello Performance
Certificate, Conservatoire National de Région de Perpignan, 1999.
Major: Cello Performance
Certificate, Conservatoire National de Musique, 1998.
Major: Cello Performance

Current Scheduled Teaching*

MUAM 1506.701, Cello, Spring 2024
MUAM 5506.701, Cello, Spring 2024
MUAM 6506.701, Cello, Spring 2024
MUAS 5506.701, Cello, Spring 2024
MUGC 6951.761, Dissertation Recital, Spring 2024
MUGC 6954.729, Dissertation Recital, Spring 2024
MUAG 6360.721, Instrumental Literature, Spring 2024
MUAG 4900.750, Special Problems, Spring 2024
MUCM 3510.508, String Chamber Music, Spring 2024

* Texas Education Code 51.974 (HB 2504) requires each institution of higher education to make available to the public, a syllabus for undergraduate lecture courses offered for credit by the institution.

Previous Scheduled Teaching*

MUAC 1506.701, CELLO, Fall 2023 SPOT
MUAC 3506.701, CELLO, Fall 2023 SPOT
MUAM 1506.701, Cello, Fall 2023 SPOT
MUAM 3506.701, Cello, Fall 2023 SPOT
MUAM 5506.701, Cello, Fall 2023 SPOT
MUAM 6506.701, Cello, Fall 2023 SPOT
MUAS 5506.703, Cello, Fall 2023
MUGC 6954.729, Dissertation Recital, Fall 2023
MUAG 5701.704, Master's Recital, Fall 2023
MUCM 3510.510, String Chamber Music, Fall 2023 SPOT
MUAC 1506.701, CELLO, Spring 2023 SPOT
MUAC 3506.701, CELLO, Spring 2023 SPOT
MUAM 1506.701, Cello, Spring 2023 SPOT
MUAM 3506.701, Cello, Spring 2023 SPOT
MUAM 5506.701, Cello, Spring 2023 SPOT
MUAM 6506.701, Cello, Spring 2023 SPOT
MUGC 6953.719, Dissertation Recital, Spring 2023
MUCM 3510.508, String Chamber Music, Spring 2023
MUAC 1506.701, CELLO, Fall 2022 SPOT
MUAC 3506.701, CELLO, Fall 2022 SPOT
MUAM 1506.701, Cello, Fall 2022 SPOT
MUAM 3506.701, Cello, Fall 2022 SPOT
MUAM 5506.701, Cello, Fall 2022 SPOT
MUAM 6506.701, Cello, Fall 2022 SPOT
MUCM 3510.510, String Chamber Music, Fall 2022 SPOT
MUCM 5510Z.510, String Chamber Music, Fall 2022

* Texas Education Code 51.974 (HB 2504) requires each institution of higher education to make available to the public, a syllabus for undergraduate lecture courses offered for credit by the institution.

Published Publications

Published Intellectual Contributions

CD Recording - Chamber
Conteras Espinoza, H. (2023). Trio Reverón. No. Granada, Andalucía: IBS Classical. https://ibsclassical.es
Conteras Espinoza, H. (2020). World Map: A Collection of Mini Concertos by Shuying Li. No. North Hampton, NH: Parma Recordings. https://www.navonarecords.com/catalog/nv6312/
Conteras Espinoza, H. (2016). Voyages. No. Ann Arbor, MI: Self Published. https://khemiaensemble.bandcamp.com/album/voyages-2
CD Recording - Ensemble
Conteras Espinoza, H. (2014). MILHAUD, D.: Orestie d'Eschyle. No. Hong Kong: Naxos. https://www.naxos.com/CatalogueDetail/?id=8.660349-51
Conteras Espinoza, H. (2013). Ginastera: The Three Piano Concertos. Austin, TX: Pierian Recordings. http://www.pierianrecordingsociety.org
CD Recording - Solo
Conteras Espinoza, H. (2020). Open Borders: Music of Ricardo Lorenz. East Lansing, MI: Blue Griffin. https://www.bluegriffin.com/cd-catalog/p/h490478jakbp4l1aivkuhaz0dk9d8b
Journal Article
Conteras Espinoza, H. (2016). Los Sones de Tura: música, memoria e identidad en el ritual de las Turas de San Pedro de Mapararí, Estado Falcón. Boletín Antropológico. (91), 53-74. Mérida, Mérida: Universidad de Los Andes.
Conteras Espinoza, H. (2012). Sonidos de la Selva: el Trabajo de Campo como herramienta para la comprensión e interpretación de Tombeau pour l’Amazonie. Musicaenclave. 6(3), . online: Musicaenclave. https://www.musicaenclave.com/vol-6-3-septiembre-diciembre-2012/
Conteras Espinoza, H. (2012). Sonidos de la Selva: El trabajo de campo como herramienta para la comprensión e interpretación de Tombeau pour l’Amazonie de Paul Desenne. 6(3), . on-line: Musicaenclave. https://www.musicaenclave.com/vol-6-3-septiembre-diciembre-2012/
Music Edition
Conteras Espinoza, H. (2022). Ricardo Castro concerto for cello and orchestra. Appleton, WI: Strings of Latin America. https://www.stringsoflatinamerica.com
Conteras Espinoza, H. (2018). Exercises for the Cello in Various Combinations of Double-Stops. New York, NY: Carl Fisher Music.
Webpage
Conteras Espinoza, H. (2021). Sphinx Catalog of Latin-American Viola Works. Detroit, MI: Sphinx Organization. https://www.sphinxmusic.org/latin-american-viola-works
Conteras Espinoza, H. (2019). Sphinx Catalog of Latin-American Cello Works. Detroit, MI: Sphinx Organization. https://www.sphinxmusic.org/latin-american-cello-works
,
Overall
Summative Rating
Challenge and
Engagement Index
Response Rate

out of 5

out of 7
%
of
students responded
  • Overall Summative Rating (median):
    This rating represents the combined responses of students to the four global summative items and is presented to provide an overall index of the class’s quality. Overall summative statements include the following (response options include a Likert scale ranging from 5 = Excellent, 3 = Good, and 1= Very poor):
    • The course as a whole was
    • The course content was
    • The instructor’s contribution to the course was
    • The instructor’s effectiveness in teaching the subject matter was
  • Challenge and Engagement Index:
    This rating combines student responses to several SPOT items relating to how academically challenging students found the course to be and how engaged they were. Challenge and Engagement Index items include the following (response options include a Likert scale ranging from 7 = Much higher, 4 = Average, and 1 = Much lower):
    • Do you expect your grade in this course to be
    • The intellectual challenge presented was
    • The amount of effort you put into this course was
    • The amount of effort to succeed in this course was
    • Your involvement in course (doing assignments, attending classes, etc.) was
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