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Lisa N. Owen

Title: Chair

Department: Art History

College: College of Visual Arts and Design

Curriculum Vitae

Curriculum Vitae Link

Education

  • PhD, University of Texas, 2006
    Major: Art History
    Dissertation: Beyond Buddhist and Brahmanical Activity: The Place of the Jain Rock-Cut Excavations at Ellora
  • MA, University of Texas, 1997
    Major: Art History
    Dissertation: Locating the Buddha: Ajanta's Place in Western India's Rock-Cut Excavations
  • BA, California State University Long Beach, 1991
    Major: Art History

Current Scheduled Teaching

ARTH 5824.001Seminar in Asian ArtSpring 2025
ART 5900.714Special ProblemsSpring 2025
ART 5900.714Special ProblemsFall 2024

Previous Scheduled Teaching

ARTH 4848.002Art History Senior SeminarFall 2022 Syllabus SPOT
ARTH 5824.001Seminar in Asian ArtSpring 2022 SPOT
ARTH 4824.001Topics in Asian ArtSpring 2022 Syllabus SPOT
AEAH 5849.714Art History Research ProjectSpring 2021
AEAH 5824.001Seminar in Asian ArtSpring 2021 SPOT
AEAH 4824.001Topics in Asian ArtSpring 2021 Syllabus SPOT
AEAH 4824.002Topics in Asian ArtSpring 2021 Syllabus SPOT
AEAH 4801.003Topics in Art HistoryFall 2020 Syllabus SPOT
AEAH 4824.001Topics in Asian ArtFall 2020 Syllabus SPOT
AEAH 4824.002Topics in Asian ArtFall 2020 Syllabus SPOT
ART 5900.714Special ProblemsSpring 2020
AEAH 4824.001Topics in Asian ArtSpring 2020 Syllabus
AEAH 4824.002Topics in Asian ArtSpring 2020 Syllabus
AEAH 5824.001Seminar in Asian ArtFall 2019 SPOT
AEAH 4824.001Topics in Asian ArtFall 2019 Syllabus SPOT
AEAH 4824.002Topics in Asian ArtSpring 2019 Syllabus SPOT
AEAH 4848.001Art History Senior SeminarFall 2018 Syllabus SPOT
AEAH 5824.001Seminar in Asian ArtFall 2018 SPOT
AEAH 4824.001Topics in Asian ArtFall 2018 Syllabus SPOT
AEAH 4824.001Topics in Asian ArtSpring 2018 Syllabus SPOT
AEAH 4824.002Topics in Asian ArtSpring 2018 Syllabus SPOT
AEAH 5824.001Seminar in Asian ArtFall 2017 SPOT
AEAH 4824.001Topics in Asian ArtFall 2017 Syllabus SPOT
AEAH 4824.002Topics in Asian ArtFall 2017 Syllabus SPOT
AEAH 4824.001Topics in Asian ArtSpring 2017 Syllabus SPOT
AEAH 4824.002Topics in Asian ArtSpring 2017 Syllabus SPOT
AEAH 4848.001Art History Senior SeminarFall 2016 Syllabus SPOT
AEAH 5824.001Seminar in Asian ArtFall 2016 SPOT
AEAH 4824.001Topics in Asian ArtFall 2016 Syllabus SPOT
AEAH 5824.001Seminar in Asian ArtSpring 2016 SPOT
AEAH 5824.791Seminar in Asian ArtSpring 2016 SPOT
AEAH 4824.002Topics in Asian ArtSpring 2016 Syllabus SPOT
AEAH 4824.001Topics in Asian ArtFall 2015 Syllabus SPOT
AEAH 5824.001Seminar in Asian ArtSpring 2015
AEAH 4824.001Topics in Asian ArtSpring 2015 Syllabus
AEAH 4824.002Topics in Asian ArtSpring 2015 Syllabus
AEAH 4848.001Art History Senior SeminarFall 2013 Syllabus
AEAH 5824.001Seminar in Asian ArtFall 2013
ART 5900.714Special ProblemsFall 2013
AEAH 4824.001Topics in Asian ArtFall 2013 Syllabus
AEAH 5849.714Art History Research ProjectSpring 2013
AEAH 5848.001Seminar in Art HistorySpring 2013
ART 4900.714Special ProblemsSpring 2013
AEAH 4824.001Topics in Asian ArtSpring 2013 Syllabus
AEAH 5849.714Art History Research ProjectFall 2012
ART 2350.001Art History Survey IFall 2012 Syllabus
AEAH 5824.001Seminar in Asian ArtFall 2012
ART 4900.714Special ProblemsFall 2012
ART 5900.714Special ProblemsFall 2012
AEAH 5824.001Seminar in Asian ArtSpring 2012
AEAH 5824.791Seminar in Asian ArtSpring 2012
ART 4900.714Special ProblemsSpring 2012
ART 5900.714Special ProblemsSpring 2012
AEAH 4824.001Topics in Asian ArtSpring 2012
AEAH 4848.001Art History Senior SeminarFall 2011 Syllabus
AEAH 5824.001Seminar in Asian ArtFall 2011
AEAH 5849.714Research ProjectSpring 2011
AEAH 5824.001Seminar in Asian ArtSpring 2011
ART 4900.714Special ProblemsSpring 2011
AEAH 4824.001Topics in Asian ArtSpring 2011 Syllabus
ART 2350.001Art History Survey IFall 2010 Syllabus
AEAH 5824.001Seminar in Asian ArtFall 2010
ART 4900.714Special ProblemsFall 2010
AEAH 5824.001Seminar in Asian ArtSpring 2010
ART 5900.714Special ProblemsSpring 2010
AEAH 4824.001Topics in Asian ArtSpring 2010
AEAH 5824.001Seminar in Asian ArtFall 2009
ART 4900.714Special ProblemsFall 2009
AEAH 4824.001Topics in Asian ArtFall 2009
AEAH 5849.714Research ProjectSpring 2009
AEAH 5848.001Seminar in Art HistorySpring 2009
ART 4900.714Special ProblemsSpring 2009
AEAH 4848.001Art History Senior SeminarFall 2008
ART 2350.001Art History Survey IFall 2008
ART 5900.714Special ProblemsFall 2008
ART 1200.001Art AppreciationSpring 2008
ART 5190.003Seminar in Art HistorySpring 2008
ART 5190.002Seminar in Art HistoryFall 2007
ART 5900.714Special ProblemsFall 2007
ART 4070.002Topics in Art HistoryFall 2007
ART 4320.001Asian ArtSpring 2007
ART 5190.002Seminar in Art HistorySpring 2007
ART 4070.001Topics in Art HistorySpring 2007
ART 1200.001Art AppreciationFall 2006

Published Intellectual Contributions

    Book Chapter

  • ***. (2022). Mountain and Cave: Hindu Rock-Cut Architecture and its Symbolisms. A History of Hindu Architecture in India. 8 123-139. Berlin, Studies in Asian Art and Culture—EB Verlag.
  • Owen, L.N. (2021). Neither Cave nor Temple: Creating and Commemorating 'Place' in the Ritual Landscapes at Badami. South Asian Rituals in Archaeological Context: Power, Presence, and Space. 213-230. Delhi, Routledge.
  • ***. (2016). Local Bhakti or Monastic Advertising? The Functions of Medieval Jain Rock-Reliefs in Tamil Nadu. The Archaeology of Bhakti II: Royal Bhakti, Local Bhakti. 423-442. Pondicherry, École française d'Extrême-Orient.
  • ***. (2015). Transforming the Landscape: Questions of Medieval Reuse and Worship at Ancient Jain Rock-Cut Sites near Madurai. Negotiating Cultural Identity: Landscapes in Early Medieval South Asian History. 110-138. New Delhi, Routledge.
  • Owen, L.N., Brancaccio, P. (2013). Relationships between Art, Architecture, and Devotional Practices at Ellora. Living Rock: Buddhist, Hindu, and Jain Cave Temples in the Western Deccan. 126-137. Mumbai, Marg Publications.
  • Owen, L.N., Lindquist, S.E. (2011). Text and Image: Identifying Ellora's Jain Deities. Religion and Identity in South Asia and Beyond: Essays in Honor of Patrick Olivelle. 225-247. New York, London, Delhi, Anthem Press.
  • Owen, L.N., Ray, H.P. (2010). Absence and Presence: Worshipping the Jina at Ellora. Archaeology and Text: The Temple in South Asia. 96-123. New Delhi, Oxford University Press.
  • Book Review

  • Owen, L.N. (2021). Book Review of Padma Kaimal, Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space. Seattle: University of Washington Press, 2021. Journal of the Society of Architectural Historians. (80/4 (Dec 2021)) 477-8.
  • Owen, L.N. (2020). Book Note on Kimberly Masteller, Masterworks from India and Southeast Asia. Kansas City, MO: The Nelson-Atkins Museum of Art with University of Washington Press, Seattle and London, 2016. 46 (3) 434-435. Religious Studies Review.
  • Owen, L.N. (2018). Book review of Vidya Dehejia and Peter Rockwell, The Unfinished: Stone Carvers at Work on the Indian Subcontinent. New Delhi: Roli Books, 2016. 138 (1) 172-174. Journal of the American Oriental Society.
  • Owen, L.N. (2016). Book Note on Cathleen Cummings, Decoding a Hindu Temple: Royalty and Religion in the Iconographic Program of the Virupaksha Temple, Pattadakal, Woodland Hills, CA: SASA Books, 2014. Religious Studies Review. 42 (4) 307-308.
  • Owen, L.N. (2016). Book Note on Tiziana Lorenzetti, Understanding the Hindu Temple: History, Symbols and Forms. Berlin: EB-Verlag, 2015. Religious Studies Review. 42, no.1 54-55.
  • Owen, L.N. (2016). Book Review of Sacred Objects in Secular Spaces: Exhibiting Asian Religions in Museums. Edited by Bruce M. Sullivan. Bloomsbury, 2015.. Reading Religion: A Publication of the American Academy of Religion (Online). http://readingreligion.org
  • ***. (2015). Book Note on Vinayak Bharne and Krupali Krusche, Rediscovering the Hindu Temple: The Sacred Architecture and Urbanism of India. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2012. Religious Studies Review. 41, no. 1 33-34.
  • ***. (2014). Book Note on Debra Diamond, ed. Yoga: The Art of Transformation. Washington DC: Freer Gallery of Art and Arthur M. Sackler Gallery, 2013. Religious Studies Review. 40, no. 3 170.
  • **. (2014). Book Note on James Bennett, ed. Realms of Wonder: Jain, Hindu, and Islamic Art of India, including Nepal and Pakistan. Adelaide, S.A.: Art Gallery of South Australia, 2013. Religious Studies Review. 40, no. 4 230.
  • Owen, L.N. (2013). Book Note on Piotr Balcerowicz, ed. Art, Myths and Visual Culture of South Asia. New Delhi: Manohar Publishers, 2011. Religious Studies Review. 39, no. 3 191.
  • Owen, L.N. (2011). Book Review of John E. Cort's Framing the Jina: Narratives of Icons and Idols in Jain History . Oxford and New York: Oxford University Press, 2010. Journal of Asian Studies. 70, no. 1 271-73.
  • Owen, L.N. (2010). Book Review of Vidya Dehejia's The Body Adorned: Dissolving Boundaries Between Sacred and Profane in India's Art. New York: Columbia University Press, 2009. Journal of the American Oriental Society. 130, no. 1 99-101.
  • Owen, L.N. (2010). Book Review of Walter Spink's Ajanta: History and Development, Volume Four - Painting, Sculpture, Architecture. Leiden: Brill, 2009. Journal of Asian Studies. 69, no. 1 317-19.
  • Encyclopedia Article

  • Owen, L.N. (2021). Khandagiri/Udayagiri. The Encyclopedia of Ancient History: Asia and Africa. John Wiley & Sons, Inc..
  • Owen, L.N. (2021). Shravanabelagola. The Encyclopedia of Ancient History: Asia and Africa. John Wiley & Sons, Inc..
  • Owen, L.N. (2021). The multireligious caves at Ellora. Smarthistory. https://smarthistory.org/the-multireligious-caves-at-ellora
  • Owen, L.N. (2019). Rock-Cut Caves. Brill's Encyclopedia of Jainism. 697-705. Leiden, Brill.
  • Owen, L.N. (2019). Sculpture. Brill's Encyclopedia of Jainism. 667-696. Leiden, Brill.
  • Journal Article

  • Owen, L.N. (2010). Demarcating Sacred Space: The Jina Images at Kalugumalai. International Journal of Jaina Studies. 6 (4) 1-28.
  • Owen, L.N. (2010). Kings or Ascetics? Evidence of Patronage in Ellora's Jain Caves. Artibus Asiae. 70 (2) 181-225.
  • Owen, L.N. (2009). Rock-Cut Pillars at Ellora: Interpreting Form and Function. Kalā: The Journal of Indian Art History Congress. XV 35-55.
  • Owen, L.N. (2009). The Jaina Rock-Cut Caves at Ankai-Tankai. Jñāna-Pravāha Research Journal. XIII 16-24.
  • Owen, L.N. (2006). Depicting a Jain Assembly: Representations of the Samavasarana at Ellora. 34, no. 2 44-60.
  • Owen, L.N. (2001). Constructing Another Perspective for Ajanta's Fifth-Century Excavations. Journal of the International Association of Buddhist Studies. 24 (1) 27-59.
  • co-author: Nina Roy. (1994). The Peaceful Liberators: Jain Art from India. 5, no. 6 33-48.
  • Monograph

  • Owen, L.N. (2012). Carving Devotion in the Jain Caves at Ellora. Leiden, Brill.

Contracts, Grants and Sponsored Research

    Fellowship

  • Owen, L.N. (Principal), "Marshall F. Wells Scholarship," sponsored by College of Fine Arts, UT Austin, State, Funded. (2004 - 2005).
  • Owen, L.N. (Principal), "Dean's Graduate Research Fellowship," sponsored by UT Austin, State, Funded. (2003 - 2004).
  • Owen, L.N. (Principal), "M.K. Hage Endowed Scholarship," sponsored by UT Austin, State, Funded. (2001 - 2002).
  • Owen, L.N. (Principal), "David Bruton Jr. Fellowship," sponsored by UT Austin, State, Funded. (2000 - 2001).
  • Owen, L.N. (Principal), "Foreign Language Area Studies Scholarship," sponsored by US Dept of Education, Federal, Funded. (1998 - 1999).
  • Owen, L.N. (Principal), "American Institute of Indian Studies Language Program Scholarship," sponsored by US Dept of Education, Federal, Funded. (1998 - 1998).
  • Owen, L.N. (Principal), "Foreign Language Area Studies Scholarship," sponsored by US Dept of Education, Federal, Funded. (1997 - 1998).
  • Grant - Research

  • Owen, L.N., "Scholarly and Creative Activity Award (SCA)," sponsored by College of Visual Arts and Design; Project Title: Rocks, Caves, and Divinity in Early Medieval Southern India, University of North Texas, $5000 Funded. (2019 - 2020).
  • Owen, L.N. (Principal), "Fulbright-Nehru Research Award," sponsored by U.S. Department of Education and U.S.-India Educational Foundation, Federal, Funded. (2013 - 2014).
  • Owen, L.N. (Principal), "Rocks, Caves, and Divinity: Creating Places of Worship in Medieval Southern India," sponsored by Howard Foundation, Private, $30000 Funded. (2013 - 2014).
  • Owen, L.N. (Principal), "Defining Ritual Space through Imagery: Medieval Jain Rock-Carvings in Tamil Nadu," sponsored by American Institute of Indian Studies (AIIS), Other, Funded. (2011 - 2012).
  • Owen, L.N. (Principal), "Charn Uswachoke International Development Fund," University of North Texas, $6700 Funded. (2008 - 2009).
  • Owen, L.N. (Principal), "Faculty Research Grant," University of North Texas, $5000 Funded. (2008 - 2009).
  • Owen, L.N. (Principal), "Gallery and Visiting Artist and Scholar Award," sponsored by CVAD, University of North Texas, $2121 Funded. (2008 - 2009).
  • Owen, L.N. (Principal), "Junior Faculty Summer Research Fellowship," University of North Texas, $5000 Funded. (2008 - 2008).
  • Owen, L.N. (Principal), "Junior Faculty Summer Research Fellowship," University of North Texas, $5000 Funded. (2007 - 2007).
  • Owen, L.N. (Principal), "Faculty Research Grant (RIG)," sponsored by UNT, University of North Texas, $5000 Funded. (2006 - 2007).
  • Owen, L.N. (Principal), "Fulbright-Nehru Research Award," sponsored by U.S. Department of Education and U.S.-India Educational Foundation, Federal, Funded. (2013 - 2014).
  • Owen, L.N. (Principal), "Rocks, Caves, and Divinity: Creating Places of Worship in Medieval Southern India," sponsored by Howard Foundation, Private, Funded. (2013 - 2014).
  • Owen, L.N. (Principal), "Defining Ritual Space through Imagery: Medieval Jain Rock-Carvings in Tamil Nadu," sponsored by American Institute of Indian Studies (AIIS), Other, Funded. (2011 - 2012).
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Overall
Summative Rating
Challenge and
Engagement Index
Response Rate

out of 5

out of 7
%
of
students responded
  • Overall Summative Rating (median):
    This rating represents the combined responses of students to the four global summative items and is presented to provide an overall index of the class’s quality. Overall summative statements include the following (response options include a Likert scale ranging from 5 = Excellent, 3 = Good, and 1= Very poor):
    • The course as a whole was
    • The course content was
    • The instructor’s contribution to the course was
    • The instructor’s effectiveness in teaching the subject matter was
  • Challenge and Engagement Index:
    This rating combines student responses to several SPOT items relating to how academically challenging students found the course to be and how engaged they were. Challenge and Engagement Index items include the following (response options include a Likert scale ranging from 7 = Much higher, 4 = Average, and 1 = Much lower):
    • Do you expect your grade in this course to be
    • The intellectual challenge presented was
    • The amount of effort you put into this course was
    • The amount of effort to succeed in this course was
    • Your involvement in course (doing assignments, attending classes, etc.) was
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