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Manisha Sharma

Title: Chair

Department: Art Education

College: College of Visual Arts and Design

Curriculum Vitae

Curriculum Vitae Link

Education

  • PhD, Ohio State University,
    Major: Art Education
    Dissertation: Indian art education & teacher identity as Deleuzo-Guattarian assemblage: Narratives in a postcolonial globalization context
  • MA, The School of the Art Institute of Chicago, 2003
    Major: Art Education
    Dissertation: Reclaiming social agency through art education: The role of popular iconography and of the book form as text in contemporary India
  • BFA, College of Art, Delhi, 1998
    Major: Applied Art
    Dissertation: Rusana: Brand design & advertising campaign
  • Certificate, Triveni Kala Sangam, 1998
    Major: Photography

Current Scheduled Teaching

ARTE 4760.001Art Education: Global AestheticsFall 2024
ARTE 5753.001Contemporary Trends in Art EducationFall 2024
ART 6950.729Doctoral DissertationFall 2024

Previous Scheduled Teaching

ART 6950.729Doctoral DissertationSpring 8W2 2024
ARTE 5710.001Foundations for Urban Art Education StudiesFall 2023 SPOT
ART 5900.729Special ProblemsFall 2023
ART 5900.729Special ProblemsSpring 2023
ARTE 4795.001Topics in Art EducationSpring 2023 Syllabus SPOT
ART 5900.729Special ProblemsFall 2022
ARTE 5773.001Curriculum Theory in Art EducationSpring 2022 SPOT
ARTE 5787.001Introduction to Research in Art EducationFall 2021 Syllabus SPOT

Published Intellectual Contributions

    Book

  • Sharma, M., Alexander, A. (2023). The Routledge Companion to Decolonizing Art, Craft, and Visual Culture Education. (1st Edition) New York, New York, Routledge.
  • Book Chapter

  • Sharma, M., Kachru, P.G. Handbook on Critical Arts-Based Methods (working title). NY, NY, Routledge.
  • Sharma, M., Shin, R., Lim, M., Lee, O., Han, S. (2023). Desi/Pardesi/Videshi: International (Re)locations in a Time of Nationalism. Counternarratives from Asian American Art Educators: Identities, Pedagogies, and Practice Beyond The Western Paradigm. 45-53. New York, NY, Routledge. https://www.taylorfrancis.com/books/edit/10.4324/9781003222293/counternarratives-asian-american-art-educators-ryan-shin-maria-lim-oksun-lee-sandrine-han
  • Sharma, M., Knochel, A.D., Sahara, O. (2023). Patriotism and Nationalism: Sounds of Dissent and Resistance in Contemporary India. Global Media Arts Education Mapping Global Perspectives of Media Arts in Education. 61-77. Camden, Palgrave MacMillan: Palgrave Studies in Educational Futures (PSEF).
  • Sharma, M., Wilson, G., Boyd, J., Kraehe, A. (2022). The Water and the Bridge: Dilemmas of In-betweenness. A Love Letter to This Bridge Called My Back. 118–122. Tucson, AZ, University of Arizona Press.
  • Sharma, M., Kiefer-Boyd, K., Hoeptner-Polling, L., Klein, S., Knight, W., Miles, A. (2021). Halla bol! Visual(izing) responses to violence against women in contemporary India. National Art Education Association Women's Caucus Lobby Activism: Feminism(s)+ art education. 199-208. Alexandria, VA, NAEA Press.
  • Garber, E., Hochtritt, L., Sharma, M. (2018). Introduction: Makers, Crafters, Educators: Working for Cultural Change. Makers, Crafters, Educators. 1--13. Routledge.
  • Sharma, M. (2017). Activating Art Education Learning by Mapping Community Cultures. Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement. 170--184. IGI Global.
  • Sharma, M. (2011). Navjot Altaf: What public, whose art?. Art as Social Justice: Culture as Commons. 1 116--118. Routledge.
  • Book Review

  • Sharma, M. (2021). Review of Community-Based Art Education Across the Lifespan: Finding Common Ground. Studies in Art Education. 62 (1) 96-99.
  • Journal Article

  • Sharma, M. (2022). Jittered Orthodoxies. Visual Inquiry: Learning and Teaching Art. 10 (2) 217-19. Ubana, Illinois, University of Illinois Press. https://doi.org/10.1386/vi_00047_1
  • Sharma, M. Critical Connections in Relational Universalities in Art Education. 1 (1) Karachi., The Journal of Art Education, Pakistan.
  • Sharma, M., Coats, C. (2021). Editorial: (En)countering (Un)certainty: Shifting Orientations through Imagination and Disruption. Journal of Social Theory in Art Education. 41 2-6. https://scholarscompass.vcu.edu/jstae/vol41/iss1/1/
  • Sharma, M., Thatte, A. (2021). Exploring Craft Traditions of India: Heritage Crafts as a Curricular Gateway for Interdisciplinary Learning. Art Education Journal.
  • Sharma, M., Thatte, A. (2021). Exploring Craft Traditions of India: Heritage Crafts as a Curricular Gateway for Interdisciplinary Learning. Art Education Journal. 74 (3) 43--47. Taylor \& Francis.
  • Sharma, M. (2021). Review of Community-Based Art Education Across the Lifespan: Finding Common Ground. Studies in Art Education. 62 (1) 96--99. Routledge.
  • Sharma, M. (2020). Guest Column for Caucus of Social Theory in Art Education. NAEA News. 62 (4)
  • Sharma, M., Sutters, J.P. (2020). Travels, Encounters and Relationship Building in International Art Education.
  • Sharma, M. (2019). A Metaphorical Conundrum.
  • Sharma, M. (2019). Guest Column for Community Art Caucus. NAEA News. 61 (2)
  • Black, R., Garber, E., Neff, Y.E., Sharma, M. (2016). A quest for sacred knowledge: Mentorship to partnership. Other. 5 (3) 273--290. Intellect.
  • Sharma, M. (2016). Disney and the Ethnic Other: A Semiotic Analysis of American Identity. Other. 477 95--107. Peter Lang AG.
  • Sharma, M. (2016). Identities of art education in contemporary India: Reality, Rhizome and Assemblage. Other. 19 (1)
  • Sharma, M. (2016). Identities of art education in contemporary India: Reality, Rhizome and Assemblage Identidades da Arte Educa\cc\~ao na \'India Contempor\^anea: Realidade, Rizoma e Assembrage.
  • Sharma, M. (2015). Mythical Beings and Becoming: Emerging Identities of Art Educators in India. Other. 32
  • Sharma, M. (2014). Undisciplined Space. Other. 111--126. Rowman \& Littlefield Lanham, MD.
  • Alexander, A., Sharma, M. (2013). (Pre) determined Occupations: The Post-Colonial Hybridizing of Identity and Art Forms in Third World Spaces. Journal of Social Theory in Art Education. 33 (1) 86--104.
  • M.A Thesis

  • Sharma, M. (2002). Reclaiming Social Agency Through Art Education: The Role of Popular Iconography and of the Book Form as Text in Contemporary India. School of the Art Institute of Chicago.
  • Newsletter

  • Sharma, M. (2022). Valuing service as labor. NAEA News. (Number 5) VA, NAEA. https://www.arteducators.org/community/articles/1039-caucus-for-social-theory-in-art-education-cstae-column-winter-2022?UserId=aa29a7ce-9bc5-4317-9484-a23d7b2af4dc&sso=905c7bc5-fc67-4a8e-80fb-d4deada2c1e4
  • Other

  • Garber, E., Hochtritt, L., Sharma, M. (2018). Makers, crafters, educators: Working for cultural change. Routledge.
  • Ph.D. Thesis

  • Sharma, M. (2012). Indian art education and teacher identity as Deleuzo-Guattarian assemblage: Narratives in a postcolonial globalization context. The Ohio State University.

Contracts, Grants and Sponsored Research

    Grant - Teaching

  • Du, Y. (Co-Principal), Evans, L.E. (Co-Principal), Roeschley, A. (Co-Principal), Sharma, M. (Co-Principal), Hyland, P. (Co-Principal), "Stewarding Cultural Heritage: Latino Art, Museums, and Preservation Fellowship (LAMP Fellowship)," sponsored by Institute of Museum and Library Services, Federal, $396362 Funded. (2023 - 2026).
  • Sharma, M., "Inclusion and Diversity Curriculum Development Grant," sponsored by University of Arizona, State, $1500 Funded. ( - 2020).
  • Sharma, M., "Faculty Professional Development Endowment," sponsored by University of Arizona, State, $5000 Funded. ( - 2018).
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Overall
Summative Rating
Challenge and
Engagement Index
Response Rate

out of 5

out of 7
%
of
students responded
  • Overall Summative Rating (median):
    This rating represents the combined responses of students to the four global summative items and is presented to provide an overall index of the class’s quality. Overall summative statements include the following (response options include a Likert scale ranging from 5 = Excellent, 3 = Good, and 1= Very poor):
    • The course as a whole was
    • The course content was
    • The instructor’s contribution to the course was
    • The instructor’s effectiveness in teaching the subject matter was
  • Challenge and Engagement Index:
    This rating combines student responses to several SPOT items relating to how academically challenging students found the course to be and how engaged they were. Challenge and Engagement Index items include the following (response options include a Likert scale ranging from 7 = Much higher, 4 = Average, and 1 = Much lower):
    • Do you expect your grade in this course to be
    • The intellectual challenge presented was
    • The amount of effort you put into this course was
    • The amount of effort to succeed in this course was
    • Your involvement in course (doing assignments, attending classes, etc.) was
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