Teresa T. Marrero

Previous Scheduled Teaching

Published Intellectual Contributions

Book

• Marrero, M.T. (2021). Seeking Common Ground: Latinx and Latin American Theatre and Performance.. 252. London, London: Methuen Drama, Bloomsbury Publishing Co...
• Marrero, T. (2019). "La Familia". Teatro Latino. Nuevas Obras de los Estados Unidos. 233-275. La Casita Grande Press, imprint of Black Rose Writing. https://www.latinorebels.com/2017/08/22/la-casita-grande-editores-is-calling-for-latino-and-caribbean-literature-submissions/
• Marrero, T. (2019). ENCUENTRO: Latinx Performance for the New American Theatre. 392. Evanston, Illinois, Noerthwestern University Press. http://www.nupress.northwestern.edu/content/encuentro
• Marrero, Teresa. (2009). Entre la Argentina y Cuba: Cuentos nómadas de viajes y tango.
• Marrero, Teresa. (2002). Performing Latina Women , special issue of Ollantay Theater Magazine.
• Svich, Caridad and María Teresa Marrero. (2000). Out of the Fringe: Contemporary Latina/o Theater & Performance.
• Marrero, Teresa. (1995). "A Speck of Hope in the Caribbean Horizon.".
• Marrero, Teresa. (1995). "Miembros Fantasmas/Ghost Limbs.".
• Marrero, Teresa. (1994). "Miembros Fantasmas/Ghost Limbs." Michigan Quarterly Review 33.3 Special issue ".
• Marrero, Teresa. (1994). "The Mbele.".

Book Chapter

• single. (2013). Marrero, Teresa. "Under the Radar: Latin@/Hispanic Theater in North Texas." Theater and Performance in Small Nations, edited by Steve Blandford. Bristol, UK and Chicago, US: Intellect Books, 2013: 141- 166. Printed book pages: 22. Words: 9643..
• Marrero, M.T. (2009). "Afro-Cuban Danced Religious Practices as Everyday Art." Teresa Marrero, sole author Relgion as Art: Guadalupe, Orishas and Sufi Albuquerque: University of New Mexico Press, 2009: 189-202.
• Tropicalizations, Transcultural Representations of Latinidad, Frances Aparicio & Susana Chávez-Silverman, eds. (1997). "Historical and Literary Santería: Unveiling Gender and Identity in U.S. Cuban Literature.".

Encyclopedia Article

• single. (2013). " Theater in Texas." Encyclopedia of Latino Culture. Edited by Chuck Tatum. pp 1262- 1266.Words: 2735 NOTE publisher error: stated academic affiliation written as North Texas State, rather than University of North Texas.

Journal Article

• Marrero, M. (2019). "Latinx Sci-Fi Theater: Speculating Possible Futures". 49 (1) 48-51. New Haven, Connecticut, Yale University School of Drama, Duke University Press. https://theatermagazine.org/
• Marrero, T. (2019). "Where Earth Meets the Sky: Decolonizing Latinxfuturistic Theater". (54) 11-16. San Diego, California, University of California, San Diego. http://www.theatreforum.org/
• Marrero, T. (2017). “Bienes comunes, innovador concepto de recursos teatrales: The Latinx Theatre Commons.”. VI (25) Whittier, California and Buenos Aires, Whittier College and Buenos Aires. http://www.argus-a.com.ar/publicacion/1269-bienes-comunes-innovador-concepto-de-recursos-teatrales-the-latinx-theatre-commons.html.
• Marrero, T. (2017). Latinx Theatre Commons: A Commons-based Approach Movement. 27 (1) Hanover, Pennsylvania, The Johns Hopkins University Press. https://jhuptheatre.org/theatre-topics/online-content/issue/volume-27-number-1-march-2017/latinx-theatre-commons-commons
• Marrero, T. (2014). Latina/o theater Commons National Convening: Historic Event for Latina/o Theater in the United States. GESTOS. 29 (57) 149-151. Irvine, California, University of California, irvine. gestos@uci.edu
• single. (2013). "Historical Writing and Ethnocentrism in Western Thinking: The Case of Early Contact in the Americas". The International Journal of Civic, Political and Community Studies. Volume 10, Issue 4. 2013. Champaign, Illinois: Common Ground Publishing, LL.C. Words 5758.
• single. (2013). "Historical Writing and Ethnocentrism in Western Thinking: The Early Case of the Americas." In The International Journal of the Humanities. Vol. 19, Issue 4: 89-98. Words: 5758.
• none. (2013). Border Memories: Theatrical Space & Intentional Liminality. 3 (13) Pomona, California, Argus-A. http://www.argus-a.com.ar/ensayos-essays/621:border-memories.html.
• Marrero, T. (2013). “Historical Writing and Ethnocentrism in Western Thinking: The Early Case of the Americas.”. The International Journal of the Humanities. 19 (4) http://thehumanities.com/publications/journal/about-the-journa
• single. (2012). Outside the Bones by Lyn Di Lorio. Camino Real 4.6 (2012): 146-148. Edited by Jose Pablo Villalobos..
• Marrero, Teresa. (2007). "Teatro, Talleres y Performance en Buenos Aires: Reflexiones, Invierno 2007.".
• Marrero, M.T. (2006). "XXI Festival Internacional de Teatro Hispano.".
• Susanne Oboler & Deena J. González, eds. (2005). "Nilo Cruz." The Oxford Encyclopedia of Latinos & Latinas in te United States.
• Ed. Lillian Manzor & Alberto Serraín. (2005). "Nilo Cruz: dramaturgo poeta.".
• Susanne Oboler & Deena J. González, eds. (2005). "Performing Arts and Theater." The Oxford Encyclopedia of Latinos & Latinas in the United States.
• Marrero, M.T. (2004). "Theater as Wild Weed.".
• Diana Taylor and Roselyn Constantino, eds.. (2003). "Eso Sí Pasa Aquí: Indigenous Women Performing Revolutions in Mayan Chiapas." Holy Terrors: Performance and Women in Latin America.
• Alicia Gaspar de Alva, ed.. (2003). "Out of the Fringe: Desire and Homosexuality in the 1990s Latino Theater," Velvet Barrios, Popular Culture & Chicana/o Sexualities.
• Marrero, M.T. (2003). "Scripting Sexual Tourism: STUFF, Prostitution and Cuba's Special Period.".
• Luis Ramos-GarcIa, ed.. (2002). "From El Teatro Campesino to the Gay 1990's: Transformations and Fragments in the Evolution of Chicano/a to Latina/o Theater and Performance Art," The State of Latino Theater in the United States: Hybridity, Transculturation, and Identity.
• Marrero, M.T. (2001). "Exito para el XVI Festival Internacional de Teatro Hispano.".
• Alicia Arrizón and Lillian Manzor. (2000). "Latina Playwrights, Directors and Entrepreneurs: An Historical Perspective." Latinas on Stage, eds..
• Marrero, M.T. (2000). "Out of the Fringe? Out of the Closet: Latina/o Performance in the '90s,".
• Marrero, M.T. (1999). "Brazo gitano: Cuban Women, Social Memory and Identity through Afro-Cuban Ritual,".
• María Delgado & Caridad Svich, eds.. (1999). "In a State of Memory: Notes from a María Irene Fornés Workshop." Conducting a Life: a Tribute to María Irene Fornés.
• Marrero, M.T. (1999). "Out of the Fringe: Desire and Homosexuality in the '90s Latino Theatre,".
• Marrero, M.T. (1998). "El Ejército Zapatista de Liberación Nacional: Publicidad, Presencia y Autonomía Indígena.".
• Marrero, M.T. (1998). "La Construcción Visual de la Nueva Revolución Mexicana: El Ejército Zapatista de Liberación Nacional.".
• Marrero, M.T. (1997). "El Cuarto Festival Internacional de Teatro Dallas.".
• Marrero, Teresa. (1996). "Crónicas de un encuentro con el zapatismo.".
• Frischmann, Donald & Teresa Marrero. (1996). "Mexican Rebels Seek Democracy.".
• Marrero, Teresa. (1996). "Nunca más un México sin nosotros: El Congreso Nacional Indígena y El Ejército Zapatista.".
• Ollantay Theater Magazine. (1996). "The Insertion of Latina Theater Entrepreneurs, Playwrights, and Directors into the Historical Record.".
• Marrero, M.T. "Feminist Theories Don't Travel Well" (Forum response to Cynthia Steele's "Indigenous Rights, Women's Rights, Human Rights: Mayan Politics and Theater in Chiapas").
• Ollantay Magazine New York. (1993). "Real Women Have Curves: Fat as a Cultural & Feminist Issue.".
• Gestos, Teoría y Práctica del Teatro Hispánico. (1991). ---"Chicano/Latino Self-Representation in Theater and Performance Art: a Current View.".
• Gestos, Teoría y Práctica del Teatro Hispánico. (1990). ---"The 1989 Hispanic Playwrights Project at South Coast Repertory Theater: the Issues, the Plays, the Contest.".
• El Alba, #20. (1984). "Análisis de Playa de Chile V, de Raúl Zurita.".

Magazine/Trade Publication

• single. (2014). "The World is a Stage." English and Spanish Reviews of Teatro Dallas' Four Day International Theater Festival. Word count: 3632.
• none. (2013). http://www.theaterjones.com
• single. (2013). 1. May 21, 2013. Interview. Q&A: Octavio Solis. Words: 1853. Interview.
• single. (2013). 1. May 24, 2013. La Mica | Teatro Dallas. In English and Spanish. Words: 1504..
• single. (2013). 1. May 27, 2013. In the Heights | Artes de la Rosa | Rose Marine Theater. Words: 1395. Performance Review.
• single. (2013). 1. May 27, 2013. Se Llama Cristina | Kitchen Dog Theater | McKinney Avenue Contemporary (MAC) . Words: 1040. Performance Review.
• single. (2013). 1. October 22, 2013. On Current Latino/a Theater in Dallas. October 22, 2013. Words: 3070. Feature Article.
• single. (2013). 1. October 24, 2013. Santos: A Wandering Soul | Teatro Dallas. Performance Review. Words 1707..
• single. (2013). 1. September 19, 2013. Romeo and Juliet | Artes de la Rosa | Rose Marine Theater, Words: 808. Performance Review.
• single. (2013). June 17, 2013. Interview with Abigail Vega of Teatro Luna. Luna Ticking . Words: 1856. Interview.
• single. (2013). June 4, 2013. The Dreamers: A Bloodline | Cara Mia Theatre Company. Dreaming in Color. Words: 1850. Performance Review.
• single. (2013). May 26, 2013. Interview. Q&A: David Lozano, director of Cara Mia Theater Company. Words: 2980. Interview.
• single. (2013). November 13, 2013. La muerte y la doncella/ Death and the Maiden. Cambalache Teatro en Español. Bilingual in English and Spanish. Performance Review. Words: 2,850.

Performance Profile and Interview with Playwright

• Marrero, M.T. (2021). Quemar las naves, el viaje de Emma, profile and interview with playwright Rocío Carrillo. Chaper en a book, Seekling Common Ground: Latinx and Latin American Theatre and Peroformance. London, Methuen Drama, Bloomsbury Publishing Co...

Popular Press Article

• Teresa Marrero sole author. (2010). http://www.xuemagazine.com/2010/09/tango-brujo/ "Tango brujo" 956 words.
• Gestos, Teoría y Práctica del Teatro Hispánico. (1997). "María Irene Fornés and Her Critics by Assunta Bartolomucci Kent.".
• Negotiating Performance: Gender, Sexuality, & Theatricality in Latin/o America, Diana Taylor & Juan Villegas, eds.. "Performance Art, Public Art: The Politics of Site.".
• Latin American Theatre Review. (1991). "Tramoya # 22, Beatriz J. Rizk, ed., and Calle, escenario y escuela by Judith A. Weiss.".
• Latin American Theatre Review. (1990). "Latins Anonymous at the University of California Chicano Literary Awards Ceremony.".
• Gestos, Teoría y Práctica del Teatro Hispánico. "Teatro de Cuba en East Los Angeles.".
• Review of José González-Cruz' critical edition. Gestos, Teoría y Práctica del Teatro Hispánico. "Virgilio Piñera: Una caja de zapatos vacía.".

Scholarly Note

• Helena Araújo. (1990). "Oppression, Tradition and Transgression in Some Women Colombian Novelists".
• Berta López Morales. (1990). "The Language of the Body in the Textuality of Women".
• by Gabriel Iriarte. (1988). "Perestroika and the Third World".

Contracts, Grants and Sponsored Research

Grant - Research

• Champlin, S. (Supporting), Frith, J. (Supporting), Hlavacik, M.J. (Principal), Jensen, K. (Supporting), Lakes, R. (Supporting), Larke-Walsh, G.M. (Supporting), Marrero, M.T. (Supporting), Nogay, D.L. (Supporting), Vickery, J.R. (Supporting), "Research Colloquium in Communication-Allied Disciplines," sponsored by Office of Faculty Success, University of North Texas, $12000 Funded. (2016 - 2017).