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Panayiotis Kokoras

Title: Professor

Department: Composition Studies

College: College of Music

Curriculum Vitae

Curriculum Vitae Link

Education

  • PhD, University of York (UK), 2003
    Major: Musical Composition
  • MA, University of York (UK), 2000
    Major: Music (Composition)
  • Diploma (International), Atheneaum Conservatory (GR), 1999
    Major: Music Composition
  • BM, University of Macedonia, 1997
    Major: Composition
  • Diploma (International), NAKAS Conservatory, 1997
    Major: Classical Guitar
  • Diploma (International), Music Society Conservatory, 1996
    Major: Fugue
  • Diploma (International), Music Society Conservatory, 1994
    Major: Counterpoint
  • Diploma (International), Nakas Conservatory, 1992
    Major: Harmony

Current Scheduled Teaching

MUCP 4685.001Topics in CompositionSpring 2025
MUCP 5685.001Topics in CompositionSpring 2025
MUCP 6200.706Advanced Research in Computer MusicFall 2024 SPOT
MUCP 5080.701Composition SeminarFall 2024 SPOT
MUAC 3540.703Private Lessons (Concentration) in ElectronicsFall 2024 SPOT
MUCP 6900.703Special ProblemsFall 2024 SPOT

Previous Scheduled Teaching

MUCP 6190.706Doctoral CompositionSpring 2024 SPOT
MUAC 1540.700Private Lessons (Concentration) in ElectronicsSpring 2024 SPOT
MUCP 5900.705Special ProblemsSpring 2024 SPOT
MUCP 5900.707Special ProblemsSpring 8W2 2024
MUCP 3180.706Advanced Composition IFall 2023
MUCP 5080.701Composition SeminarFall 2023
MUCP 5185.706Concentration CompositionFall 2023
MUCP 6190.706Doctoral CompositionFall 2023
MUAC 1540.702Private Lessons (Concentration) in ElectronicsFall 2023
MUCP 4080.706Secondary Composition IIFall 2023
MUCP 6190.706Doctoral CompositionSpring 2022 SPOT
MUGC 6950.726Doctoral DissertationSpring 2022
MUCP 4080.706Secondary Composition IISpring 2022
MUCP 6190.706Doctoral CompositionFall 2021 SPOT
MUCP 6190.710Doctoral CompositionFall 2021
MUCP 6190.706Doctoral CompositionSpring 2021 SPOT
MUGC 6950.726Doctoral DissertationSpring 2021 SPOT
MUCP 3670.001Introduction to Electroacoustic MusicSpring 2021 SPOT
MUGC 5950.716Master's ThesisSpring 2021 SPOT
MUCP 4195.706Senior Composition Capstone ProjectSpring 2021 SPOT
MUCP 6200.706Advanced Research in Computer MusicFall 2020 SPOT
MUCP 6190.706Doctoral CompositionFall 2020 SPOT
MUGC 6950.719Doctoral DissertationFall 2020
MUGC 5950.716Master's ThesisFall 2020
MUGC 6950.701Doctoral DissertationSummer 5W2 2019
MUCP 4180.706Advanced Composition IIISpring 2019
MUCP 6190.706Doctoral CompositionSpring 2019
MUGC 6950.726Doctoral DissertationSpring 2019
MUGC 5950.716Master's ThesisSpring 2019
MUCP 6190.706Doctoral CompositionFall 2018
MUGC 6950.719Doctoral DissertationFall 2018
MUGC 5950.716Master's ThesisFall 2018
MUCP 5910.701Special ProblemsFall 2018
MUCP 3190.701Advanced Composition IISpring 2018
MUCP 6195.706Advanced Research in CompositionSpring 2018
MUCP 6190.706Doctoral CompositionSpring 2018 SPOT
MUGC 6950.726Doctoral DissertationSpring 2018
MUGC 5950.716Master's ThesisSpring 2018
MUCP 4180.706Advanced Composition IIIFall 2017
MUCP 6195.706Advanced Research in CompositionFall 2017
MUGC 6950.719Doctoral DissertationFall 2017
MUGC 5950.716Master's ThesisFall 2017
MUCP 4910.701Special ProblemsFall 2017 Syllabus SPOT
MUCP 5910.701Special ProblemsFall 2017 SPOT
MUCP 3190.706Advanced Composition IISpring 2017
MUCP 4180.706Advanced Composition IIISpring 2017
MUCP 6195.706Advanced Research in CompositionSpring 2017
MUCP 6190.706Doctoral CompositionSpring 2017
MUGC 6950.726Doctoral DissertationSpring 2017
MUCP 5190.706Master's CompositionSpring 2017
MUCP 4080.706Secondary Composition IISpring 2017
MUCP 6200.706Advanced Research in Computer MusicFall 2016
MUCP 5185.706Concentration CompositionFall 2016
MUCP 6190.706Doctoral CompositionFall 2016
MUCP 4910.701Special ProblemsFall 2016
MUCP 5910.701Special ProblemsFall 2016
MUCP 4180.707Advanced Composition IIISpring 2016 SPOT
MUCP 6200.707Advanced Research in Computer MusicSpring 2016 SPOT
MUCP 5185.707Concentration CompositionSpring 2016 SPOT
MUCP 6190.707Doctoral CompositionSpring 2016 SPOT
MUGC 6950.726Doctoral DissertationSpring 2016
MUGC 5950.716Master's ThesisSpring 2016
MUCP 4080.707Secondary Composition IISpring 2016
MUCP 4195.707Senior Composition Recital CapstoneSpring 2016
MUCP 4180.707Advanced Composition IIIFall 2015 SPOT
MUCP 6200.707Advanced Research in Computer MusicFall 2015 SPOT
MUCP 5080.700Composition SeminarFall 2015 SPOT
MUCP 5185.707Concentration CompositionFall 2015 SPOT
MUCP 6190.707Doctoral CompositionFall 2015 SPOT
MUGC 6950.719Doctoral DissertationFall 2015
MUGC 5950.716Master's ThesisFall 2015
MUCP 4080.707Secondary Composition IIFall 2015 SPOT
MUCP 4195.707Senior Composition Recital CapstoneFall 2015
MUCP 3190.701Advanced Composition IISpring 2015
MUCP 3190.707Advanced Composition IISpring 2015
MUCP 4180.707Advanced Composition IIISpring 2015
MUCP 6190.707Doctoral CompositionSpring 2015
MUCP 5190.707Master's CompositionSpring 2015
MUGC 5950.716Master's ThesisSpring 2015
MUCP 4080.707Secondary Composition IISpring 2015
MUCP 4195.707Senior Composition Recital CapstoneSpring 2015
MUCP 4900.703Special ProblemsSpring 2015
MUCP 3180.707Advanced Composition IFall 2014
MUCP 4180.707Advanced Composition IIIFall 2014
MUCP 5080.700Composition SeminarFall 2014
MUCP 6190.707Doctoral CompositionFall 2014
MUGC 5950.716Master's ThesisFall 2014
MUCP 4080.707Secondary Composition IIFall 2014
MUCP 4195.707Senior Composition Recital CapstoneFall 2014
MUCP 4910.700Special ProblemsFall 2014
MUCP 5690.001Topics in Electroacoustic MusicFall 2014
MUCP 3190.707Advanced Composition IISpring 2014
MUCP 4180.707Advanced Composition IIISpring 2014
MUCP 6190.707Doctoral CompositionSpring 2014
MUCP 5190.707Master's CompositionSpring 2014
MUCP 5180.707Secondary CompositionSpring 2014
MUCP 4080.707Secondary Composition IISpring 2014
MUCP 4195.707Senior Composition Recital CapstoneSpring 2014
MUCP 3190.707Advanced Composition IIFall 2013
MUCP 4180.707Advanced Composition IIIFall 2013
MUCP 6190.707Doctoral CompositionFall 2013
MUCP 5180.707Secondary CompositionFall 2013
MUCP 4080.707Secondary Composition IIFall 2013
MUCP 4910.700Special ProblemsFall 2013 Syllabus
MUCP 5910.700Special ProblemsFall 2013
MUCP 3190.707Advanced Composition IISpring 2013
MUCP 2190.700Intermediate Composition IISpring 2013
MUCP 5180.707Secondary CompositionSpring 2013
MUCP 4080.707Secondary Composition IISpring 2013
MUCP 6465.001Topics in Contemporary MusicSpring 2013
MUCP 5080.700Composition SeminarFall 2012
MUCP 6190.707Doctoral CompositionFall 2012
MUCP 2180.707Intermediate Composition IFall 2012
MUCP 5180.707Secondary CompositionFall 2012
MUCP 4080.707Secondary Composition IIFall 2012

Published Intellectual Contributions

    Audio CD Compilation

  • Kokoras, P. (2017). Timeless Soundbox. Six Guirlandes Acousmaticques. Ohain,
  • Kokoras, P. (2017). Morphallaxis for flute, percussion, cello and electronics. CIME/ICEM @ CEAMMC. Krakow, -
  • Kokoras, P. (2017). Dreamcatcher electroacoustic sound composition. Minature Project Sn. http://www.juanmariasolare.com/CD_Sn.html
  • Kokoras, P. (2016). Response electroacoustic sound composition. Undae! Electroacoustic music Vol. II. Madrid, http://thrmnphone.thrmnphone.com/catalogo/thrmn008b-undae-electroacoustic-music-ii/
  • Book Chapter

  • Kokoras, P. (2021). Síntesis FAB: la ejecución de sonidos. De la música concreta a la mecatrónica. 109-153. Bernal, Buenos Aires, Editorial UNQ, Universidad Nacional de Quilmes. https://ediciones.unq.edu.ar/600-perspectivas-actuales-en-la-creacion-y-el-analisis-de-la-musica-electroacustica.html
  • CD Recording - Chamber

  • Kokoras, P. (2023). Viper Snake.
  • CD Recording - Ensemble

  • Kokoras, P. (2018). Morphallaxis. Musiques elèctriques by Morphosis Ensemble. https://insrecords.eu/tienda/
  • CD Recording - Solo

  • Kokoras, P. (2015). HELMCA Miniatures.
  • Kokoras, P. (2015). Seamus: Interactions.
  • Kokoras, P. (2014). Métamorphoses 2014, 7th Biennial Acousmatic Composition Competition.
  • Kokoras, P. (2014). Premios del concurso Destellos 2008-2013.
  • Kokoras, P. (2014). Seamus Electro-Acoustic Miniatures 2014: Transients.
  • Kokoras, P. (2013). SEAMUS Electroacoustic Miniatures 2013: Negative Space.
  • CD and LP Compilation

  • Kokoras, P. (2019). Sense. Other. Brussels, www.subrosa.net/en/catalogue/anthologies/an-anthology-of-greek-experimental-electronic-music-1966-2016.html
  • CD compilation

  • Kokoras, P. (2020). Qualia. https://www.newfocusrecordings.com/catalogue/music-from-seamus-vol-29/
  • Compilation Album

  • Kokoras, P. (2022). CECIA collaborative composition project for electroacoustic sounds. https://www.mainfest.it/mixtape2021/
  • Compilation album

  • Kokoras, P. (2022). Qualia for electroacoustic sounds. http://thrmnphone.thrmnphone.com/catalogo/thrmn016b-undae-album-ii/
  • Conference Proceeding

  • Kokoras, P. (2014). Auditory Fusion and Holophonic Musical Texture in Xenakis’s Pithoprakta. ICMC.
  • Kokoras, P. (2014). Sense: an electroacoustic composition for surround sound and tactile transducers.. ICMC.
  • Kokoras, P. (2011). Performer vs Electronics: performing music for instrument and electronics. International Symposium on Electronic Art (ISEA), Istanbul/Turke.
  • Kokoras, P. (2006). Morphopoiesis: An analytical Model for electroacoustic Music. ICMC.
  • Kokoras, P. (2005). Towards a holophonic musical texture. ICMC.
  • DVD Compilation

  • Kokoras, P. (2020). Rhino. http://audio.art.pl/audiomat/
  • Digital Album Compilation

  • Kokoras, P. (2020). Stutter Particles. https://ferrowhite.bandcamp.com/album/la-llamada-2020
  • Journal Article

  • Kokoras, P. (2023). Fab Synthesis: Performing sound, from Musique Concrète to Mechatronics. (XVI issue) Firenze University Press. https://oajournals.fupress.net/index.php/mt
  • Kokoras, P. (2021). The Sound is the Music - From Shamanism to Quantum Sound. CT&T: Continental Thought and Theory: A Journal of Intellectual Freedom. 3 (3) 275-301. Canterbury, University of Canterbury. https://ir.canterbury.ac.nz/bitstream/handle/10092/103104/18%20Kokoros.pdf?sequence=1&isAllowed=y
  • Kokoras, P. (2010). Magic.
  • Kokoras, P. (2005). Morphopoiesis: a general procedure for structuring form. Other. 9
  • NFT release of contemporary music composition

  • Kokoras, P. (2023). Thwart.
  • Scholarly Preface

  • Kokoras, P. (2022). Prologue to the CD “SAMUEL CEDILLO: Estudios”.. https://www.kairos-music.com/cds/0015102kai

Contracts, Grants and Sponsored Research

    Fellowship

  • Kokoras, P., "John Simon Guggenheim Memorial Foundation. Fellow Composer for 2022-2023," National, Funded. (2022 - 2023).
  • Kokoras, P., "IAA Institute for the Advancement of the Arts. Faculty Fellowship Program 2019-20," University of North Texas, $10000 Funded. (2020 - 2020).
  • Grant - Research

  • Kokoras, P., "Scholarly and Creative Activity (SCA) Award, Small Grant," University of North Texas, $1000 Funded. (2023 - 2024).
  • Kokoras, P., "Scholarly and Creative Activity (SCA) Award," University of North Texas, $5000 Funded. ( - 2017).
  • Kokoras, P., "Scholarly and Creative Activity (SCA) Award," University of North Texas, $4500 Funded. ( - 2014).
  • Kokoras, P., "Junior Faculty Summer Research Fellowship (JF-SRF)," University of North Texas, $3000 Funded. ( - 2012).
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Overall
Summative Rating
Challenge and
Engagement Index
Response Rate

out of 5

out of 7
%
of
students responded
  • Overall Summative Rating (median):
    This rating represents the combined responses of students to the four global summative items and is presented to provide an overall index of the class’s quality. Overall summative statements include the following (response options include a Likert scale ranging from 5 = Excellent, 3 = Good, and 1= Very poor):
    • The course as a whole was
    • The course content was
    • The instructor’s contribution to the course was
    • The instructor’s effectiveness in teaching the subject matter was
  • Challenge and Engagement Index:
    This rating combines student responses to several SPOT items relating to how academically challenging students found the course to be and how engaged they were. Challenge and Engagement Index items include the following (response options include a Likert scale ranging from 7 = Much higher, 4 = Average, and 1 = Much lower):
    • Do you expect your grade in this course to be
    • The intellectual challenge presented was
    • The amount of effort you put into this course was
    • The amount of effort to succeed in this course was
    • Your involvement in course (doing assignments, attending classes, etc.) was
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