Faculty Profile

Timothy Jackson

Timothy Jackson

Title
Professor
Department
Music History, Theory and Ethnomusicology
College
College of Music

    

Education

PhD, Graduate Center of the City University of New York, 1988.
Major: "The Last Strauss: Studies of the Letzte Lieder." Supervisor: Prof. Carl E. Schachter.
Universität München, 1985.
MM, Queens College of the City University of New York, 1982.
BM, McGill University, Montreal, Quebec, Canada, 1979.
Major: Comp.

Current Scheduled Teaching*

MUTH 5350.001, Music Analysis and Performance, Summer 2021

* Texas Education Code 51.974 (HB 2504) requires each institution of higher education to make available to the public, a syllabus for undergraduate lecture courses offered for credit by the institution.

Previous Scheduled Teaching*

MUTH 5420.001, 18th Century Counterpoint, Spring 2021 Syllabus SPOT
MUGC 6950.714, Doctoral Dissertation, Spring 2021
MUTH 3420.001, Eighteenth Century Counterpoint, Spring 2021 Syllabus SPOT
MUGC 5950.715, Master's Thesis, Spring 2021
MUTH 3410.002, Sixteenth Century Counterpoint, Spring 2021 Syllabus SPOT
MUTH 5410.002, 16th Century Counterpoint, Fall 2020 Syllabus SPOT
MUGC 6950.714, Doctoral Dissertation, Fall 2020
MUGC 5950.715, Master's Thesis, Fall 2020
MUTH 5350.001, Music Analysis and Performance, Fall 2020 Syllabus SPOT
MUTH 3410.002, Sixteenth Century Counterpoint, Fall 2020 Syllabus SPOT
MUTH 6900.703, Special Problems, Fall 2020
MUTH 5350.001, Music Analysis and Performance, Summer 5W1 2020 Syllabus SPOT
MUTH 6900.701, Special Problems, Summer 5W1 2020
MUTH 5470.001, Advanced Schenkerian Analysis, Spring 2020 Syllabus
MUGC 6950.714, Doctoral Dissertation, Spring 2020
MUMH 4800.001, Nazism, Judaism, and the Politics of Classical Music in Germany, Spring 2020 Syllabus
MUTH 6900.701, Special Problems, Spring 2020
MUTH 5410.002, 16th Century Counterpoint, Fall 2019 Syllabus SPOT
MUGC 6950.714, Doctoral Dissertation, Fall 2019
MUGC 6950.720, Doctoral Dissertation, Fall 2019
MUTH 5350.001, Music Analysis and Performance, Fall 2019 Syllabus SPOT
MUTH 3410.002, Sixteenth Century Counterpoint, Fall 2019 Syllabus SPOT
MUTH 6900.703, Special Problems, Fall 2019
MUTH 6900.704, Special Problems, Fall 2019
MUGC 5950.703, Master's Thesis, Summer 5W1 2019
MUGC 6950.714, Doctoral Dissertation, Spring 2019
MUGC 5950.715, Master's Thesis, Spring 2019
MUTH 5410.002, 16th Century Counterpoint, Fall 2018 SPOT
MUGC 6950.714, Doctoral Dissertation, Fall 2018
MUGC 6950.714, Doctoral Dissertation, Fall 8W2 2018
MUGC 5950.715, Master's Thesis, Fall 2018
MUTH 5350.001, Music Analysis and Performance, Fall 2018 SPOT
MUTH 3410.002, Sixteenth Century Counterpoint, Fall 2018 Syllabus SPOT
MUTH 5900.702, Special Problems, Fall 2018
MUTH 6910.701, Special Problems, Fall 2018
MUGC 6950.710, Doctoral Dissertation, Summer 5W1 2018
MUTH 3510.001, Form Analysis, Summer 5W1 2018 Syllabus SPOT
MUTH 5510.001, Form Analysis, Summer 5W1 2018 SPOT
MUGC 5950.703, Master's Thesis, Summer 5W1 2018
MUTH 4920.704, Advanced Colloquium in Music Theory, Spring 2018
MUGC 6950.714, Doctoral Dissertation, Spring 2018
MUGC 5950.715, Master's Thesis, Spring 2018
MUTH 6680.001, Proseminar in Music Theory, Spring 2018 SPOT
MUTH 4900.701, Special Problems, Spring 2018
MUTH 6900.702, Special Problems, Spring 2018
MUTH 4520.002, Twentieth Century Techniques, Spring 2018 Syllabus SPOT
MUTH 5410.002, 16th Century Counterpoint, Fall 2017 SPOT
MUGC 6950.714, Doctoral Dissertation, Fall 2017
MUGC 5950.715, Master's Thesis, Fall 2017
MUTH 5350.001, Music Analysis and Performance, Fall 2017 SPOT
MUTH 3410.002, Sixteenth Century Counterpoint, Fall 2017 Syllabus SPOT
MUTH 6900.703, Special Problems, Fall 2017
MUGC 6950.714, Doctoral Dissertation, Spring 2017
MUTH 4920.704, Senior Colloquium in Music Theory, Spring 2017
MUTH 6900.701, Special Problems, Spring 2017
MUTH 4520.002, Twentieth Century Techniques, Spring 2017 Syllabus SPOT
MUGC 6950.714, Doctoral Dissertation, Fall 2016
MUTH 3510.002, Form Analysis, Fall 2016 Syllabus SPOT
MUTH 5510.002, Form Analysis, Fall 2016 SPOT
MUTH 5350.001, Music Analysis and Performance, Fall 2016 SPOT
MUTH 4900.702, Special Problems, Fall 2016
MUTH 6900.701, Special Problems, Fall 2016
MUTH 3510.001, Form Analysis, Summer 5W1 2016 Syllabus
MUTH 5510.001, Form Analysis, Summer 5W1 2016
MUGC 6950.714, Doctoral Dissertation, Spring 2016
MUTH 3420.003, Eighteenth Century Counterpoint, Spring 2016 Syllabus SPOT
MUTH 4910.701, Special Problems, Spring 2016
MUTH 6900.702, Special Problems, Spring 2016
MUTH 6900.703, Special Problems, Spring 2016
MUTH 6910.701, Special Problems, Spring 2016
MUTH 4520.002, Twentieth Century Techniques, Spring 2016 Syllabus SPOT
MUGC 6950.714, Doctoral Dissertation, Fall 2015
MUGC 6950.720, Doctoral Dissertation, Fall 2015
MUTH 5350.001, Music Analysis and Performance, Fall 2015 SPOT
MUTH 4370.001, Schenkerian Analysis, Fall 2015 Syllabus SPOT
MUTH 5380.001, Schenkerian Analysis, Fall 2015 SPOT
MUTH 6900.701, Special Problems, Fall 2015
MUTH 6900.702, Special Problems, Fall 2015
MUTH 3510.001, Form Analysis, Summer 5W1 2015 SPOT
MUTH 5510.001, Form Analysis, Summer 5W1 2015 SPOT
MUTH 5470.001, Advanced Schenkerian Analysis, Spring 2015
MUGC 6950.714, Doctoral Dissertation, Spring 2015
MUTH 3420.002, Eighteenth Century Counterpoint, Spring 2015 Syllabus
MUMH 4800.001, Nazism, Judaism, and the Politics of Classical Music in Germany, Spring 2015 Syllabus
MUGC 5930.701, Research Problem in Lieu of Thesis, Spring 2015
MUTH 6900.701, Special Problems, Spring 2015
MUTH 6900.703, Special Problems, Spring 2015
MUGC 6950.714, Doctoral Dissertation, Fall 2014
MUTH 5350.001, Music Analysis and Performance, Fall 2014
MUTH 5680.001, Proseminar in Music Theory, Fall 2014
MUTH 6680.001, Proseminar in Music Theory, Fall 2014
MUTH 3510.001, Form Analysis, Summer 5W1 2014
MUTH 5510.001, Form Analysis, Summer 5W1 2014
MUGC 6950.714, Doctoral Dissertation, Spring 2014
MUMH 4800.001, Nazism, Judaism, and the Politics of Classical Music in Germany, Spring 2014 Syllabus
MUTH 4920.700, Senior Colloquium in Music Theory, Spring 2014
MUTH 4520.002, Twentieth Century Techniques, Spring 2014 Syllabus
MUGC 6950.701, Doctoral Dissertation, Fall 2013
MUTH 3420.001, Eighteenth Century Counterpoint, Fall 2013 Syllabus
MUTH 5350.001, Music Analysis and Performance, Fall 2013
MUTH 6910.701, Special Problems, Fall 2013
MUGC 6950.701, Doctoral Dissertation, Summer 5W2 2013
MUGC 6950.702, Doctoral Dissertation, Summer 5W1 2013
MUTH 3510.001, Form Analysis, Summer 5W1 2013
MUTH 5510.001, Form Analysis, Summer 5W1 2013
MUGC 5950.701, Master's Thesis, Summer 5W1 2013
MUTH 5470.001, Advanced Schenkerian Analysis, Spring 2013
MUTH 5360.002, Analytical Techniques II, Spring 2013
MUGC 6950.704, Doctoral Dissertation, Spring 2013
MUGC 5950.708, Master's Thesis, Spring 2013
MUTH 4920.705, Senior Colloquium in Music Theory, Spring 2013
MUTH 4900.700, Special Problems, Spring 2013
MUTH 6910.702, Special Problems, Spring 2013
MUGC 6950.708, Doctoral Dissertation, Fall 2012
MUGC 5950.711, Master's Thesis, Fall 2012
MUMH 4800.001, Nazism, Judaism, and the Politics of Classical Music in Germany, Fall 2012
MUTH 4370.001, Schenkerian Analysis, Fall 2012
MUTH 4920.701, Senior Colloquium in Music Theory, Fall 2012
MUTH 4920.703, Senior Colloquium in Music Theory, Fall 2012
MUMH 6910.701, Special Problems, Fall 2012
MUTH 5910.702, Special Problems, Fall 2012
MUTH 5910.703, Special Problems, Fall 2012
MUTH 6900.702, Special Problems, Fall 2012
MUTH 6910.701, Special Problems, Fall 2012
MUGC 6950.702, Doctoral Dissertation, Summer 5W2 2012
MUTH 3510.001, Form Analysis, Summer 5W1 2012
MUTH 5910.701, Special Problems, Summer 5W1 2012
MUTH 6900.701, Special Problems, Summer 5W1 2012
MUGC 6950.707, Doctoral Dissertation, Spring 2012
MUGC 5950.711, Master's Thesis, Spring 2012
MUTH 4920.705, Senior Colloquium in Music Theory, Spring 2012
MUTH 3410.001, Sixteenth Century Counterpoint, Spring 2012 Syllabus
MUTH 6900.701, Special Problems, Spring 2012
MUTH 6900.702, Special Problems, Spring 2012
MUTH 6900.703, Special Problems, Spring 2012
MUTH 6900.704, Special Problems, Spring 2012
MUTH 6900.705, Special Problems, Spring 2012
MUTH 6910.701, Special Problems, Spring 2012
MUTH 4520.002, Twentieth Century Techniques, Spring 2012
MUGC 6950.710, Doctoral Dissertation, Fall 2011
MUTH 3510.002, Form Analysis, Fall 2011
MUGC 5950.710, Master's Thesis, Fall 2011
MUTH 6680.001, Proseminar in Music Theory, Fall 2011
MUTH 6900.701, Special Problems, Fall 2011
MUTH 6910.702, Special Problems, Fall 2011
MUGC 6950.704, Doctoral Dissertation, Summer 5W2 2011
MUTH 5470.001, Advanced Schenkerian Analysis, Spring 2011
MUGC 6950.704, Doctoral Dissertation, Spring 2011
MUTH 4900.701, Special Problems, Spring 2011
MUTH 6900.701, Special Problems, Spring 2011
MUTH 4520.001, Twentieth Century Techniques, Spring 2011
MUGC 6950.701, Doctoral Dissertation, Fall 2010
MUTH 3510.001, Form Analysis, Fall 2010 Syllabus
MUGC 5950.710, Master's Thesis, Fall 2010
MUTH 4370.001, Schenkerian Analysis, Fall 2010 Syllabus
MUTH 5900.702, Special Problems, Fall 2010
MUGC 6950.701, Doctoral Dissertation, Summer 5W1 2010
MUTH 3420.001, Eighteenth Century Counterpoint, Summer 5W2 2010
MUGC 5950.703, Master's Thesis, Summer 5W1 2010
MUTH 2500.001, THEORY IV, Summer 5W2 2010
MUGC 6950.701, Doctoral Dissertation, Spring 2010
MUTH 3510.002, Form Analysis, Spring 2010
MUGC 5950.710, Master's Thesis, Spring 2010
MUMH 4800.001, Nazism, Judaism, and the Politics of Classical Music in Germany, Spring 2010 Syllabus
MUTH 4910.701, Special Problems, Spring 2010
MUTH 5370.001, Analytical Techniques III, Fall 2009
MUGC 6950.701, Doctoral Dissertation, Fall 2009
MUGC 6950.704, Doctoral Dissertation, Fall 2009
MUGC 5950.713, Master's Thesis, Fall 2009
MUTH 4900.701, Special Problems, Fall 2009
MUTH 6900.700, Special Problems, Fall 2009
MUTH 2500.003, THEORY IV, Fall 2009
MUTH 5470.001, Advanced Schenkerian Analysis, Spring 2009
MUGC 6950.701, Doctoral Dissertation, Spring 2009
MUTH 3510.002, Form Analysis, Spring 2009
MUGC 5950.705, Master's Thesis, Spring 2009
MUTH 6910.701, Special Problems, Spring 2009
MUTH 5370.001, Analytical Techniques III, Fall 2008
MUGC 6950.702, Doctoral Dissertation, Fall 2008
MUGC 5950.706, Master's Thesis, Fall 2008
MUTH 4370.001, Schenkerian Analysis, Fall 2008
MUTH 5900.702, Special Problems, Fall 2008
MUTH 5360.001, Analytical Techniques II, Summer 5W2 2008
MUGC 6950.703, Doctoral Dissertation, Summer 5W1 2008
MUGC 6950.702, Doctoral Dissertation, Spring 2008
MUGC 5950.704, Master's Thesis, Spring 2008
MUTH 5370.001, Analytical Techniques III, Fall 2007
MUGC 6950.702, Doctoral Dissertation, Fall 2007
MUGC 6950.723, Doctoral Dissertation, Fall 2007
MUTH 3520.001, Harmonic Analysis, Fall 2007
MUGC 5950.707, Master's Thesis, Fall 2007
MUTH 4920.701, Senior Colloquium in Music Theory, Fall 2007
MUTH 6900.705, Special Problems, Fall 2007
MUTH 6910.702, Special Problems, Fall 2007
MUTH 3420.001, Eighteenth Century Counterpoint, Summer 5W2 2007
MUGC 5950.704, Master's Thesis, Summer 5W1 2007
MUGC 6950.701, Doctoral Dissertation, Spring 2007
MUGC 6950.722, Doctoral Dissertation, Spring 2007
MUGC 5950.703, Master's Thesis, Spring 2007
MUTH 3410.001, Sixteenth Century Counterpoint, Spring 2007
MUTH 3410.002, Sixteenth Century Counterpoint, Spring 2007
MUTH 4910.703, Special Problems, Spring 2007
MUTH 2500.002, THEORY IV, Spring 2007
MUGC 6950.701, Doctoral Dissertation, Fall 2006
MUGC 5950.707, Master's Thesis, Fall 2006
MUTH 6680.001, Proseminar in Music Theory, Fall 2006
MUTH 4370.001, Schenkerian Analysis, Fall 2006
MUTH 5360.001, Analytical Techniques II, Summer 5W2 2006
MUTH 5400.001, Invertible Counterpoint and Fugue, Summer 5W2 2006
MUTH 5470.001, Advanced Schenkerian Analysis, Spring 2006
MUGC 6950.701, Doctoral Dissertation, Spring 2006
MUTH 3420.001, Eighteenth Century Counterpoint, Spring 2006
MUTH 3420.002, Eighteenth Century Counterpoint, Spring 2006
MUGC 5950.705, Master's Thesis, Spring 2006
MUGC 6950.702, Doctoral Dissertation, Fall 2005
MUGC 5950.703, Master's Thesis, Fall 2005
MUTH 5360.001, Analytical Techniques II, Summer 5W2 2005
MUTH 3420.001, Eighteenth Century Counterpoint, Summer 5W2 2005
MUGC 5950.701, Master's Thesis, Summer 5W1 2005
MUGC 5950.704, Master's Thesis, Summer 5W2 2005
MUTH 5900.702, Special Problems, Summer 5W2 2005
MUGC 6950.702, Doctoral Dissertation, Spring 2005
MUMH 4810.001, Jews, Judaism, Anti Semitism, and Opera, Spring 2005
MUGC 5950.701, Master's Thesis, Spring 2005
MUGC 5950.713, Master's Thesis, Spring 2005
MUTH 3410.001, Sixteenth Century Counterpoint, Spring 2005
MUTH 4900.702, Special Problems, Spring 2005
MUTH 5910.705, Special Problems, Spring 2005
MUGC 6950.707, Doctoral Dissertation, Fall 2004
MUTH 5400.001, Invertible Counterpoint and Fugue, Fall 2004
MUGC 5950.709, Master's Thesis, Fall 2004
MUTH 6680.001, Proseminar in Music Theory, Fall 2004
MUTH 5900.702, Special Problems, Fall 2004
MUTH 2500.003, THEORY IV, Fall 2004

* Texas Education Code 51.974 (HB 2504) requires each institution of higher education to make available to the public, a syllabus for undergraduate lecture courses offered for credit by the institution.

Published Publications

Published Intellectual Contributions

Book
Jackson, T. L. (2010). Sibelius in the Old and New World: Aspects of His Music, Its Interpretaton, and Reception, eds. Timothy L. Jackson, Veijo Murtomäki, Colin Davis, and Tomi Mäkela (Peter Lang: New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2010. This book grew out of the Fourth International Sibelius Symposium held at UNT in 2005, see, https://web3.unt.edu/the/sibelius/index.php?conference=events ; however, not all of the chapters evolved from conference presentations. http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=51175&concordeid=56025 Related Links: https://web3.unt.edu/the/sibelius/index.php?conference.
Jackson, T. L. (2001). Perspectives on Anton Bruckner.
Jackson, T. L. (2001). Sibelius Studies.
Jackson, T. L. (1999). Cambridge Handbook on Tchaikovsky's Sixth Symphony (Pathétique).
Jackson, T. L. Bruckner Studies.
Book Chapter
Jackson, T. L. (2017). "The Company You Keep:’ Recipients of the Honorary Doctorates from the 1936 Heidelberg Celebration – Sibelius and Those Honored with Him. Jean Sibelius’s Legacy, edited by Daniel Grimley (Professor of Music, Merton College, Oxford) and Veijo Murtomäki (Professor, Sibelius Academy) (Cambridge: Scholars Press, Cambridge, UK, 2017).
Jackson, T. (2017). “The First Movements of Anton Eberl’s Symphonies in E flat major and D minor, and Beethoven’s Eroica:" Towards “New” Sonata Forms?”. Explorations in Schenkerian Analysis. 61=98. Rochester, NY:. 2735 Woodside Dr
Jackson, T. L. (2015). "The 'Pseudo-Einsatz' in Two Handel Fugues: Heinrich Schenker's Analytical Work with Reinhard Oppel". Explorations in Schenkerian Analysis, eds. Su Yin Mak and David Beach (Rochester and London: Rochester University Press, 2016), pp. 61-98.. 61-98.
Jackson, T. L. (2015). Anmerkungen zur Oper Arabella: Aspekte biografischer Verstrickungen [Observations on the Opera Arabella: Aspects of the Biographical Omissions].
Jackson, T. L. (2014). "Nazi Period Late Works of Richard Strauss," Bayerische Staatsoper [Bavarian State Opera], Munich. "Special Program Book" published by the Bavarian State Opera.
Jackson, T. L. (2010). "Sibelius the Political". Sibelius in the Old and New World: Aspects of His Music, Its Interpretaton, and Reception, eds. Timothy L. Jackson and Veijo Murtomäki (Peter Lang: New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2010. 69-124.
Jackson, T. L. (2007). "The Finale of Tubin's Fifth Symphony from a Schenkerian Perspective." Yearbook of the International Tubin Society 2007" (Tallinn: Estonian Academy of Music and Theatre, 2007), pp. 72-80..
Jackson, T. L. (2006). "Hinauf strebt's : Song Study with Carl Schachter" in Structure and Meaning in Tonal Music: Festschrift in honor of Carl Schachter , eds. Poundie Burstein and David Gagné, ( Hillsdale, NY :; Pendragon Press, Year: 2006), pp. 191-202..
Jackson, T. L. "Representations of "Exile" and "Consolation" in Hindemith"s Mathis der Maler," Musik im Exil. Die Schweiz und das Ausland 1918-1945, eds. Chris Walton and Antonio Baldassarre (Peter Lang: Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, and Vienna), 2004, pp. 141-187.. 4, 17-44. Scripta Musicalia.
Jackson, T. L. (2004). Article on "Bruckner" in The New Grove Dictionary of Music and Musicians ed. S. Sadie and J. Tyrrell (London: Macmillan, 2001) and Grove On-line (Oxford University Press, 2004. 6. Publication and reception history. 7. Versions of the symphonies. 8. Metrical and part-writing theories, composition and revision processes. 9. Form, large-scale harmony and the revisions. 10. Vocal music. 11. Narrative and intertextuality. 12. Research issues. Related Links: http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section.
Jackson, T. L. (2004). Translation of Schenker's article on Mozart's A minor Sonata in Der Tonwille, ed. William Drabkin (New York: Oxford University Press, 2004), pp. 55-71..
Jackson, T. L. (2003). "Brucknerian Models: Sonata Form and Linked Internal Auxiliary Cadences," Sibelius Forum II. Proceedings from the Third International Jean Sibelius Conference, Helsinki December 7-10, 2000, Sibelius Academy, 2003, pp. 155-171..
Jackson, T. L. (2003). "The problem of the second group in the first movement of Tubin's Fifth Symphony: A Schenkerian View," Yearbook of the International Eduard Tubin Society. Vol. 3 (2003). International Eduard Tubin Society: Tallinn, 2003. ISSN 146-7077, pp. 59-69..
Jackson, T. L. (2003). "The problem of the second group in the first movement of Tubin's Fifth Symphony: A Schenkerian View," Yearbook of the International Eduard Tubin Society. Vol. 3 (2003). International Eduard Tubin Society: Tallinn, 2003. ISSN 146-7077, pp. 59-69..
Jackson, T. L. (2001). "A Contribution to the Musical Poetics of Dmitri Shostakovich: Observations on 'Putting the Jew back in Christ,'" in Dmitri Schostakowitsch und das jüdische musikalische Erbe, eds. Ernst Kuhn, Andreas Wehrmeyer und Guenter Wolter (Berlin: Verlag Ernst Kuhn, 2001), pp. 19-55..
Jackson, T. L. (2001). "Bruckner's Oktaven: the problem of consecutives, doubling, and orchestral voice-leading," in Bruckner Studies , eds. Timothy L. Jackson, Paul Hawkshaw, and Crawford Howie, (London: Ashgate Press, 2001)..
Jackson, T. L. (2001). "Dmitri Shostakovich's 'Jewish Motive:' A Creative Enigma (1985 and 1991)," lectures by Solomon Volkov introduced and edited by Timothy L. Jackson, in Dmitri Schostakowitsch und das jüdische musikalische Erbe, eds. Ernst Kuhn, Andreas Wehrmeyer und Guenter Wolter (Berlin: Verlag Ernst Kuhn, 2001), pp. 1-18..
Jackson, T. L. (2001). "Observations on crystallization and entropy in the music of Sibelius and other composers," in Sibelius Studies, eds. Timothy L. Jackson and Veijo Murtomaki (Cambridge: Cambridge University Press, 2001), pp. 175-275..
Jackson, T. L. (2001). "The Adagio of Bruckner's Sixth Symphony: The Anticipatory Tonic Recapitulation in Bruckner, Brahms, and Dvorak." In Perspectives on Anton Bruckner, eds. Timothy L. Jackson, Paul Hawkshaw, and Crawford Howie, (London: Ashgate Press, 2001), pp. 206-227..
Jackson, T. L. (1999). "Brahms's 9 Lieder und Gesänge, Opus 63," in The Compleat Brahms. A Guide to the Musical Works of Johannes Brahms," ed. Leon Botstein (New York and London: W. W. Norton & Company, 1999), pp. 251-254..
Jackson, T. L. (1999). "Diachronic Transformation in a Schenkerian Context. A Study of the Brahms Haydn Variations Op. 56a-b," in Schenker Studies 2, eds. Hedi Siegel and Carl Schachter, Cambridge University Press (1999), pp. 195-237..
Jackson, T. L. (1999). "Diachronische Transformation im Schenkerschen Kontext: Brahms' Haydn-Variationen," in Johannes Brahms. Quellen Rezeption " Interpretation. Internationaler Brahms-Kongress Hamburg 1997, eds. Friedhelm Krummacher and Michael Struck (Munich: Henle Verlag, 1999), pp. 453-92..
Jackson, T. L. (1999). "Die Wagnersche Umarmungs-Metapher bei Bruckner und Mahler" ("The Wagnerian 'Embrace' Metaphor in Bruckner and Mahler,"), in Bruckner-Probleme, Beiheft zum Archiv f ü r Musikwissenschaft , ed. Albrecht Riethm ü ller (Stuttgart: Franz Steiner Verlag, 1999), pp. 134-52..
Jackson, T. L. (1998). "'A Heart of Ice:' Crystallization in Sibelius's Pohjola's Daughter and Other Works." Conference Report of the Second International Sibelius Conference in Helsinki, November 1995, ed. Eero Taarasti, 1998, pp. 100-123..
Jackson, T. L. (1998). "Dmitri Shostakovich, the Composer as Jew," in Shostakovich Reconsidered, eds. Dmitri Feofanov and Allan Ho, (New York, London, Paris: Toccata Press, 1998), pp. 597-642..
Jackson, T. L. (1997). "The Finale of Bruckner's Seventh Symphony and Tragic Reversed Sonata Form," in Perspectives on Anton Bruckner, eds. Timothy L. Jackson and Paul Hawkshaw, Cambridge University Press, 1997, pp. 140-208..
Jackson, T. L. (1992). "Ruhe, meine Seele! and the Letzte Orchesterlieder," in Richard Strauss and His World, ed. Bryan Gilliam, Princeton University Press (1992), pp. 90-138..
Jackson, T. L. (1992). "The Metamorphosis of Richard Strauss's Metamorphosen" New Analytical and Source Critical Discoveries," ed. Bryan Gilliam, in Richard Strauss: His Life and Work, pp. 193-241..
Book Review
Jackson, T. L. (1993). Review of Arnold Schoenberg, the Composer as Jew by Alexander Ringer. Theory and Practice. 18, 171-178. New York: Theory and Practice.
CD Recording - Solo
Kang, H., Hong, D., Jackson, T. L. (2018). Anton Eberl: Sonatas for Piano and Violin. 1, . London: Toccata Classics distributed by Naxos America. https://toccataclassics.com/
Critical Review
Jackson, T. L. (1995). “Hearing Schoenberg,” review-article on Silvina Milstein, Arnold Schoenberg. Notes Sets Forms, Cambridge: Cambridge University Press, 1992. Acta Oto-Laryngologica. 15/4, 285-311. Gordon Breach.
Journal Article
Jackson, T. (2017). “Elucidations of Post-Tonal Free Composition”. Journal of Schenkerian Studies. 23-177, . Texas A and M Press.
Jackson, T. L. (2012). "Heinrich Schenker's Comments on Some Compositions by Reinhard Oppel," A Composition as A Problem VI (2012), pp. 5-95..
Jackson, T. L. (2010). “Thierfelder’s 1935 Open Letter to Sibelius and Adorno’s Critique – Some Preliminary Observations”. 10-42. Sibelius Academy.
Jackson, T. L. (2009). "Escaping from a Black Hole: Facing Depression in Academia," MTO [Music Theory On-line] Volume 15, Numbers 3 and 4, August 2009..
Jackson, T. L. (2009). "Punctus contra punctum - a Counterpoint of Schenkerian and Weissian Analysis: Hans Weisse's Counterpoint Studies with Heinrich Schenker." Journal of Schenkerian Studies IV (2010), pp. 87-186..
Jackson, T. L. (2008). "The Urlinie in Hindemith's String Quartet Op. 22 Second Movement?" in A Composition as a Problem V, (Tallinn: Estonian Academy of Music and Theatre, 2008), pp. 146-86..
Jackson, T. L. (2006). "Eine Annäherung an Paul Kletzki." Musica Reanimata Nr. 58 (2006), pp. 6-17..
Jackson, T. L. (2004). " Paul Kletzki and Reinhard Oppel: two forgotten composers," JMI International Forum for Suppressed Music Newsletter No. 6, January 2004. http://www.jmi.org.uk/suppressedmusic/publications/ifsmnews6.html Related Links: http://www.jmi.org.uk/suppressedmusic/publications/#I/1 http://www.jmi.org.uk/suppressedmusic/publications/ifsmnews6.html.
Jackson, T. L. (2004). "Representations of "Exile" and "Consolation" in Hindemith"s Mathis der Maler," A Composition as a Problem. Vol. IV. Scripta Musicalia: Tallinn (2004), pp. 17-44 (reprint of article from Musik im Exil [see below])..
Jackson, T. L. (2004). "Schliesse mir die Augen beide: an Analysis of Six Settings by Berg, Oppel, Tintner, Zilcher, and Kletzki," A Composition as a Problem. Vol. IV. Scripta Musicalia: Tallinn (2004), pp. 51-88..
Jackson, T. L. (2001). "The Schenker-Oppel Exchange: Schenker as Composition Teacher," Music Analysis 20/1 (2001) (Oxford), pp. 1-116..
Jackson, T. L. (1997). "'Your Songs Proclaim God's Return' " Arnold Schoenberg, the Composer and His Jewish Faith," International Journal of Musicology VI (1997), pp. 277-315..
Jackson, T. L. (1997). "Bruckner's Oktaven," Music and Letters 86 (1997), pp. 391-409.
Jackson, T. L. (1996). "The Tragic Reversed Recapitulation in the German Classical Tradition," Journal of Music Theory 40.1 (1996), pp. 23-72..
Jackson, T. L. (1995). "'Schubert as John the Baptist to Wagner-Jesus' " Large-scale Enharmonicism in Bruckner and his Models." Bruckner Jahrbuch 1991-93. pp. 61-108..
Jackson, T. L. (1995). "Aspects of Sexuality and Structure in the Later Symphonies of Tchaikovsky," Music Analysis 14/1 (1995), pp. 3-25.
Jackson, T. L. (1995). "Bruckner's Rhythm: Syncopated Hyperrhythm and Diachronic Transformation in the Second Symphony," in Anton Bruckner " Persönlichkeit und Werk, pp. 93-106..
Jackson, T. L. (1995). "Hearing Schoenberg," review-article on Silvina Milstein, Arnold Schoenberg. Notes Sets Forms, Cambridge: Cambridge University Press, 1992, for the Journal of Musicological Research 15/4 (1995) pp. 285-311 (Gordon Breach, UK).. 171-178.
Jackson, T. L. (1995). "Ruhe, meine Seele! und die letzten Orchesterlieder" in Richard Strauss-Blätter XXI (1995), pp. 84-128..
Jackson, T. L. (1992). "Current Issues in Schenkerian Analysis." Feature review-article on Trends in Schenkerian Research, ed. Allen Cadwallader (Schirmer Books, 1990) and Schenker Studies, 1990, ed. Hedi Siegel (Cambridge University Press) for The Musical Quarterly LXXVI/2 (1992), pp. 242-63..
Jackson, T. L. (1991). "Gabriel Fauré 's Expansions of Non-Duple Hypermeter in La Fleur qui va sur l'eau Op. 85, No. 2." In Theory Only XII (November 1991), pp. 1-24..
Jackson, T. L. (1991). "Schubert's Revisions of Der Jüngling und der Tod D 545a-b and Meeres Stille D 216a-b," The Musical Quarterly LXXV/3 (1991), pp. 335-60..
Jackson, T. L. (1990). "Bruckner's Metrical Numbers," Nineteenth Century Music XIV/2 (Fall 1990), pp. 101-31..
Jackson, T. L. (1990). "Schoenberg's Op. 14 Songs: Textual Sources and Analytical Perception," Theory and Practice XIV (1989/90 double issue), pp. 35-58..
Jackson, T. L. (1990). "The Enharmonics of Faith: Enharmonic Symbolism in Bruckner's Christus factus est (1884)." Bruckner Jahrbuch 1987-88, pp. 4-20..
Jackson, T. L. (1989). "Compositional Revisions in Richard Strauss's Waldseligkeit and a New Source." Richard Strauss-Blätter XXI (1989), pp. 55-84..
Jackson, T. L. (1989). "Mozart's Little Gigue in G major — A Study in Rhythmic Shift, A Reminiscence of the Competition with Haessler?" Mitteilungen der internationalen Mozart-Gesellschaft XXXVII (1989), pp. 70-80..
Jackson, T. L. (1989). Comment on Steven Parkany's "Kurth's Bruckner and the Adagio of the Seventh Symphony." Nineteenth Century Music XIII/1 (1989), pp. 74-75..
Jackson, T. L. (1987). "Richard Strauss's Winterweihe:" An Analysis and Study of the Sketches." Richard Strauss-Blätter XVII (1987), pp. 28-69..
Jackson, A. W., Jackson, T. L., Hnatek, J., West, J. (1985). Strength development: using functional isometrics in an isotonic strength training program. Research Quarterly for Exercise and Sport. 56(3), 234–237. Taylor & Francis Group.
Popular Press Article
Jackson, T. L. (2007). Essay on Paul Kletzki's Violin Concerto Op. 19 (1928) for the program accompanying the performance on February 9, 2007, at Lincoln Center by Robert Davidovici (violinist), Leon Botstein (conductor), and the American Symphony Orchestra..
Jackson, T. L. (2004). CD Program booklet for BIS CD 1399, Paul Kletzki, Third Symphony "In Memoriam," Concertino for Flute, 2004..
Scholarly Note
Jackson, T. L. (2017). Anton Eberl: Three Sonatas for Piano and Violin. 22.
Jackson, T. L. (2013). Paul Kletzki, Violin Concerto, performed by Robert Davidovici with the Royal Philharmonic Orchestra in London on Jan 10 and 11, 2013. The CD - on the Royal Philharmonic Label - was released in London on October 8, 2013 ..
,
Overall
Summative Rating
Challenge and
Engagement Index
Response Rate

out of 5

out of 7
%
of
students responded
  • Overall Summative Rating (median):
    This rating represents the combined responses of students to the four global summative items and is presented to provide an overall index of the class’s quality. Overall summative statements include the following (response options include a Likert scale ranging from 5 = Excellent, 3 = Good, and 1= Very poor):
    • The course as a whole was
    • The course content was
    • The instructor’s contribution to the course was
    • The instructor’s effectiveness in teaching the subject matter was
  • Challenge and Engagement Index:
    This rating combines student responses to several SPOT items relating to how academically challenging students found the course to be and how engaged they were. Challenge and Engagement Index items include the following (response options include a Likert scale ranging from 7 = Much higher, 4 = Average, and 1 = Much lower):
    • Do you expect your grade in this course to be
    • The intellectual challenge presented was
    • The amount of effort you put into this course was
    • The amount of effort to succeed in this course was
    • Your involvement in course (doing assignments, attending classes, etc.) was
CLOSE