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Timothy L. Jackson

Title: Professor

Department: Music History, Theory and Ethnomusicology

College: College of Music

Curriculum Vitae

Curriculum Vitae Link

Education

  • PhD, The Graduate School and University Center of the City University of New York, 1988
    Major: Music
    Dissertation: "The Last Strauss: Studies of the Letzte Lieder." Supervisor: Prof. Carl E. Schachter.
  • MA, Queens College of the City University of New York, 1982
    Major: Music Theory
  • BA, McGill University, 1979
    Major: Music

Current Scheduled Teaching

MUGC 6950.714Doctoral DissertationFall 2024
MUTH 5010.001Graduate Theory ReviewFall 2024
MUTH 5350.001Music Analysis and PerformanceFall 2024

Previous Scheduled Teaching

MUGC 6950.714Doctoral DissertationSpring 2024
MUGC 5930.705Research Problem in Lieu of ThesisSpring 2024
MUTH 2500.001THEORY IVSpring 2024 Syllabus SPOT
MUTH 4520.002Twentieth Century TechniquesSpring 2024 Syllabus SPOT
MUGC 6950.714Doctoral DissertationFall 2023
MUGC 5950.715Master's ThesisFall 2023
MUTH 5350.001Music Analysis and PerformanceFall 2023 SPOT
MUTH 4370.001Schenkerian AnalysisFall 2023 Syllabus SPOT
MUTH 5380.001Schenkerian AnalysisFall 2023 SPOT
MUTH 5360.001Analytical Techniques IISpring 2023 SPOT
MUGC 6950.714Doctoral DissertationSpring 2023
MUTH 3420.003Eighteenth Century CounterpointSpring 2023 Syllabus SPOT
MUGC 5950.715Master's ThesisSpring 2023
MUTH 4900.705Special ProblemsSpring 2023
MUTH 5910.701Special ProblemsSpring 2023
MUGC 6950.714Doctoral DissertationFall 2022
MUGC 5950.715Master's ThesisFall 2022
MUTH 5350.001Music Analysis and PerformanceFall 2022 SPOT
MUTH 5680.001Proseminar in Music TheoryFall 2022 SPOT
MUTH 6680.001Proseminar in Music TheoryFall 2022 SPOT
MUTH 4910.702Special ProblemsFall 2022
MUTH 6900.703Special ProblemsFall 2022
MUTH 5360.001Analytical Techniques IISpring 2022 SPOT
MUGC 6950.714Doctoral DissertationSpring 2022
MUTH 3420.003Eighteenth Century CounterpointSpring 2022 Syllabus SPOT
MUGC 5950.715Master's ThesisSpring 2022
MUTH 6900.701Special ProblemsSpring 2022
MUGC 6950.714Doctoral DissertationFall 2021
MUGC 5950.715Master's ThesisFall 2021
MUTH 5350.001Music Analysis and PerformanceFall 2021 Syllabus SPOT
MUTH 4370.001Schenkerian AnalysisFall 2021 Syllabus SPOT
MUTH 5380.001Schenkerian AnalysisFall 2021 SPOT
MUTH 5900.702Special ProblemsFall 2021
MUTH 5350.001Music Analysis and PerformanceSummer 5W2 2021 SPOT
MUTH 5420.00118th Century CounterpointSpring 2021 Syllabus SPOT
MUGC 6950.714Doctoral DissertationSpring 2021
MUTH 3420.001Eighteenth Century CounterpointSpring 2021 Syllabus SPOT
MUGC 5950.715Master's ThesisSpring 2021
MUTH 3410.002Sixteenth Century CounterpointSpring 2021 Syllabus SPOT
MUTH 5410.00216th Century CounterpointFall 2020 SPOT
MUGC 6950.714Doctoral DissertationFall 2020
MUGC 5950.715Master's ThesisFall 2020
MUTH 5350.001Music Analysis and PerformanceFall 2020 SPOT
MUTH 3410.002Sixteenth Century CounterpointFall 2020 Syllabus SPOT
MUTH 6900.703Special ProblemsFall 2020
MUTH 5350.001Music Analysis and PerformanceSummer 5W1 2020 SPOT
MUTH 6900.701Special ProblemsSummer 5W1 2020
MUTH 5470.001Advanced Schenkerian AnalysisSpring 2020
MUGC 6950.714Doctoral DissertationSpring 2020
MUMH 4800.001Nazism, Judaism, and the Politics of Classical Music in GermanySpring 2020 Syllabus
MUTH 6900.701Special ProblemsSpring 2020
MUTH 5410.00216th Century CounterpointFall 2019 SPOT
MUGC 6950.714Doctoral DissertationFall 2019
MUGC 6950.720Doctoral DissertationFall 2019
MUTH 5350.001Music Analysis and PerformanceFall 2019 SPOT
MUTH 3410.002Sixteenth Century CounterpointFall 2019 Syllabus SPOT
MUTH 6900.703Special ProblemsFall 2019
MUTH 6900.704Special ProblemsFall 2019
MUGC 5950.703Master's ThesisSummer 5W1 2019
MUGC 6950.714Doctoral DissertationSpring 2019
MUGC 5950.715Master's ThesisSpring 2019
MUTH 5410.00216th Century CounterpointFall 2018 SPOT
MUGC 6950.714Doctoral DissertationFall 2018
MUGC 6950.714Doctoral DissertationFall 8W2 2018
MUGC 5950.715Master's ThesisFall 2018
MUTH 5350.001Music Analysis and PerformanceFall 2018 SPOT
MUTH 3410.002Sixteenth Century CounterpointFall 2018 Syllabus SPOT
MUTH 5900.702Special ProblemsFall 2018
MUTH 6910.701Special ProblemsFall 2018
MUGC 6950.710Doctoral DissertationSummer 5W1 2018
MUTH 3510.001Form AnalysisSummer 5W1 2018 Syllabus SPOT
MUTH 5510.001Form AnalysisSummer 5W1 2018 SPOT
MUGC 5950.703Master's ThesisSummer 5W1 2018
MUTH 4920.704Advanced Colloquium in Music TheorySpring 2018
MUGC 6950.714Doctoral DissertationSpring 2018
MUGC 5950.715Master's ThesisSpring 2018
MUTH 6680.001Proseminar in Music TheorySpring 2018 SPOT
MUTH 4900.701Special ProblemsSpring 2018
MUTH 6900.702Special ProblemsSpring 2018
MUTH 4520.002Twentieth Century TechniquesSpring 2018 Syllabus SPOT
MUTH 5410.00216th Century CounterpointFall 2017 SPOT
MUGC 6950.714Doctoral DissertationFall 2017
MUGC 5950.715Master's ThesisFall 2017
MUTH 5350.001Music Analysis and PerformanceFall 2017 SPOT
MUTH 3410.002Sixteenth Century CounterpointFall 2017 Syllabus SPOT
MUTH 6900.703Special ProblemsFall 2017
MUGC 6950.714Doctoral DissertationSpring 2017
MUTH 4920.704Senior Colloquium in Music TheorySpring 2017
MUTH 6900.701Special ProblemsSpring 2017
MUTH 4520.002Twentieth Century TechniquesSpring 2017 Syllabus SPOT
MUGC 6950.714Doctoral DissertationFall 2016
MUTH 3510.002Form AnalysisFall 2016 Syllabus SPOT
MUTH 5510.002Form AnalysisFall 2016 SPOT
MUTH 5350.001Music Analysis and PerformanceFall 2016 SPOT
MUTH 4900.702Special ProblemsFall 2016
MUTH 6900.701Special ProblemsFall 2016
MUTH 3510.001Form AnalysisSummer 5W1 2016 Syllabus SPOT
MUTH 5510.001Form AnalysisSummer 5W1 2016 SPOT
MUGC 6950.714Doctoral DissertationSpring 2016
MUTH 3420.003Eighteenth Century CounterpointSpring 2016 Syllabus SPOT
MUTH 4910.701Special ProblemsSpring 2016
MUTH 6900.702Special ProblemsSpring 2016
MUTH 6900.703Special ProblemsSpring 2016
MUTH 6910.701Special ProblemsSpring 2016
MUTH 4520.002Twentieth Century TechniquesSpring 2016 Syllabus SPOT
MUGC 6950.714Doctoral DissertationFall 2015
MUGC 6950.720Doctoral DissertationFall 2015
MUTH 5350.001Music Analysis and PerformanceFall 2015 SPOT
MUTH 4370.001Schenkerian AnalysisFall 2015 Syllabus SPOT
MUTH 5380.001Schenkerian AnalysisFall 2015 SPOT
MUTH 6900.701Special ProblemsFall 2015
MUTH 6900.702Special ProblemsFall 2015
MUTH 3510.001Form AnalysisSummer 5W1 2015 SPOT
MUTH 5510.001Form AnalysisSummer 5W1 2015 SPOT
MUTH 5470.001Advanced Schenkerian AnalysisSpring 2015
MUGC 6950.714Doctoral DissertationSpring 2015
MUTH 3420.002Eighteenth Century CounterpointSpring 2015 Syllabus
MUMH 4800.001Nazism, Judaism, and the Politics of Classical Music in GermanySpring 2015 Syllabus
MUGC 5930.701Research Problem in Lieu of ThesisSpring 2015
MUTH 6900.701Special ProblemsSpring 2015
MUTH 6900.703Special ProblemsSpring 2015
MUGC 6950.714Doctoral DissertationFall 2014
MUTH 5350.001Music Analysis and PerformanceFall 2014
MUTH 5680.001Proseminar in Music TheoryFall 2014
MUTH 6680.001Proseminar in Music TheoryFall 2014
MUTH 3510.001Form AnalysisSummer 5W1 2014
MUTH 5510.001Form AnalysisSummer 5W1 2014
MUGC 6950.714Doctoral DissertationSpring 2014
MUMH 4800.001Nazism, Judaism, and the Politics of Classical Music in GermanySpring 2014 Syllabus
MUTH 4920.700Senior Colloquium in Music TheorySpring 2014
MUTH 4520.002Twentieth Century TechniquesSpring 2014 Syllabus
MUGC 6950.701Doctoral DissertationFall 2013
MUTH 3420.001Eighteenth Century CounterpointFall 2013 Syllabus
MUTH 5350.001Music Analysis and PerformanceFall 2013
MUTH 6910.701Special ProblemsFall 2013
MUGC 6950.701Doctoral DissertationSummer 5W2 2013
MUGC 6950.702Doctoral DissertationSummer 5W1 2013
MUTH 3510.001Form AnalysisSummer 5W1 2013
MUTH 5510.001Form AnalysisSummer 5W1 2013
MUGC 5950.701Master's ThesisSummer 5W1 2013
MUTH 5470.001Advanced Schenkerian AnalysisSpring 2013
MUTH 5360.002Analytical Techniques IISpring 2013
MUGC 6950.704Doctoral DissertationSpring 2013
MUGC 5950.708Master's ThesisSpring 2013
MUTH 4920.705Senior Colloquium in Music TheorySpring 2013
MUTH 4900.700Special ProblemsSpring 2013
MUTH 6910.702Special ProblemsSpring 2013
MUGC 6950.708Doctoral DissertationFall 2012
MUGC 5950.711Master's ThesisFall 2012
MUMH 4800.001Nazism, Judaism, and the Politics of Classical Music in GermanyFall 2012
MUTH 4370.001Schenkerian AnalysisFall 2012
MUTH 4920.701Senior Colloquium in Music TheoryFall 2012
MUTH 4920.703Senior Colloquium in Music TheoryFall 2012
MUMH 6910.701Special ProblemsFall 2012
MUTH 5910.702Special ProblemsFall 2012
MUTH 5910.703Special ProblemsFall 2012
MUTH 6900.702Special ProblemsFall 2012
MUTH 6910.701Special ProblemsFall 2012
MUGC 6950.702Doctoral DissertationSummer 5W2 2012
MUTH 3510.001Form AnalysisSummer 5W1 2012
MUTH 5910.701Special ProblemsSummer 5W1 2012
MUTH 6900.701Special ProblemsSummer 5W1 2012
MUGC 6950.707Doctoral DissertationSpring 2012
MUGC 5950.711Master's ThesisSpring 2012
MUTH 4920.705Senior Colloquium in Music TheorySpring 2012
MUTH 3410.001Sixteenth Century CounterpointSpring 2012 Syllabus
MUTH 6900.701Special ProblemsSpring 2012
MUTH 6900.702Special ProblemsSpring 2012
MUTH 6900.703Special ProblemsSpring 2012
MUTH 6900.704Special ProblemsSpring 2012
MUTH 6900.705Special ProblemsSpring 2012
MUTH 6910.701Special ProblemsSpring 2012
MUTH 4520.002Twentieth Century TechniquesSpring 2012
MUGC 6950.710Doctoral DissertationFall 2011
MUTH 3510.002Form AnalysisFall 2011
MUGC 5950.710Master's ThesisFall 2011
MUTH 6680.001Proseminar in Music TheoryFall 2011
MUTH 6900.701Special ProblemsFall 2011
MUTH 6910.702Special ProblemsFall 2011
MUGC 6950.704Doctoral DissertationSummer 5W2 2011
MUTH 5470.001Advanced Schenkerian AnalysisSpring 2011
MUGC 6950.704Doctoral DissertationSpring 2011
MUTH 4900.701Special ProblemsSpring 2011
MUTH 6900.701Special ProblemsSpring 2011
MUTH 4520.001Twentieth Century TechniquesSpring 2011
MUGC 6950.701Doctoral DissertationFall 2010
MUTH 3510.001Form AnalysisFall 2010 Syllabus
MUGC 5950.710Master's ThesisFall 2010
MUTH 4370.001Schenkerian AnalysisFall 2010 Syllabus
MUTH 5900.702Special ProblemsFall 2010
MUGC 6950.701Doctoral DissertationSummer 5W1 2010
MUTH 3420.001Eighteenth Century CounterpointSummer 5W2 2010
MUGC 5950.703Master's ThesisSummer 5W1 2010
MUTH 2500.001THEORY IVSummer 5W2 2010
MUGC 6950.701Doctoral DissertationSpring 2010
MUTH 3510.002Form AnalysisSpring 2010
MUGC 5950.710Master's ThesisSpring 2010
MUMH 4800.001Nazism, Judaism, and the Politics of Classical Music in GermanySpring 2010 Syllabus
MUTH 4910.701Special ProblemsSpring 2010
MUTH 5370.001Analytical Techniques IIIFall 2009
MUGC 6950.701Doctoral DissertationFall 2009
MUGC 6950.704Doctoral DissertationFall 2009
MUGC 5950.713Master's ThesisFall 2009
MUTH 4900.701Special ProblemsFall 2009
MUTH 6900.700Special ProblemsFall 2009
MUTH 2500.003THEORY IVFall 2009
MUTH 5470.001Advanced Schenkerian AnalysisSpring 2009
MUGC 6950.701Doctoral DissertationSpring 2009
MUTH 3510.002Form AnalysisSpring 2009
MUGC 5950.705Master's ThesisSpring 2009
MUTH 6910.701Special ProblemsSpring 2009
MUTH 5370.001Analytical Techniques IIIFall 2008
MUGC 6950.702Doctoral DissertationFall 2008
MUGC 5950.706Master's ThesisFall 2008
MUTH 4370.001Schenkerian AnalysisFall 2008
MUTH 5900.702Special ProblemsFall 2008
MUTH 5360.001Analytical Techniques IISummer 5W2 2008
MUGC 6950.703Doctoral DissertationSummer 5W1 2008
MUGC 6950.702Doctoral DissertationSpring 2008
MUGC 5950.704Master's ThesisSpring 2008
MUTH 5370.001Analytical Techniques IIIFall 2007
MUGC 6950.702Doctoral DissertationFall 2007
MUGC 6950.723Doctoral DissertationFall 2007
MUTH 3520.001Harmonic AnalysisFall 2007
MUGC 5950.707Master's ThesisFall 2007
MUTH 4920.701Senior Colloquium in Music TheoryFall 2007
MUTH 6900.705Special ProblemsFall 2007
MUTH 6910.702Special ProblemsFall 2007
MUTH 3420.001Eighteenth Century CounterpointSummer 5W2 2007
MUGC 5950.704Master's ThesisSummer 5W1 2007
MUGC 6950.701Doctoral DissertationSpring 2007
MUGC 6950.722Doctoral DissertationSpring 2007
MUGC 5950.703Master's ThesisSpring 2007
MUTH 3410.001Sixteenth Century CounterpointSpring 2007
MUTH 3410.002Sixteenth Century CounterpointSpring 2007
MUTH 4910.703Special ProblemsSpring 2007
MUTH 2500.002THEORY IVSpring 2007
MUGC 6950.701Doctoral DissertationFall 2006
MUGC 5950.707Master's ThesisFall 2006
MUTH 6680.001Proseminar in Music TheoryFall 2006
MUTH 4370.001Schenkerian AnalysisFall 2006
MUTH 5360.001Analytical Techniques IISummer 5W2 2006
MUTH 5400.001Invertible Counterpoint and FugueSummer 5W2 2006
MUTH 5470.001Advanced Schenkerian AnalysisSpring 2006
MUGC 6950.701Doctoral DissertationSpring 2006
MUTH 3420.001Eighteenth Century CounterpointSpring 2006
MUTH 3420.002Eighteenth Century CounterpointSpring 2006
MUGC 5950.705Master's ThesisSpring 2006
MUGC 6950.702Doctoral DissertationFall 2005
MUGC 5950.703Master's ThesisFall 2005
MUTH 5360.001Analytical Techniques IISummer 5W2 2005
MUTH 3420.001Eighteenth Century CounterpointSummer 5W2 2005
MUGC 5950.701Master's ThesisSummer 5W1 2005
MUGC 5950.704Master's ThesisSummer 5W2 2005
MUTH 5900.702Special ProblemsSummer 5W2 2005
MUGC 6950.702Doctoral DissertationSpring 2005
MUMH 4810.001Jews, Judaism, Anti Semitism, and OperaSpring 2005
MUGC 5950.701Master's ThesisSpring 2005
MUGC 5950.713Master's ThesisSpring 2005
MUTH 3410.001Sixteenth Century CounterpointSpring 2005
MUTH 4900.702Special ProblemsSpring 2005
MUTH 5910.705Special ProblemsSpring 2005
MUGC 6950.707Doctoral DissertationFall 2004
MUTH 5400.001Invertible Counterpoint and FugueFall 2004
MUGC 5950.709Master's ThesisFall 2004
MUTH 6680.001Proseminar in Music TheoryFall 2004
MUTH 5900.702Special ProblemsFall 2004
MUTH 2500.003THEORY IVFall 2004

Published Intellectual Contributions

    Book

  • Veijo Murtomäki, Colin Davis, and Tomi Mäkela. (2010). Sibelius in the Old and New World: Aspects of His Music, Its Interpretaton, and Reception, eds. Timothy L. Jackson, Veijo Murtomäki, Colin Davis, and Tomi Mäkela (Peter Lang: New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2010. This book grew out of the Fourth International Sibelius Symposium held at UNT in 2005, see, https://web3.unt.edu/the/sibelius/index.php?conference=events ; however, not all of the chapters evolved from conference presentations. http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=51175&concordeid=56025 Related Links: https://web3.unt.edu/the/sibelius/index.php?conference.
  • Paul Hawkshaw (Yale), and Crawford Howie (Manchester). (2001). Perspectives on Anton Bruckner.
  • Veijo Murtomäki (Sibelius Academy). (2001). Sibelius Studies.
  • Jackson, T.L. (1999). Cambridge Handbook on Tchaikovsky's Sixth Symphony (Pathétique).
  • Paul Hawkshaw (Yale). Bruckner Studies.
  • Book Chapter

  • Jackson, T.L. (2023). “The Music of a ‘Forbidden’ Jewish Composer: Paul Klecki’s Capriccio (1933)". pp. 215-252.. Lodz,
  • Jackson, T.L. (2023). “The Music of a ‘Forbidden’ Jewish Composer: Paul Klecki’s Capriccio (1933)". Paul Klecki. A Portrait of the Artist in a Historical Perspective, published in Polish edited by Ewa Kowalska-Zajac, Marta Szoka, Ryszard Daniel Golianek. pp. 215-252.. Lodz, Akademia Muzyczna im. Grazyny I Kiejstuta Bacewiczow w Lodzi (Grazyna and Kiejstut Bacewicz University of Music in Lodz.
  • Jackson, T.L. (2017). "The Company You Keep:’ Recipients of the Honorary Doctorates from the 1936 Heidelberg Celebration – Sibelius and Those Honored with Him. Jean Sibelius’s Legacy, edited by Daniel Grimley (Professor of Music, Merton College, Oxford) and Veijo Murtomäki (Professor, Sibelius Academy) (Cambridge: Scholars Press, Cambridge, UK, 2017).
  • Jackson, T. (2017). “The First Movements of Anton Eberl’s Symphonies in E flat major and D minor, and Beethoven’s Eroica:" Towards “New” Sonata Forms?”. Explorations in Schenkerian Analysis. 61=98. Rochester, NY, 2735 Woodside Dr
  • Timothy L. Jackson. (2015). "The 'Pseudo-Einsatz' in Two Handel Fugues: Heinrich Schenker's Analytical Work with Reinhard Oppel". Explorations in Schenkerian Analysis, eds. Su Yin Mak and David Beach (Rochester and London: Rochester University Press, 2016), pp. 61-98.. 61-98.
  • Timothy L. Jackson. (2015). Anmerkungen zur Oper Arabella: Aspekte biografischer Verstrickungen [Observations on the Opera Arabella: Aspects of the Biographical Omissions].
  • Jackson, T.L. (2014). "Nazi Period Late Works of Richard Strauss," Bayerische Staatsoper [Bavarian State Opera], Munich. "Special Program Book" published by the Bavarian State Opera.
  • Timothy L. Jackson. (2010). "Sibelius the Political". Sibelius in the Old and New World: Aspects of His Music, Its Interpretaton, and Reception, eds. Timothy L. Jackson and Veijo Murtomäki (Peter Lang: New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2010. 69-124.
  • Jackson, T.L. (2007). "The Finale of Tubin's Fifth Symphony from a Schenkerian Perspective." Yearbook of the International Tubin Society 2007" (Tallinn: Estonian Academy of Music and Theatre, 2007), pp. 72-80..
  • Jackson, T.L. (2006). "Hinauf strebt's : Song Study with Carl Schachter" in Structure and Meaning in Tonal Music: Festschrift in honor of Carl Schachter , eds. Poundie Burstein and David Gagné, ( Hillsdale, NY :; Pendragon Press, Year: 2006), pp. 191-202..
  • Jackson, T.L. "Representations of "Exile" and "Consolation" in Hindemith"s Mathis der Maler," Musik im Exil. Die Schweiz und das Ausland 1918-1945, eds. Chris Walton and Antonio Baldassarre (Peter Lang: Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, and Vienna), 2004, pp. 141-187.. 4 17-44. Scripta Musicalia.
  • Jackson, T.L. (2004). Article on "Bruckner" in The New Grove Dictionary of Music and Musicians ed. S. Sadie and J. Tyrrell (London: Macmillan, 2001) and Grove On-line (Oxford University Press, 2004. 6. Publication and reception history. 7. Versions of the symphonies. 8. Metrical and part-writing theories, composition and revision processes. 9. Form, large-scale harmony and the revisions. 10. Vocal music. 11. Narrative and intertextuality. 12. Research issues. Related Links: http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section.
  • Jackson, T.L. (2004). Translation of Schenker's article on Mozart's A minor Sonata in Der Tonwille, ed. William Drabkin (New York: Oxford University Press, 2004), pp. 55-71..
  • Jackson, T.L. (2003). "Brucknerian Models: Sonata Form and Linked Internal Auxiliary Cadences," Sibelius Forum II. Proceedings from the Third International Jean Sibelius Conference, Helsinki December 7-10, 2000, Sibelius Academy, 2003, pp. 155-171..
  • Jackson, T.L. (2003). "The problem of the second group in the first movement of Tubin's Fifth Symphony: A Schenkerian View," Yearbook of the International Eduard Tubin Society. Vol. 3 (2003). International Eduard Tubin Society: Tallinn, 2003. ISSN 146-7077, pp. 59-69..
  • Jackson, T.L. (2003). "The problem of the second group in the first movement of Tubin's Fifth Symphony: A Schenkerian View," Yearbook of the International Eduard Tubin Society. Vol. 3 (2003). International Eduard Tubin Society: Tallinn, 2003. ISSN 146-7077, pp. 59-69..
  • Jackson, T.L. (2001). "A Contribution to the Musical Poetics of Dmitri Shostakovich: Observations on 'Putting the Jew back in Christ,'" in Dmitri Schostakowitsch und das jüdische musikalische Erbe, eds. Ernst Kuhn, Andreas Wehrmeyer und Guenter Wolter (Berlin: Verlag Ernst Kuhn, 2001), pp. 19-55..
  • Jackson, T.L. (2001). "Bruckner's Oktaven: the problem of consecutives, doubling, and orchestral voice-leading," in Bruckner Studies , eds. Timothy L. Jackson, Paul Hawkshaw, and Crawford Howie, (London: Ashgate Press, 2001)..
  • Jackson, T.L. (2001). "Dmitri Shostakovich's 'Jewish Motive:' A Creative Enigma (1985 and 1991)," lectures by Solomon Volkov introduced and edited by Timothy L. Jackson, in Dmitri Schostakowitsch und das jüdische musikalische Erbe, eds. Ernst Kuhn, Andreas Wehrmeyer und Guenter Wolter (Berlin: Verlag Ernst Kuhn, 2001), pp. 1-18..
  • Jackson, T.L. (2001). "Observations on crystallization and entropy in the music of Sibelius and other composers," in Sibelius Studies, eds. Timothy L. Jackson and Veijo Murtomaki (Cambridge: Cambridge University Press, 2001), pp. 175-275..
  • Jackson, T.L. (2001). "The Adagio of Bruckner's Sixth Symphony: The Anticipatory Tonic Recapitulation in Bruckner, Brahms, and Dvorak." In Perspectives on Anton Bruckner, eds. Timothy L. Jackson, Paul Hawkshaw, and Crawford Howie, (London: Ashgate Press, 2001), pp. 206-227..
  • Jackson, T.L. (1999). "Brahms's 9 Lieder und Gesänge, Opus 63," in The Compleat Brahms. A Guide to the Musical Works of Johannes Brahms," ed. Leon Botstein (New York and London: W. W. Norton & Company, 1999), pp. 251-254..
  • Jackson, T.L. (1999). "Diachronic Transformation in a Schenkerian Context. A Study of the Brahms Haydn Variations Op. 56a-b," in Schenker Studies 2, eds. Hedi Siegel and Carl Schachter, Cambridge University Press (1999), pp. 195-237..
  • Jackson, T.L. (1999). "Diachronische Transformation im Schenkerschen Kontext: Brahms' Haydn-Variationen," in Johannes Brahms. Quellen Rezeption " Interpretation. Internationaler Brahms-Kongress Hamburg 1997, eds. Friedhelm Krummacher and Michael Struck (Munich: Henle Verlag, 1999), pp. 453-92..
  • Jackson, T.L. (1999). "Die Wagnersche Umarmungs-Metapher bei Bruckner und Mahler" ("The Wagnerian 'Embrace' Metaphor in Bruckner and Mahler,"), in Bruckner-Probleme, Beiheft zum Archiv f ü r Musikwissenschaft , ed. Albrecht Riethm ü ller (Stuttgart: Franz Steiner Verlag, 1999), pp. 134-52..
  • Helsinki: Sibelius Academy. (1998). "'A Heart of Ice:' Crystallization in Sibelius's Pohjola's Daughter and Other Works." Conference Report of the Second International Sibelius Conference in Helsinki, November 1995, ed. Eero Taarasti, 1998, pp. 100-123..
  • Jackson, T.L. (1998). "Dmitri Shostakovich, the Composer as Jew," in Shostakovich Reconsidered, eds. Dmitri Feofanov and Allan Ho, (New York, London, Paris: Toccata Press, 1998), pp. 597-642..
  • Jackson, T.L. (1997). "The Finale of Bruckner's Seventh Symphony and Tragic Reversed Sonata Form," in Perspectives on Anton Bruckner, eds. Timothy L. Jackson and Paul Hawkshaw, Cambridge University Press, 1997, pp. 140-208..
  • Jackson, T.L. (1992). "Ruhe, meine Seele! and the Letzte Orchesterlieder," in Richard Strauss and His World, ed. Bryan Gilliam, Princeton University Press (1992), pp. 90-138..
  • Jackson, T.L. (1992). "The Metamorphosis of Richard Strauss's Metamorphosen" New Analytical and Source Critical Discoveries," ed. Bryan Gilliam, in Richard Strauss: His Life and Work, pp. 193-241..
  • Book Review

  • Jackson, T.L. (1993). Review of Arnold Schoenberg, the Composer as Jew by Alexander Ringer. Theory and Practice. 18 171-178. New York, Theory and Practice.
  • CD Recording - Solo

  • Kang, H., Hong, D., Jackson, T.L. (2018). Anton Eberl: Sonatas for Piano and Violin. 1 London, Toccata Classics distributed by Naxos America. https://toccataclassics.com/
  • Critical Review

  • Jackson, T.L. (1995). “Hearing Schoenberg,” review-article on Silvina Milstein, Arnold Schoenberg. Notes Sets Forms, Cambridge: Cambridge University Press, 1992. Acta Oto-Laryngologica. 15/4 285-311. Gordon Breach.
  • Journal Article

  • Jackson, T.L. (2024). "A Cancelled Professor Reflects on Academic Nazism". New York, New York, White Rose. , https://whiterosemagazine.com/a-cancelled-professor-reflects-on-academic-nazism/
  • Jackson, T.L. (2024). "Nazism, Anti-Semitism and Today's Islamo-fascism at American Universities". approximately six. Washington, DC, National Association of Scholars. https://www.mindingthecampus.org/2023/12/15/nazism-anti-semitism-and-todays-islamo-fascism-at-american-universities/
  • Jackson, T.L. (2022). “Will CUNY Continue to Become a Post-Truth Antisemitic University?”. July 2022 (July 2022) Unknown. Los Angeles, California, The Jewish Journal. https://jewishjournal.com/commentary/opinion/349854/will-cuny-continue-to-become-a-post-truth-antisemitic-university/
  • Jackson, T.L. (2022). “And Then the Antiracists Came for the Jewish Music Theorist Heinrich Schenker — and Me". June 2022 (June 2022) June 2022. Jerusalem, The Times of Israel. https://blogs.timesofisrael.com/and-then-the-anti-racists-came-for-the-jewish-music-theorist-heinrich-schenker-and-me/
  • Jackson, T.L. (2021). “The Schenker Controversy". December 2021 (December 2021) December 2021. London, New York, Quillette Magazine. https://quillette.com/2021/12/20/the-schenker-controversy/
  • Jackson, T. (2017). “Elucidations of Post-Tonal Free Composition”. Journal of Schenkerian Studies. 23-177 Texas A and M Press.
  • Jackson, T.L. (2012). "Heinrich Schenker's Comments on Some Compositions by Reinhard Oppel," A Composition as A Problem VI (2012), pp. 5-95..
  • Jackson, T.L. (2010). “Thierfelder’s 1935 Open Letter to Sibelius and Adorno’s Critique – Some Preliminary Observations”. 10-42. Sibelius Academy.
  • Jackson, T.L. (2009). "Escaping from a Black Hole: Facing Depression in Academia," MTO [Music Theory On-line] Volume 15, Numbers 3 and 4, August 2009..
  • Jackson, T.L. (2009). "Punctus contra punctum - a Counterpoint of Schenkerian and Weissian Analysis: Hans Weisse's Counterpoint Studies with Heinrich Schenker." Journal of Schenkerian Studies IV (2010), pp. 87-186..
  • Jackson, T.L. (2008). "The Urlinie in Hindemith's String Quartet Op. 22 Second Movement?" in A Composition as a Problem V, (Tallinn: Estonian Academy of Music and Theatre, 2008), pp. 146-86..
  • Jackson, T.L. (2006). "Eine Annäherung an Paul Kletzki." Musica Reanimata Nr. 58 (2006), pp. 6-17..
  • Jackson, T.L. (2004). " Paul Kletzki and Reinhard Oppel: two forgotten composers," JMI International Forum for Suppressed Music Newsletter No. 6, January 2004. http://www.jmi.org.uk/suppressedmusic/publications/ifsmnews6.html Related Links: http://www.jmi.org.uk/suppressedmusic/publications/#I/1 http://www.jmi.org.uk/suppressedmusic/publications/ifsmnews6.html.
  • Jackson, T.L. (2004). "Representations of "Exile" and "Consolation" in Hindemith"s Mathis der Maler," A Composition as a Problem. Vol. IV. Scripta Musicalia: Tallinn (2004), pp. 17-44 (reprint of article from Musik im Exil [see below])..
  • Jackson, T.L. (2004). "Schliesse mir die Augen beide: an Analysis of Six Settings by Berg, Oppel, Tintner, Zilcher, and Kletzki," A Composition as a Problem. Vol. IV. Scripta Musicalia: Tallinn (2004), pp. 51-88..
  • Jackson, T.L. (2001). "The Schenker-Oppel Exchange: Schenker as Composition Teacher," Music Analysis 20/1 (2001) (Oxford), pp. 1-116..
  • Jackson, T.L. (1997). "'Your Songs Proclaim God's Return' " Arnold Schoenberg, the Composer and His Jewish Faith," International Journal of Musicology VI (1997), pp. 277-315..
  • Jackson, T.L. (1997). "Bruckner's Oktaven," Music and Letters 86 (1997), pp. 391-409.
  • Jackson, T.L. (1996). "The Tragic Reversed Recapitulation in the German Classical Tradition," Journal of Music Theory 40.1 (1996), pp. 23-72..
  • Jackson, T.L. (1995). "'Schubert as John the Baptist to Wagner-Jesus' " Large-scale Enharmonicism in Bruckner and his Models." Bruckner Jahrbuch 1991-93. pp. 61-108..
  • Jackson, T.L. (1995). "Aspects of Sexuality and Structure in the Later Symphonies of Tchaikovsky," Music Analysis 14/1 (1995), pp. 3-25.
  • Jackson, T.L. (1995). "Bruckner's Rhythm: Syncopated Hyperrhythm and Diachronic Transformation in the Second Symphony," in Anton Bruckner " Persönlichkeit und Werk, pp. 93-106..
  • Jackson, T.L. (1995). "Hearing Schoenberg," review-article on Silvina Milstein, Arnold Schoenberg. Notes Sets Forms, Cambridge: Cambridge University Press, 1992, for the Journal of Musicological Research 15/4 (1995) pp. 285-311 (Gordon Breach, UK).. 171-178.
  • Jackson, T.L. (1995). "Ruhe, meine Seele! und die letzten Orchesterlieder" in Richard Strauss-Blätter XXI (1995), pp. 84-128..
  • Jackson, T.L. (1992). "Current Issues in Schenkerian Analysis." Feature review-article on Trends in Schenkerian Research, ed. Allen Cadwallader (Schirmer Books, 1990) and Schenker Studies, 1990, ed. Hedi Siegel (Cambridge University Press) for The Musical Quarterly LXXVI/2 (1992), pp. 242-63..
  • Jackson, T.L. (1991). "Gabriel Fauré 's Expansions of Non-Duple Hypermeter in La Fleur qui va sur l'eau Op. 85, No. 2." In Theory Only XII (November 1991), pp. 1-24..
  • Jackson, T.L. (1991). "Schubert's Revisions of Der Jüngling und der Tod D 545a-b and Meeres Stille D 216a-b," The Musical Quarterly LXXV/3 (1991), pp. 335-60..
  • Jackson, T.L. (1990). "Bruckner's Metrical Numbers," Nineteenth Century Music XIV/2 (Fall 1990), pp. 101-31..
  • Jackson, T.L. (1990). "Schoenberg's Op. 14 Songs: Textual Sources and Analytical Perception," Theory and Practice XIV (1989/90 double issue), pp. 35-58..
  • Jackson, T.L. (1990). "The Enharmonics of Faith: Enharmonic Symbolism in Bruckner's Christus factus est (1884)." Bruckner Jahrbuch 1987-88, pp. 4-20..
  • Jackson, T.L. (1989). "Compositional Revisions in Richard Strauss's Waldseligkeit and a New Source." Richard Strauss-Blätter XXI (1989), pp. 55-84..
  • Jackson, T.L. (1989). "Mozart's Little Gigue in G major — A Study in Rhythmic Shift, A Reminiscence of the Competition with Haessler?" Mitteilungen der internationalen Mozart-Gesellschaft XXXVII (1989), pp. 70-80..
  • Jackson, T.L. (1989). Comment on Steven Parkany's "Kurth's Bruckner and the Adagio of the Seventh Symphony." Nineteenth Century Music XIII/1 (1989), pp. 74-75..
  • Jackson, T.L. (1987). "Richard Strauss's Winterweihe:" An Analysis and Study of the Sketches." Richard Strauss-Blätter XVII (1987), pp. 28-69..
  • Jackson, A.W., Jackson, T.L., Hnatek, J., West, J. (1985). Strength development: using functional isometrics in an isotonic strength training program. Research Quarterly for Exercise and Sport. 56 (3) 234–237. Taylor & Francis Group.
  • Popular Press Article

  • Jackson, T.L. (2007). Essay on Paul Kletzki's Violin Concerto Op. 19 (1928) for the program accompanying the performance on February 9, 2007, at Lincoln Center by Robert Davidovici (violinist), Leon Botstein (conductor), and the American Symphony Orchestra..
  • Jackson, T.L. (2004). CD Program booklet for BIS CD 1399, Paul Kletzki, Third Symphony "In Memoriam," Concertino for Flute, 2004..
  • Jackson, T.L. (2000). Program notes for Nimbus CD of the Berlin Philharmonic Strings performing Richard Strauss's Metamorphosen and Arnold Schoenberg's Verklärte Nacht.
  • Scholarly Note

  • Jackson, T.L. (2017). Anton Eberl: Three Sonatas for Piano and Violin. 22.
  • Jackson, T.L. (2013). Paul Kletzki, Violin Concerto, performed by Robert Davidovici with the Royal Philharmonic Orchestra in London on Jan 10 and 11, 2013. The CD - on the Royal Philharmonic Label - was released in London on October 8, 2013 ..
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Overall
Summative Rating
Challenge and
Engagement Index
Response Rate

out of 5

out of 7
%
of
students responded
  • Overall Summative Rating (median):
    This rating represents the combined responses of students to the four global summative items and is presented to provide an overall index of the class’s quality. Overall summative statements include the following (response options include a Likert scale ranging from 5 = Excellent, 3 = Good, and 1= Very poor):
    • The course as a whole was
    • The course content was
    • The instructor’s contribution to the course was
    • The instructor’s effectiveness in teaching the subject matter was
  • Challenge and Engagement Index:
    This rating combines student responses to several SPOT items relating to how academically challenging students found the course to be and how engaged they were. Challenge and Engagement Index items include the following (response options include a Likert scale ranging from 7 = Much higher, 4 = Average, and 1 = Much lower):
    • Do you expect your grade in this course to be
    • The intellectual challenge presented was
    • The amount of effort you put into this course was
    • The amount of effort to succeed in this course was
    • Your involvement in course (doing assignments, attending classes, etc.) was
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