Timothy L. Jackson

Previous Scheduled Teaching

Published Intellectual Contributions

Book

• Veijo Murtomäki, Colin Davis, and Tomi Mäkela. (2010). Sibelius in the Old and New World: Aspects of His Music, Its Interpretaton, and Reception, eds. Timothy L. Jackson, Veijo Murtomäki, Colin Davis, and Tomi Mäkela (Peter Lang: New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2010. This book grew out of the Fourth International Sibelius Symposium held at UNT in 2005, see, https://web3.unt.edu/the/sibelius/index.php?conference=events ; however, not all of the chapters evolved from conference presentations. http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=51175&concordeid=56025 Related Links: https://web3.unt.edu/the/sibelius/index.php?conference.
• Paul Hawkshaw (Yale), and Crawford Howie (Manchester). (2001). Perspectives on Anton Bruckner.
• Veijo Murtomäki (Sibelius Academy). (2001). Sibelius Studies.
• Jackson, T.L. (1999). Cambridge Handbook on Tchaikovsky's Sixth Symphony (Pathétique).
• Paul Hawkshaw (Yale). Bruckner Studies.

Book Chapter

• Jackson, T.L. (2023). “The Music of a ‘Forbidden’ Jewish Composer: Paul Klecki’s Capriccio (1933)". pp. 215-252.. Lodz,
• Jackson, T.L. (2023). “The Music of a ‘Forbidden’ Jewish Composer: Paul Klecki’s Capriccio (1933)". Paul Klecki. A Portrait of the Artist in a Historical Perspective, published in Polish edited by Ewa Kowalska-Zajac, Marta Szoka, Ryszard Daniel Golianek. pp. 215-252.. Lodz, Akademia Muzyczna im. Grazyny I Kiejstuta Bacewiczow w Lodzi (Grazyna and Kiejstut Bacewicz University of Music in Lodz.
• Jackson, T.L. (2017). "The Company You Keep:’ Recipients of the Honorary Doctorates from the 1936 Heidelberg Celebration – Sibelius and Those Honored with Him. Jean Sibelius’s Legacy, edited by Daniel Grimley (Professor of Music, Merton College, Oxford) and Veijo Murtomäki (Professor, Sibelius Academy) (Cambridge: Scholars Press, Cambridge, UK, 2017).
• Jackson, T. (2017). “The First Movements of Anton Eberl’s Symphonies in E flat major and D minor, and Beethoven’s Eroica:" Towards “New” Sonata Forms?”. Explorations in Schenkerian Analysis. 61=98. Rochester, NY, 2735 Woodside Dr
• Timothy L. Jackson. (2015). "The 'Pseudo-Einsatz' in Two Handel Fugues: Heinrich Schenker's Analytical Work with Reinhard Oppel". Explorations in Schenkerian Analysis, eds. Su Yin Mak and David Beach (Rochester and London: Rochester University Press, 2016), pp. 61-98.. 61-98.
• Timothy L. Jackson. (2015). Anmerkungen zur Oper Arabella: Aspekte biografischer Verstrickungen [Observations on the Opera Arabella: Aspects of the Biographical Omissions].
• Jackson, T.L. (2014). "Nazi Period Late Works of Richard Strauss," Bayerische Staatsoper [Bavarian State Opera], Munich. "Special Program Book" published by the Bavarian State Opera.
• Timothy L. Jackson. (2010). "Sibelius the Political". Sibelius in the Old and New World: Aspects of His Music, Its Interpretaton, and Reception, eds. Timothy L. Jackson and Veijo Murtomäki (Peter Lang: New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, 2010. 69-124.
• Jackson, T.L. (2007). "The Finale of Tubin's Fifth Symphony from a Schenkerian Perspective." Yearbook of the International Tubin Society 2007" (Tallinn: Estonian Academy of Music and Theatre, 2007), pp. 72-80..
• Jackson, T.L. (2006). "Hinauf strebt's : Song Study with Carl Schachter" in Structure and Meaning in Tonal Music: Festschrift in honor of Carl Schachter , eds. Poundie Burstein and David Gagné, ( Hillsdale, NY :; Pendragon Press, Year: 2006), pp. 191-202..
• Jackson, T.L. "Representations of "Exile" and "Consolation" in Hindemith"s Mathis der Maler," Musik im Exil. Die Schweiz und das Ausland 1918-1945, eds. Chris Walton and Antonio Baldassarre (Peter Lang: Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, and Vienna), 2004, pp. 141-187.. 4 17-44. Scripta Musicalia.
• Jackson, T.L. (2004). Article on "Bruckner" in The New Grove Dictionary of Music and Musicians ed. S. Sadie and J. Tyrrell (London: Macmillan, 2001) and Grove On-line (Oxford University Press, 2004. 6. Publication and reception history. 7. Versions of the symphonies. 8. Metrical and part-writing theories, composition and revision processes. 9. Form, large-scale harmony and the revisions. 10. Vocal music. 11. Narrative and intertextuality. 12. Research issues. Related Links: http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section http://www.grovemusic.com/shared/views/article.html?section.
• Jackson, T.L. (2004). Translation of Schenker's article on Mozart's A minor Sonata in Der Tonwille, ed. William Drabkin (New York: Oxford University Press, 2004), pp. 55-71..
• Jackson, T.L. (2003). "Brucknerian Models: Sonata Form and Linked Internal Auxiliary Cadences," Sibelius Forum II. Proceedings from the Third International Jean Sibelius Conference, Helsinki December 7-10, 2000, Sibelius Academy, 2003, pp. 155-171..
• Jackson, T.L. (2003). "The problem of the second group in the first movement of Tubin's Fifth Symphony: A Schenkerian View," Yearbook of the International Eduard Tubin Society. Vol. 3 (2003). International Eduard Tubin Society: Tallinn, 2003. ISSN 146-7077, pp. 59-69..
• Jackson, T.L. (2003). "The problem of the second group in the first movement of Tubin's Fifth Symphony: A Schenkerian View," Yearbook of the International Eduard Tubin Society. Vol. 3 (2003). International Eduard Tubin Society: Tallinn, 2003. ISSN 146-7077, pp. 59-69..
• Jackson, T.L. (2001). "A Contribution to the Musical Poetics of Dmitri Shostakovich: Observations on 'Putting the Jew back in Christ,'" in Dmitri Schostakowitsch und das jüdische musikalische Erbe, eds. Ernst Kuhn, Andreas Wehrmeyer und Guenter Wolter (Berlin: Verlag Ernst Kuhn, 2001), pp. 19-55..
• Jackson, T.L. (2001). "Bruckner's Oktaven: the problem of consecutives, doubling, and orchestral voice-leading," in Bruckner Studies , eds. Timothy L. Jackson, Paul Hawkshaw, and Crawford Howie, (London: Ashgate Press, 2001)..
• Jackson, T.L. (2001). "Dmitri Shostakovich's 'Jewish Motive:' A Creative Enigma (1985 and 1991)," lectures by Solomon Volkov introduced and edited by Timothy L. Jackson, in Dmitri Schostakowitsch und das jüdische musikalische Erbe, eds. Ernst Kuhn, Andreas Wehrmeyer und Guenter Wolter (Berlin: Verlag Ernst Kuhn, 2001), pp. 1-18..
• Jackson, T.L. (2001). "Observations on crystallization and entropy in the music of Sibelius and other composers," in Sibelius Studies, eds. Timothy L. Jackson and Veijo Murtomaki (Cambridge: Cambridge University Press, 2001), pp. 175-275..
• Jackson, T.L. (2001). "The Adagio of Bruckner's Sixth Symphony: The Anticipatory Tonic Recapitulation in Bruckner, Brahms, and Dvorak." In Perspectives on Anton Bruckner, eds. Timothy L. Jackson, Paul Hawkshaw, and Crawford Howie, (London: Ashgate Press, 2001), pp. 206-227..
• Jackson, T.L. (1999). "Brahms's 9 Lieder und Gesänge, Opus 63," in The Compleat Brahms. A Guide to the Musical Works of Johannes Brahms," ed. Leon Botstein (New York and London: W. W. Norton & Company, 1999), pp. 251-254..
• Jackson, T.L. (1999). "Diachronic Transformation in a Schenkerian Context. A Study of the Brahms Haydn Variations Op. 56a-b," in Schenker Studies 2, eds. Hedi Siegel and Carl Schachter, Cambridge University Press (1999), pp. 195-237..
• Jackson, T.L. (1999). "Diachronische Transformation im Schenkerschen Kontext: Brahms' Haydn-Variationen," in Johannes Brahms. Quellen Rezeption " Interpretation. Internationaler Brahms-Kongress Hamburg 1997, eds. Friedhelm Krummacher and Michael Struck (Munich: Henle Verlag, 1999), pp. 453-92..
• Jackson, T.L. (1999). "Die Wagnersche Umarmungs-Metapher bei Bruckner und Mahler" ("The Wagnerian 'Embrace' Metaphor in Bruckner and Mahler,"), in Bruckner-Probleme, Beiheft zum Archiv f ü r Musikwissenschaft , ed. Albrecht Riethm ü ller (Stuttgart: Franz Steiner Verlag, 1999), pp. 134-52..
• Helsinki: Sibelius Academy. (1998). "'A Heart of Ice:' Crystallization in Sibelius's Pohjola's Daughter and Other Works." Conference Report of the Second International Sibelius Conference in Helsinki, November 1995, ed. Eero Taarasti, 1998, pp. 100-123..
• Jackson, T.L. (1998). "Dmitri Shostakovich, the Composer as Jew," in Shostakovich Reconsidered, eds. Dmitri Feofanov and Allan Ho, (New York, London, Paris: Toccata Press, 1998), pp. 597-642..
• Jackson, T.L. (1997). "The Finale of Bruckner's Seventh Symphony and Tragic Reversed Sonata Form," in Perspectives on Anton Bruckner, eds. Timothy L. Jackson and Paul Hawkshaw, Cambridge University Press, 1997, pp. 140-208..
• Jackson, T.L. (1992). "Ruhe, meine Seele! and the Letzte Orchesterlieder," in Richard Strauss and His World, ed. Bryan Gilliam, Princeton University Press (1992), pp. 90-138..
• Jackson, T.L. (1992). "The Metamorphosis of Richard Strauss's Metamorphosen" New Analytical and Source Critical Discoveries," ed. Bryan Gilliam, in Richard Strauss: His Life and Work, pp. 193-241..

Book Review

• Jackson, T.L. (1993). Review of Arnold Schoenberg, the Composer as Jew by Alexander Ringer. Theory and Practice. 18 171-178. New York, Theory and Practice.

CD Recording - Solo

• Kang, H., Hong, D., Jackson, T.L. (2018). Anton Eberl: Sonatas for Piano and Violin. 1 London, Toccata Classics distributed by Naxos America. https://toccataclassics.com/

Critical Review

• Jackson, T.L. (1995). “Hearing Schoenberg,” review-article on Silvina Milstein, Arnold Schoenberg. Notes Sets Forms, Cambridge: Cambridge University Press, 1992. Acta Oto-Laryngologica. 15/4 285-311. Gordon Breach.

Journal Article

• Jackson, T.L. (2024). "A Cancelled Professor Reflects on Academic Nazism". New York, New York, White Rose. , https://whiterosemagazine.com/a-cancelled-professor-reflects-on-academic-nazism/
• Jackson, T.L. (2024). "Nazism, Anti-Semitism and Today's Islamo-fascism at American Universities". approximately six. Washington, DC, National Association of Scholars. https://www.mindingthecampus.org/2023/12/15/nazism-anti-semitism-and-todays-islamo-fascism-at-american-universities/
• Jackson, T.L. (2022). “Will CUNY Continue to Become a Post-Truth Antisemitic University?”. July 2022 (July 2022) Unknown. Los Angeles, California, The Jewish Journal. https://jewishjournal.com/commentary/opinion/349854/will-cuny-continue-to-become-a-post-truth-antisemitic-university/
• Jackson, T.L. (2022). “And Then the Antiracists Came for the Jewish Music Theorist Heinrich Schenker — and Me". June 2022 (June 2022) June 2022. Jerusalem, The Times of Israel. https://blogs.timesofisrael.com/and-then-the-anti-racists-came-for-the-jewish-music-theorist-heinrich-schenker-and-me/
• Jackson, T.L. (2021). “The Schenker Controversy". December 2021 (December 2021) December 2021. London, New York, Quillette Magazine. https://quillette.com/2021/12/20/the-schenker-controversy/
• Jackson, T. (2017). “Elucidations of Post-Tonal Free Composition”. Journal of Schenkerian Studies. 23-177 Texas A and M Press.
• Jackson, T.L. (2012). "Heinrich Schenker's Comments on Some Compositions by Reinhard Oppel," A Composition as A Problem VI (2012), pp. 5-95..
• Jackson, T.L. (2010). “Thierfelder’s 1935 Open Letter to Sibelius and Adorno’s Critique – Some Preliminary Observations”. 10-42. Sibelius Academy.
• Jackson, T.L. (2009). "Escaping from a Black Hole: Facing Depression in Academia," MTO [Music Theory On-line] Volume 15, Numbers 3 and 4, August 2009..
• Jackson, T.L. (2009). "Punctus contra punctum - a Counterpoint of Schenkerian and Weissian Analysis: Hans Weisse's Counterpoint Studies with Heinrich Schenker." Journal of Schenkerian Studies IV (2010), pp. 87-186..
• Jackson, T.L. (2008). "The Urlinie in Hindemith's String Quartet Op. 22 Second Movement?" in A Composition as a Problem V, (Tallinn: Estonian Academy of Music and Theatre, 2008), pp. 146-86..
• Jackson, T.L. (2006). "Eine Annäherung an Paul Kletzki." Musica Reanimata Nr. 58 (2006), pp. 6-17..
• Jackson, T.L. (2004). " Paul Kletzki and Reinhard Oppel: two forgotten composers," JMI International Forum for Suppressed Music Newsletter No. 6, January 2004. http://www.jmi.org.uk/suppressedmusic/publications/ifsmnews6.html Related Links: http://www.jmi.org.uk/suppressedmusic/publications/#I/1 http://www.jmi.org.uk/suppressedmusic/publications/ifsmnews6.html.
• Jackson, T.L. (2004). "Representations of "Exile" and "Consolation" in Hindemith"s Mathis der Maler," A Composition as a Problem. Vol. IV. Scripta Musicalia: Tallinn (2004), pp. 17-44 (reprint of article from Musik im Exil [see below])..
• Jackson, T.L. (2004). "Schliesse mir die Augen beide: an Analysis of Six Settings by Berg, Oppel, Tintner, Zilcher, and Kletzki," A Composition as a Problem. Vol. IV. Scripta Musicalia: Tallinn (2004), pp. 51-88..
• Jackson, T.L. (2001). "The Schenker-Oppel Exchange: Schenker as Composition Teacher," Music Analysis 20/1 (2001) (Oxford), pp. 1-116..
• Jackson, T.L. (1997). "'Your Songs Proclaim God's Return' " Arnold Schoenberg, the Composer and His Jewish Faith," International Journal of Musicology VI (1997), pp. 277-315..
• Jackson, T.L. (1997). "Bruckner's Oktaven," Music and Letters 86 (1997), pp. 391-409.
• Jackson, T.L. (1996). "The Tragic Reversed Recapitulation in the German Classical Tradition," Journal of Music Theory 40.1 (1996), pp. 23-72..
• Jackson, T.L. (1995). "'Schubert as John the Baptist to Wagner-Jesus' " Large-scale Enharmonicism in Bruckner and his Models." Bruckner Jahrbuch 1991-93. pp. 61-108..
• Jackson, T.L. (1995). "Aspects of Sexuality and Structure in the Later Symphonies of Tchaikovsky," Music Analysis 14/1 (1995), pp. 3-25.
• Jackson, T.L. (1995). "Bruckner's Rhythm: Syncopated Hyperrhythm and Diachronic Transformation in the Second Symphony," in Anton Bruckner " Persönlichkeit und Werk, pp. 93-106..
• Jackson, T.L. (1995). "Hearing Schoenberg," review-article on Silvina Milstein, Arnold Schoenberg. Notes Sets Forms, Cambridge: Cambridge University Press, 1992, for the Journal of Musicological Research 15/4 (1995) pp. 285-311 (Gordon Breach, UK).. 171-178.
• Jackson, T.L. (1995). "Ruhe, meine Seele! und die letzten Orchesterlieder" in Richard Strauss-Blätter XXI (1995), pp. 84-128..
• Jackson, T.L. (1992). "Current Issues in Schenkerian Analysis." Feature review-article on Trends in Schenkerian Research, ed. Allen Cadwallader (Schirmer Books, 1990) and Schenker Studies, 1990, ed. Hedi Siegel (Cambridge University Press) for The Musical Quarterly LXXVI/2 (1992), pp. 242-63..
• Jackson, T.L. (1991). "Gabriel Fauré 's Expansions of Non-Duple Hypermeter in La Fleur qui va sur l'eau Op. 85, No. 2." In Theory Only XII (November 1991), pp. 1-24..
• Jackson, T.L. (1991). "Schubert's Revisions of Der Jüngling und der Tod D 545a-b and Meeres Stille D 216a-b," The Musical Quarterly LXXV/3 (1991), pp. 335-60..
• Jackson, T.L. (1990). "Bruckner's Metrical Numbers," Nineteenth Century Music XIV/2 (Fall 1990), pp. 101-31..
• Jackson, T.L. (1990). "Schoenberg's Op. 14 Songs: Textual Sources and Analytical Perception," Theory and Practice XIV (1989/90 double issue), pp. 35-58..
• Jackson, T.L. (1990). "The Enharmonics of Faith: Enharmonic Symbolism in Bruckner's Christus factus est (1884)." Bruckner Jahrbuch 1987-88, pp. 4-20..
• Jackson, T.L. (1989). "Compositional Revisions in Richard Strauss's Waldseligkeit and a New Source." Richard Strauss-Blätter XXI (1989), pp. 55-84..
• Jackson, T.L. (1989). "Mozart's Little Gigue in G major — A Study in Rhythmic Shift, A Reminiscence of the Competition with Haessler?" Mitteilungen der internationalen Mozart-Gesellschaft XXXVII (1989), pp. 70-80..
• Jackson, T.L. (1989). Comment on Steven Parkany's "Kurth's Bruckner and the Adagio of the Seventh Symphony." Nineteenth Century Music XIII/1 (1989), pp. 74-75..
• Jackson, T.L. (1987). "Richard Strauss's Winterweihe:" An Analysis and Study of the Sketches." Richard Strauss-Blätter XVII (1987), pp. 28-69..
• Jackson, A.W., Jackson, T.L., Hnatek, J., West, J. (1985). Strength development: using functional isometrics in an isotonic strength training program. Research Quarterly for Exercise and Sport. 56 (3) 234–237. Taylor & Francis Group.

Popular Press Article

• Jackson, T.L. (2007). Essay on Paul Kletzki's Violin Concerto Op. 19 (1928) for the program accompanying the performance on February 9, 2007, at Lincoln Center by Robert Davidovici (violinist), Leon Botstein (conductor), and the American Symphony Orchestra..
• Jackson, T.L. (2004). CD Program booklet for BIS CD 1399, Paul Kletzki, Third Symphony "In Memoriam," Concertino for Flute, 2004..
• Jackson, T.L. (2000). Program notes for Nimbus CD of the Berlin Philharmonic Strings performing Richard Strauss's Metamorphosen and Arnold Schoenberg's Verklärte Nacht.

Scholarly Note

• Jackson, T.L. (2017). Anton Eberl: Three Sonatas for Piano and Violin. 22.
• Jackson, T.L. (2013). Paul Kletzki, Violin Concerto, performed by Robert Davidovici with the Royal Philharmonic Orchestra in London on Jan 10 and 11, 2013. The CD - on the Royal Philharmonic Label - was released in London on October 8, 2013 ..