Owen, L. N., Cummings, C. (2022). Mountain and Cave: Hindu Rock-Cut Architecture and its Symbolisms. A History of Hindu Architecture in India. 8, 123-139. Berlin: Studies in Asian Art and Culture—EB Verlag.
Owen, L. N. (2021). Neither Cave nor Temple: Creating and Commemorating 'Place' in the Ritual Landscapes at Badami. South Asian Rituals in Archaeological Context: Power, Presence, and Space. 213-230. Delhi: Routledge.
Owen, L. N., Francis, E., Schmid, C. (2016). Local Bhakti or Monastic Advertising? The Functions of Medieval Jain Rock-Reliefs in Tamil Nadu. The Archaeology of Bhakti II: Royal Bhakti, Local Bhakti. 423-442. Pondicherry: École française d'Extrême-Orient.
Owen, L. N., Ray, H. P. (2015). Transforming the Landscape: Questions of Medieval Reuse and Worship at Ancient Jain Rock-Cut Sites near Madurai. Negotiating Cultural Identity: Landscapes in Early Medieval South Asian History. 110-138. New Delhi: Routledge.
Owen, L. N., Brancaccio, P. (2013). Relationships between Art, Architecture, and Devotional Practices at Ellora. Living Rock: Buddhist, Hindu, and Jain Cave Temples in the Western Deccan. 126-137. Mumbai: Marg Publications.
Owen, L. N., Lindquist, S. E. (2011). Text and Image: Identifying Ellora's Jain Deities. Religion and Identity in South Asia and Beyond: Essays in Honor of Patrick Olivelle. 225-247. New York, London, Delhi: Anthem Press.
Owen, L. N., Ray, H. P. (2010). Absence and Presence: Worshipping the Jina at Ellora. Archaeology and Text: The Temple in South Asia. 96-123. New Delhi: Oxford University Press.
Owen, L. N. (2021). Book Review of Padma Kaimal, Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space. Seattle: University of Washington Press, 2021. Journal of the Society of Architectural Historians. (80/4 (Dec 2021)), 477-8.
Owen, L. N. (2020). Book Note on Kimberly Masteller, Masterworks from India and Southeast Asia. Kansas City, MO: The Nelson-Atkins Museum of Art with University of Washington Press, Seattle and London, 2016. 46(3), 434-435. Religious Studies Review.
Owen, L. N. (2018). Book review of Vidya Dehejia and Peter Rockwell, The Unfinished: Stone Carvers at Work on the Indian Subcontinent. New Delhi: Roli Books, 2016. 138(1), 172-174. Journal of the American Oriental Society.
Owen, L. N. (2016). Book Note on Cathleen Cummings, Decoding a Hindu Temple: Royalty and Religion in the Iconographic Program of the Virupaksha Temple, Pattadakal, Woodland Hills, CA: SASA Books, 2014. Religious Studies Review. 42(4), 307-308.
Owen, L. N. (2016). Book Note on Tiziana Lorenzetti, Understanding the Hindu Temple: History, Symbols and Forms. Berlin: EB-Verlag, 2015. Religious Studies Review. 42, no.1, 54-55.
Owen, L. N. (2016). Book Review of Sacred Objects in Secular Spaces: Exhibiting Asian Religions in Museums. Edited by Bruce M. Sullivan. Bloomsbury, 2015.. Reading Religion: A Publication of the American Academy of Religion (Online). http://readingreligion.org
Owen, L. N. (2015). Book Note on Vinayak Bharne and Krupali Krusche, Rediscovering the Hindu Temple: The Sacred Architecture and Urbanism of India. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2012. Religious Studies Review. 41, no. 1, 33-34.
Owen, L. N. (2014). Book Note on Debra Diamond, ed. Yoga: The Art of Transformation. Washington DC: Freer Gallery of Art and Arthur M. Sackler Gallery, 2013. Religious Studies Review. 40, no. 3, 170.
Owen, L. N. (2014). Book Note on James Bennett, ed. Realms of Wonder: Jain, Hindu, and Islamic Art of India, including Nepal and Pakistan. Adelaide, S.A.: Art Gallery of South Australia, 2013. Religious Studies Review. 40, no. 4, 230.
Owen, L. N. (2013). Book Note on Piotr Balcerowicz, ed. Art, Myths and Visual Culture of South Asia. New Delhi: Manohar Publishers, 2011. Religious Studies Review. 39, no. 3, 191.
Owen, L. N. (2011). Book Review of John E. Cort's Framing the Jina: Narratives of Icons and Idols in Jain History . Oxford and New York: Oxford University Press, 2010. Journal of Asian Studies. 70, no. 1, 271-73.
Owen, L. N. (2010). Book Review of Vidya Dehejia's The Body Adorned: Dissolving Boundaries Between Sacred and Profane in India's Art. New York: Columbia University Press, 2009. Journal of the American Oriental Society. 130, no. 1, 99-101.
Owen, L. N. (2010). Book Review of Walter Spink's Ajanta: History and Development, Volume Four - Painting, Sculpture, Architecture. Leiden: Brill, 2009. Journal of Asian Studies. 69, no. 1, 317-19.
Owen, L. N. (2021). Khandagiri/Udayagiri. The Encyclopedia of Ancient History: Asia and Africa. John Wiley & Sons, Inc..
Owen, L. N. (2021). Shravanabelagola. The Encyclopedia of Ancient History: Asia and Africa. John Wiley & Sons, Inc..
Owen, L. N. (2021). The multireligious caves at Ellora. Smarthistory. https://smarthistory.org/the-multireligious-caves-at-ellora/
Owen, L. N. (2019). Rock-Cut Caves. Brill's Encyclopedia of Jainism. 697-705. Leiden: Brill.
Owen, L. N. (2019). Sculpture. Brill's Encyclopedia of Jainism. 667-696. Leiden: Brill.
Owen, L. N. (2010). Demarcating Sacred Space: The Jina Images at Kalugumalai. International Journal of Jaina Studies. 6(4), 1-28.
Owen, L. N. (2010). Kings or Ascetics? Evidence of Patronage in Ellora's Jain Caves. Artibus Asiae. 70(2), 181-225.
Owen, L. N. (2009). Rock-Cut Pillars at Ellora: Interpreting Form and Function. Kalā: The Journal of Indian Art History Congress. XV, 35-55.
Owen, L. N. (2009). The Jaina Rock-Cut Caves at Ankai-Tankai. Jñāna-Pravāha Research Journal. XIII, 16-24.
Owen, L. N. (2006). Depicting a Jain Assembly: Representations of the Samavasarana at Ellora. 34, no. 2, 44-60.
Owen, L. N. (2001). Constructing Another Perspective for Ajanta's Fifth-Century Excavations. Journal of the International Association of Buddhist Studies. 24(1), 27-59.
Owen, L. N. (1994). The Peaceful Liberators: Jain Art from India. 5, no. 6, 33-48.
Owen, L. N. (2012). Carving Devotion in the Jain Caves at Ellora. Leiden: Brill.