Marrero, M. T. (2021). Seeking Common Ground: Latinx and Latin American Theatre and Performance.. 252. London: London: Methuen Drama, Bloomsbury Publishing Co..
Marrero, T. (2019). "La Familia". Teatro Latino. Nuevas Obras de los Estados Unidos. 233-275. La Casita Grande Press, imprint of Black Rose Writing. https://www.latinorebels.com/2017/08/22/la-casita-grande-editores-is-calling-for-latino-and-caribbean-literature-submissions/
Marrero, ., (2019). ENCUENTRO: Latinx Performance for the New American Theatre. 392. Evanston, Illinois: Noerthwestern University Press. http://www.nupress.northwestern.edu/content/encuentro
Marrero, M. T. (2009). Entre la Argentina y Cuba: Cuentos nómadas de viajes y tango.
Marrero, M. T. (2002). Performing Latina Women , special issue of Ollantay Theater Magazine.
Marrero, M. T. (2000). Out of the Fringe: Contemporary Latina/o Theater & Performance.
Marrero, M. T. (1995). "A Speck of Hope in the Caribbean Horizon.".
Marrero, M. T. (1995). "Miembros Fantasmas/Ghost Limbs.".
Marrero, M. T. (1994). "Miembros Fantasmas/Ghost Limbs." Michigan Quarterly Review 33.3 Special issue ".
Marrero, M. T. (1994). "The Mbele.".
Marrero, M. T. (2013). Marrero, Teresa. "Under the Radar: Latin@/Hispanic Theater in North Texas." Theater and Performance in Small Nations, edited by Steve Blandford. Bristol, UK and Chicago, US: Intellect Books, 2013: 141- 166. Printed book pages: 22. Words: 9643..
Marrero, M. T. (2009). "Afro-Cuban Danced Religious Practices as Everyday Art."
Teresa Marrero, sole author
Relgion as Art: Guadalupe, Orishas and Sufi
Albuquerque: University of New Mexico Press, 2009: 189-202.
Marrero, M. T. (1997). "Historical and Literary Santería: Unveiling Gender and Identity in U.S. Cuban Literature.".
Marrero, M. T. (2013). " Theater in Texas." Encyclopedia of Latino Culture. Edited by Chuck Tatum. pp 1262- 1266.Words: 2735
NOTE publisher error: stated academic affiliation written as North Texas State, rather than University of North Texas.
Marrero, M. (2019). "Latinx Sci-Fi Theater: Speculating Possible Futures". 49(1), 48-51. New Haven, Connecticut: Yale University School of Drama, Duke University Press. https://theatermagazine.org/
Marrero, T. (2019). "Where Earth Meets the Sky: Decolonizing Latinxfuturistic Theater". (54), 11-16. San Diego, California: University of California, San Diego. http://www.theatreforum.org/
Marrero, T. (2017). “Bienes comunes, innovador concepto de recursos teatrales: The Latinx Theatre Commons.”. VI(25), . Whittier, California and Buenos Aires: Whittier College and Buenos Aires. http://www.argus-a.com.ar/publicacion/1269-bienes-comunes-innovador-concepto-de-recursos-teatrales-the-latinx-theatre-commons.html.
Marrero, T. (2017). Latinx Theatre Commons: A Commons-based Approach Movement. 27(1), . Hanover, Pennsylvania: The Johns Hopkins University Press. https://jhuptheatre.org/theatre-topics/online-content/issue/volume-27-number-1-march-2017/latinx-theatre-commons-commons
Marrero, T. (2014). Latina/o theater Commons National Convening: Historic Event for Latina/o Theater in the United States. GESTOS. 29(57), 149-151. Irvine, California: University of California, irvine. gestos@uci.edu
Marrero, M. T. (2013). "Historical Writing and Ethnocentrism in Western Thinking: The Case of Early Contact in the Americas". The International Journal of Civic, Political and Community Studies. Volume 10, Issue 4. 2013. Champaign, Illinois: Common Ground Publishing, LL.C. Words 5758.
Marrero, M. T. (2013). "Historical Writing and Ethnocentrism in Western Thinking: The Early Case of the Americas." In The International Journal of the Humanities. Vol. 19, Issue 4: 89-98. Words: 5758.
Marrero, T. (2013). Border Memories: Theatrical Space & Intentional Liminality. 3(13), . Pomona, California: Argus-A. http://www.argus-a.com.ar/ensayos-essays/621:border-memories.html.
Marrero, T. (2013). “Historical Writing and Ethnocentrism in Western Thinking: The Early Case of the Americas.”. The International Journal of the Humanities. 19(4), . http://thehumanities.com/publications/journal/about-the-journa
Marrero, M. T. (2012). Outside the Bones by Lyn Di Lorio. Camino Real 4.6 (2012): 146-148. Edited by Jose Pablo Villalobos..
Marrero, M. T. (2007). "Teatro, Talleres y Performance en Buenos Aires: Reflexiones, Invierno 2007.".
Marrero, M. T. (2006). "XXI Festival Internacional de Teatro Hispano.".
Marrero, M. T. (2005). "Nilo Cruz." The Oxford Encyclopedia of Latinos & Latinas in te United States.
Marrero, M. T. (2005). "Nilo Cruz: dramaturgo poeta.".
Marrero, M. T. (2005). "Performing Arts and Theater." The Oxford Encyclopedia of Latinos & Latinas in the United States.
Marrero, M. T. (2004). "Theater as Wild Weed.".
Marrero, M. T. (2003). "Eso Sí Pasa Aquí: Indigenous Women Performing Revolutions in Mayan Chiapas." Holy Terrors: Performance and Women in Latin America.
Marrero, M. T. (2003). "Out of the Fringe: Desire and Homosexuality in the 1990s Latino Theater," Velvet Barrios, Popular Culture & Chicana/o Sexualities.
Marrero, M. T. (2003). "Scripting Sexual Tourism: STUFF, Prostitution and Cuba's Special Period.".
Marrero, M. T. (2002). "From El Teatro Campesino to the Gay 1990's: Transformations and Fragments in the Evolution of Chicano/a to Latina/o Theater and Performance Art," The State of Latino Theater in the United States: Hybridity, Transculturation, and Identity.
Marrero, M. T. (2001). "Exito para el XVI Festival Internacional de Teatro Hispano.".
Marrero, M. T. (2000). "Latina Playwrights, Directors and Entrepreneurs: An Historical Perspective." Latinas on Stage, eds..
Marrero, M. T. (2000). "Out of the Fringe? Out of the Closet: Latina/o Performance in the '90s,".
Marrero, M. T. (1999). "Brazo gitano: Cuban Women, Social Memory and Identity through Afro-Cuban Ritual,".
Marrero, M. T. (1999). "In a State of Memory: Notes from a María Irene Fornés Workshop." Conducting a Life: a Tribute to María Irene Fornés.
Marrero, M. T. (1999). "Out of the Fringe: Desire and Homosexuality in the '90s Latino Theatre,".
Marrero, M. T. (1998). "El Ejército Zapatista de Liberación Nacional: Publicidad, Presencia y Autonomía Indígena.".
Marrero, M. T. (1998). "La Construcción Visual de la Nueva Revolución Mexicana: El Ejército Zapatista de Liberación Nacional.".
Marrero, M. T. (1997). "El Cuarto Festival Internacional de Teatro Dallas.".
Marrero, M. T. (1996). "Crónicas de un encuentro con el zapatismo.".
Marrero, M. T. (1996). "Mexican Rebels Seek Democracy.".
Marrero, M. T. (1996). "Nunca más un México sin nosotros: El Congreso Nacional Indígena y El Ejército Zapatista.".
Marrero, M. T. (1996). "The Insertion of Latina Theater Entrepreneurs, Playwrights, and Directors into the Historical Record.".
Marrero, M. T. (1993). "Real Women Have Curves: Fat as a Cultural & Feminist Issue.".
Marrero, M. T. (1991). ---"Chicano/Latino Self-Representation in Theater and Performance Art: a Current View.".
Marrero, M. T. (1990). ---"The 1989 Hispanic Playwrights Project at South Coast Repertory Theater:
the Issues, the Plays, the Contest.".
Marrero, M. T. (1984). "Análisis de Playa de Chile V, de Raúl Zurita.".
Marrero, M. T. (2014). "The World is a Stage." English and Spanish Reviews of Teatro Dallas' Four Day International Theater Festival. Word count: 3632.
Marrero, M. T. (2013). http://www.theaterjones.com
Marrero, M. T. (2013). 1. May 21, 2013. Interview. Q&A: Octavio Solis. Words: 1853. Interview.
Marrero, M. T. (2013). 1. May 24, 2013. La Mica | Teatro Dallas. In English and Spanish. Words: 1504..
Marrero, M. T. (2013). 1. May 27, 2013. In the Heights | Artes de la Rosa | Rose Marine Theater. Words: 1395. Performance Review.
Marrero, M. T. (2013). 1. May 27, 2013. Se Llama Cristina | Kitchen Dog Theater | McKinney Avenue Contemporary (MAC) . Words: 1040. Performance Review.
Marrero, M. T. (2013). 1. October 22, 2013. On Current Latino/a Theater in Dallas. October 22, 2013. Words: 3070. Feature Article.
Marrero, M. T. (2013). 1. October 24, 2013. Santos: A Wandering Soul | Teatro Dallas. Performance Review. Words 1707..
Marrero, M. T. (2013). 1. September 19, 2013. Romeo and Juliet | Artes de la Rosa | Rose Marine Theater, Words: 808. Performance Review.
Marrero, M. T. (2013). June 17, 2013. Interview with Abigail Vega of Teatro Luna. Luna Ticking . Words: 1856. Interview.
Marrero, M. T. (2013). June 4, 2013. The Dreamers: A Bloodline | Cara Mia Theatre Company. Dreaming in Color. Words: 1850. Performance Review.
Marrero, M. T. (2013). May 26, 2013. Interview. Q&A: David Lozano, director of Cara Mia Theater Company. Words: 2980. Interview.
Marrero, M. T. (2013). November 13, 2013. La muerte y la doncella/ Death and the Maiden. Cambalache Teatro en Español. Bilingual in English and Spanish. Performance Review. Words: 2,850.
Marrero, M. T. (2021). Quemar las naves, el viaje de Emma, profile and interview with playwright Rocío Carrillo. Chaper en a book, Seekling Common Ground: Latinx and Latin American Theatre and Peroformance. London: Methuen Drama, Bloomsbury Publishing Co..
Marrero, M. T. (2010). http://www.xuemagazine.com/2010/09/tango-brujo/ "Tango brujo" 956 words.
Marrero, M. T. (1997). "María Irene Fornés and Her Critics by Assunta Bartolomucci Kent.".
Marrero, M. T. (1991). "Tramoya # 22, Beatriz J. Rizk, ed., and Calle, escenario y escuela by Judith A. Weiss.".
Marrero, M. T. (1990). "Latins Anonymous at the University of California Chicano Literary Awards Ceremony.".
Marrero, M. T. (1990). "Oppression, Tradition and Transgression in Some Women Colombian Novelists".
Marrero, M. T. (1990). "The Language of the Body in the Textuality of Women".
Marrero, M. T. (1988). "Perestroika and the Third World".