Dornith Doherty

Previous Scheduled Teaching

Published Intellectual Contributions

Book

• Doherty, D., Gaylord, K. (2023). Carter Handbook.
• Doherty, D. Disturbed Ecologies: Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis (Chapter: Scene and Unseen: (Re-)envisioning the Arctic Imaginary through Photography).
• Legido, T., Doherty, D. (2023). Ellas Illustran Botánica.
• Doherty, D., Callahan, S. (2022). Art + Archive: Understanding the Archival Turn in Contemporary Art,. Manchester University Press.
• Doherty, D. (2022). Grafting the Grape Exhibition Catalogue. St. Louis, Missouri, Sachs Museum.
• Doherty, D. (2022). Prix Pictet Collage: Women in Photography.
• Doherty, D., Stirrat, B. (2021). State of Nature Picturing Indiana Biodiversity. Grunwald Gallery of Art, Indiana University.
• Doherty, D., Naomi, R. (2020). A World History of Photography, 5th Edition. Abbeville Press.
• Doherty, D., Pfeifer, N. (2020). Solanum Tubersosum: Potato: Apple of the Earth. Missouri Botanical Garden.
• Doherty, D., Ware, K., Rohrbach, J. (2019). Archiving Eden at the National Academy of Sciences. National Academy of Sciences.
• Doherty, D. (2019). Contact 2019: Scotiabank Contact Photography Festival (Catalogue). Toronto, Canada,
• Paddock, E., Doherty, D. (2019). New Territory: Landscape Photography Today. Denver Art Museum.
• Doherty, D., Goddard, S.H. (2018). Big Botany.
• Doherty, D. (2018). Deluge, Holly Johnson Gallery.
• Doherty, D., Matlisky, B. (2018). Endangered Species: Artists on the Front Line of Biodiversity.
• Doherty, D., Wright, L., Brown, J. (2018). Making Life Visible: Art Biology and Visualization Faulconer Gallery.
• Doherty, D., Oliver-Smith, K. (2018). The World to Come: Art in the Age of the Anthropocene Harn Museum of Art.
• Doherty, D., Oktober Matthews, K. (2018). Unique: Making Photographs in the Age of Ubiquity. Amsterdam, NL,
• Doherty, D. (2017). "Archiving Eden". Amsterdam, NL, Schilt Publishing.
• Doherty, D. (2017). "f2 Fotofestival Catalogue". Dortmund, Germany,
• Doherty, D., Clint, W. (2017). Twenty-five: A Celebration; Twenty-five: A Conclusion. Galvenston, Texas, Galveston Arts Center.
• Doherty, D., Rayner, G., Lovejoy, T. (2016). Changing Circumstances: Looking at the Future of the Planet. Amsterdam, Schilt Publishing.
• Doherty, D., Zotos, J. (2016). STOW. Houston, Texas, Houston Center for Photography.
• Doherty, D., O'Brien, B. (2015). Kinetic: Highlights from the Polsinelli Art Collection. Polsinelli.
• Kingston, Angela. (2014). Oasis. Art Museum of Southeast Texas.
• Scherer, Scott. (2014). Seeds Science Sustenance and Snacks, the Photographs of Dornith Doherty, The University of Texas at San Antonio Art Gallery. The University of Texas at San Antonio Art Gallery.
• Alligood, Chad and Bacigalupi, Don. (2014). State of the Art: Discovering American Art Now, Crystal Bridges Museum of American Art. Crystal Bridges Museum of American Art.
• Kingston, Angela. (2013). 3 AM Wonder, Paranoia, and the Restless Night.
• Sasse, Julie. (2013). Desert Grasslands.
• Melis, Wim. (2012). Terra Cognita. Noorderlicht Photography Festival.
• Parsons, Sara-Jayne. (2011). Confined: The Captive and Keeper in Contemporary Life.
• Ware, Katherine. (2011). Earth Now: American Photographers and the Environment.
• Doherty, D., Vela de la Torre, A. (2011). Fotonoviembre 2011, XI Bienal Internacional de Fotografia de Tenerife.
• Doherty, D. (2010). Contemporary U.S. Photography, FotoFest 2010 Catalogue.
• (42 page catalogue in conjunction with traveling exhibition at the Galveston Arts Center and the Martin Museum of Art) Willour, Clint. (2010). Dornith Doherty at Mid-Career. Galveston Arts Center.
• Harrington, Elda. (2010). XVI Encuentros Abiertos Festival de la Luz 2010 Catalogue.
• Mazzeo, Michael. (2009). Arbor (Exhibition catalogue). New York, Michael Mazzeo Gallery.
• Doherty, D. (2009). Federal Reserve Bank Houston Branch Collection of Art Catalogue.
• Doherty, D. (2009). The Art Collection at the University of Texas at San Antonio. University of Texas at San Antonio.
• Estrada-Berg, Victoria. (2007). "UNT/TCU: Conversations Reverberations on Landscapes".
• Altered Terrain, Photographs by Dornith Doherty. (2007). Altered Terrain, Photographs by Dornith Doherty. Holly Johnson Gallery.
• Hirsch, Robert. (2007). Light and Lens : Photography in the Digital Age.
• Doherty, D., London, Upton, Stone, Brill. (2007). Photography, 9th Edition. New Jersey, Prentice Hall.
• Doherty, D. (2007). Two by Two for Aids and Art Exhibition Catalogue.
• Tyson, Janet. (2006). Dornith Doherty and Serena Lin Bush.
• Doherty, D. (2006). Fotofest 2006 The Earth/Artists Responding to Violence.
• Lehtonen, Kimmo. (2006). Shifts: Archives in Dialogue and New Identities in Documentarism. Essay by Dornith Doherty , "Agua Quemada, the Rio Grande Project".
• Doherty, D. (2005). Photography Quarterly, Center for Photography at Woodstock.
• Doherty, D. (2004). ARTifacts , Van Ael, Peter. Midwestern State University Art Gallery.
• Doherty, D. (2004). Managing Eden, University of North Texas Art Gallery.
• Doherty, D., , L. (2004). Photography, 8th Edition. New Jersey, Prentice Hall.
• Doherty, D. (2003). Houston Center for Photography Print Auction Catalog.
• Doherty, D. (2002). Parsons, Sara-Jayne, Sprawl: Aspects of Human Agency in the Landscape. Arlington Museum of Art, Arlington Texas.
• Doherty, D. (2002). The Eighth International Festival of Photography.
• Kalil, Susie. (2001). Liquid. Houston, Texas, James Gallery.
• Doherty, D. (2000). FotoFest 2000, The Eighth International Festival of Photography.
• Newman, David, Dornith Doherty. (2000). The Artifice of Nature, The Nature of Artifice.
• Waligore, Marilyn. (2000). The Shelf-Life of Objects, Contemporary Still Life Photography.
• Joanna Weber. (1998). FotoFest '98, The Seventh International Festival of Photography..
• Dornith Doherty. (1998). FotoFest '98, The Seventh International Festival of Photography..
• Doherty, D., Block, D. (1998). Revelation. Dallas, Texas, Dallas Visual Art Center.
• Caslin, Jean,Dornith Doherty. (1996). Animalia: Photographs by Six Texas Artists.
• Hirsch, Robert,Dornith Doherty. (1996). Exploring Color Photography.
• Jurus, Rick,Dornith Doherty. (1995). The first annual Photographic Educators Exhibition: The Cutting Edge in Photographic Education..
• Thomas, J. Thomas,Dornith Doherty. (1994). Directions, the First All-Campus Fine Arts Faculty Exhibition from Indiana University.
• Doherty, D. (1993). 49th Wabash Valley Exhibition. Terre Haute, Indiana, Sheldon Swope Art Museum.
• Dornith Doherty. (1993). Current Works 1993.
• Hirsch, Robert,Dornith Doherty. (1993). Exploring Color Photography.
• Enyeart, James,Dornith Doherty. (1993). Illuminance '93.
• Stainback, Charles,Dornith Doherty. (1993). Photonational.
• Doherty, D. (1992). Day, Holliday T. Nine for the Nineties.
• Parsley, Jacque. (1992). Extinction is Forever.
• Erlich, Thomas. (1992). Our University in the State: The Arts.
• Doherty, D. (1992). Second Annual Photography Exhibition. Baltimore, Maryland, Maryland Federation of Art.
• Dornith Doherty. (1991). A Survey of Regional Art.
• Dornith Doherty. (1991). Current Works 1991. Kansas City, Missouri, Society for Contemporary Photography.
• Doherty, D., Begley, J. (1991). Showcase 1991. A Survey of Regional Art. Louisville, Kentucky, Louisville Visual Arts Assocations.
• Dornith Doherty. (1991). US Biennial IV.
• Dornith Doherty. (1989). Illuminance.
• Dornith Doherty. (1989). Photospiva '89.

Book Chapter

• Doherty, D. (2006). The Rio Grande Project: Burnt Water/Agua Quemada. Archives in Dialogue and New Identities in Documentarist, The Center for Creative Photography & IPRN Group. Finland, Kimmo Lehtonen.

Catalogue Essay

• Doherty, D., Goddard, S.H. (2018). “Survival Against the Odds: Seed Banks and the Quest to Preserve Plant Biodiversity". Big Botany Conversations with the Plant World.
• Doherty, D. (2014). Galdy, Andrea and Heudecker, Sylvia, editors, Doherty, Dornith, “Collecting Nature/Archiving Eden”, Collecting Nature. Cambridge Scholars Press. Cambridge: 2014. Collecting Nature. Cambridge, Cambridge Scholars Press.
• Doherty, D. (2012). Illuminating Memory and Identity: Jun Itoi's Photographic Life. Oyama City, Japan,
• Doherty, D. (2000). “Recent Work by Luis González Palma” Poetry and Passion: Recent Work by Luis González Palma. Denton, Texas,

Critical Review

• Doherty, D., Turns, A. (2021). Top Seeds: Artists Capture Global Efforts to Future-Proof Nature. United Kingdom, The Guardian.
• Doherty, D., Jenkins, M. (2021). A Smithsonian museum turns to art, not science, to hammer home a warning about Mother Nature. Washington Post.
• Doherty, D., Catlin, R. (2021). The Sad Truths Behind these Unsettling Works of Art. Smithsonian Magazine.
• Doherty, D., Cosentino, L. (2021). “Seeds in the Soil, Seeds in the Mind”,. Lansing, MI, City Pulse.
• Doherty, D., Renken, L. (2020). Photographer explores both the beauty and the dark side of seed banks. Peoria Journal.
• Doherty, D., Eggermont, M. (2019). “Portfolio by Dornith Doherty". Cover, 2 - 3, 66 - 90. Zygote Quarterly.
• Doherty, D., Tennant, D. (2019). “Dornith Doherty, Moody Gallery, Houston, Texas". Visual Art Source, Online Editorial Feature.
• Doherty, D., Jenkins, M. (2019). “Archiving Eden sprouts interest with intriguing botany photographs”. page E14. Washington Post.
• Doherty, D. (2018). "Thought-provoking exhibition at the Whatcom Museum explores endangered species and biodiversity” ArtDaily.org.
• Doherty, D. (2018). “Harn Museum of Art Brings Together Contemporary Art Addressing Human Impact on the Environment” ArtDaily.org.
• Doherty, D., Fenton, C. (2018). “The World to Come” Arts District Magazine, September, 2018.
• Doherty, D., Oliver-Smith, K. (2018). “At the Harn: Art and Ecological Change” The Gainesville Sun and Gainesville.com, (1 reproduction).
• Doherty, D., Boyd, K. (2018). “Charting New Territory in Landscape Photography”, Hyperallergic,.
• Doherty, D., Anspon, C.D. (2018). “The Good Seed” Paper City Magazine, July-August 2018, pp 50-51. (5 reproductions).
• Doherty, D., Jenkins, R. (2018). “Not Dead Yet: Landscape Photography Clings to the Present at DAM”, One Good Eye.
• Doherty, D., Paglia, M. (2018). “Review: New Territory: Landscape Photography Today Lives Up to (Half) its Name”. Westword.
• Doherty, D., Meyers, W. (2018). “New Territory: Landscape Photography Today and New Topographics: Review: The Lay of the Photographic Land”. The Wall Street Journal.
• Doherty, D., Park, J. (2018). “Seaweed Unlike You’ve Ever Seen It: Making Life Visible Closes this Weekend” Little Village Magazine. Little Village Magazine.
• Doherty, D., Brady, A. (2018). “Unearthing Centuries of Interdependence Between Humans and Plants". Hyperallergic.
• Doherty, D., Henderson, S. (2018). “Art & Biology: Can Artists Enhance Scientific Understanding?”. The Iowa Source.
• Doherty, D., Larson, C. (2018). “Faulconer Gallery is “Making Life Visible” The Scarlet and Black.
• Doherty, D., Cox, R. (2018). “Sowing the Seeds of Time: Dornith Doherty and the Archiving Eden Project” (15 reproductions). Exposure, the Journal of the Society for Photographic Education.
• Doherty, D. (2017). "Future of Earth" (editions published in England, China, and Sweden) (one reproduction). BBC Focus.
• , Doherty, D. (2017). Archiving Eden. Firecracker : Supporting Women Photographers. https://www.fire-cracker.org/2017/05/dornith-doherty/
• Doherty, D. (2017). Doherty, Dornith “The Seed Banks at the End of the World: Archiving Eden” (8 reproductions). Pgs. 37-43. Vice Magazine.
• Doherty, D., Geere, D. (2017). “Beating Mass Extinction” (2 reproductions). Pgs. 36-43. BBC Focus Magazine.
• Doherty, D., Mayer, K. (2017). “Die Samenbank Gottes" (9 reproductions). Pgs. 76-83. Focus Magazine.
• Doherty, D., Sánchez, C. (2017). “Las Nuevas Arcas de Noé: Bancos de Semillas” (9 reproductions). XL Semanal Magazine.
• Doherty, D., Carter, S. (2017). “Amon Carter Museum hosts Dornith Doherty: Archiving Eden." (5 images of the exhibition). Patron Magazine Interview.
• Doherty, D., Macon, A. (2017). “Dornith Doherty Sees the Future in a Seed” (one reproduction). D Magazine.
• Doherty, D., Snyder, K. (2017). “Amon Carter Museum: Archiving Eden Exhibit Holds Seeds to Survival” (2 reproductions). Fort Worth Business Press.
• Doherty, D., Lin, K. (2017). “Deposits” (one reproduction). Fort Worth Weekly.
• Doherty, D., André, L.M. (2017). “Book of the Week: Dornith Doherty’s Archiving Eden”. Photo-Eye Blog.
• Doherty, D., Herrerías, V. (2017). “Agua Quemada”. Crónica Ambiental Magazine.
• Doherty, D. (2017). “Inside a Global Noah's Ark for Plants”. PDN Photo of the Day.
• Doherty, D. (2017). “Les archives du jadin d’Eden” (12 reproductions). Greenpeace Magazine.
• Doherty, D., Haynes, P. (2017). “Planetary Gardening at Huw Davies Gallery is a Quality Exhibition” (one reproduction) Reprinted in Theartmuseum.com.au. Canberra Times.
• Bridges, S. (2016). Bridges, Stephen “Seeds of Resistance: Critical Approaches to the Corporatization of Soil, Seeds and Stone Fruit”, Seismopolite #14 Journal of Art and Politics (Norway). Seismopolite #14 Journal of Art and Politics.
• Doherty, D. (2016). Invoking Vision. 55 - 67. Denmark,
• Doherty, D. (2016). Seeds of Hope. 5. Sue Steward.
• Doherty, D. (2016). Vinyl Vista.
• Doherty, D. (2016). Parsons, Sara-Jayne, “Rio Grande: Verbranntes Wasser” and Doherty, Dornith “Archiving Eden”. 34-39, 50-55.
• Doherty, D. (2016). Six Must-Attend Events: Texas Landscapes, Red Poppies and More. Michael Hoinski.
• Doherty, D. (2016). Changing Circumstances, Looking at the Future of the Planet. Other. Caia Hagel.
• Doherty, D. (2016). FotoFest is Bleak and Beautiful. Section G, page 1, 12. Molly Grenzer.
• Doherty, D. (2016). FotoFest 2016 photographers cover the changing world in biennial exhibit. Molly Grenzer.
• Doherty, D. (2016). Best Things We Saw at the FotoFest Biennial 2016. Jeanette Moses.
• Doherty, D. (2016). FotoFest 2016: Artists Capture Human Impact on a Changing Planet – in Pictures.
• Black, E. (2016). "Everything is Connected". ((three reproductions)) Artillery.
• Doherty, D. (2016). Heroic Environmental Images Headline Houston's Vaunted FotoFest: Saving the Planet Through Art?. Catherine Anspon.
• Doherty, D. (2016). Return to Earth: FotoFest 2016 Focuses on Environmental Change. Laura Wellen.
• Doherty, D. (2016). Photographers Explore the Future of the Planet at FotoFest 2016. Sarah Cascade.
• Doherty, D. (2015). Beating Mass Extinction. (286) 38-47. Duncan Geere.
• Doherty, D. (2015). Seed Safekeeping. 78-79. Eli Wallace.
• Doherty, D. (2015). Ten Years After. 42. Sarah Vukalovic.
• Doherty, D. (2015). Dornith Doherty at Holly Johnson Gallery. John Zotos.
• Doherty, D. (2015). Visiting Artist Documents Seed Banks. Ethan Metcalfe.
• Doherty, D. (2015). Dornith Doherty Finds Seeds of Inspiration in Photographing Global Vaults. Lana Sweeten-Schultz.
• Doherty, D. (2015). Healing Body and Soul. Section E, pages 1 & 3. Rick Brettell.
• Doherty, D. (2014). Who will Remember Us? Plants and the Archive. 36 (1) 151. Antonia Azabari, Natania Meeker.
• Doherty, D. (2014). Take a Tour of the World’s Best Hope to Survive After a Climate Change Apocalypse. Sydney Brownstone.
• Doherty, D. (2014). Archiving Eden Ahead of the Apocalypse. Laura C. Mallonee.
• Doherty, D. (2014). Where We Have Come, Where We are Going. Sarah Hamilton.
• Doherty, D. (2014). Heirloom Harvests, Up Close and Personal. CJ Lotz.
• Doherty, D. (2014). Archiving Eden: Dornith Doherty. 91-101. Lotta Jorgensen.
• Doherty, D. (2014). Doomsday Vault. 10 102-109. Chris Harrigan.
• Doherty, D. (2014). Interview & Portfolio: Dornith Doherty on Archiving Eden. Anne, Kelly.
• Doherty, D. (2014). The State of The State of the Art. Peter Plagens.
• Doherty, D. (2014). Crystal Bridges: The Anti-Whitney Biennial. Judith H. Dobrzynski.
• Doherty, D. (2014). Fotoseptiembre Pic(k)s: Five Shows Not to Miss at this Year’s Fest. Sarah Fisch.
• Doherty, D. (2014). Dornith Doherty: Archiving Eden. Raven Lim.
• Doherty, D. (2014). 3 am Wonder, Paranoia, and the Restless Night Exhibition Review. Anne, French.
• Doherty, D. (2014). 3am: Wonder, Paranoia, and the Restless Night at Chapter Arts Center, Cardiff. Shay Guo.
• Doherty, D. (2013). Exhibition at the Bluecoat Probes the Night’s Darkest Hour 3am: Wonder, Paranoia and the Restless Night. Jose Villareal.
• Doherty, D. (2013). Technology and Photographic Art. Jessie Wender.
• Doherty, D. (2013). What do you get up to at 3am?.
• Doherty, D. (2013). Death March. Stephanie Elizondo Griest.
• Doherty, D. (2013). 3am Wonder, Paranoia, and the Restless Night. Anneka French.
• Doherty, D. (2013). Sowing the Seeds of Preservation. Stephan J Lyons.
• Glentzer, M. (2012). “Last Call: FotoFest Must-Sees”. Houston Chronicle. http://www.chron.com/life/article/Last-call-FotoFest-must-sees-3478495.php
• , E.A. (2012). “Interview with Dornith Doherty”. Pgs. 19-23. SPOT, Journal of the Houston Center for Photography.
• Doherty, D. (2011). Earth Now: American Photographers and the Environment. http://rareautumn.blogspot.com/2011/04/earth-now-american-photographers-and.html
• Lucinda, B. (2010). Message from the Mountain. Cover & pgs. 8-9. Denton Record Chronicle.
• Antelo, M. (2010). Archivando el Eden. Pgs. 38-41. Pryecto Bamboo.
• Avedon, E. (2009). Dornith Doherty : Archiving Eden. ElizabethAvedon.blogspot.com. ElizabethAvedon.blogspot.com
• Britt, D. (2009). Dornith Doherty. Pg. 7. Zest Magazine, Houston Chronicle.
• Carter, S. (2009). Image Conscious. Pgs. 48-50. Modern Luxury.
• Doherty, D. (1997). Featured Artist, Galleries Section. Pg. 1. Evansville Courier.
• Doherty, D. (1994). Dornith Doherty, Reenchanting Nature. Pg. 1. Kansas City, Missouri, Update: Society for Contemporary Photography.

Journal Article

• Doherty, D. (2023). Integrating Botany, History, Culture, and Contemporary Art in a Botanical Garden Museum.
• Ponette-Gonzalez, A.G., Pitre, C., Lee, A., Rindy, J.E., Doherty, D., Fry, M., Johnson, J.A. (2021). Bird feathers are potential biomonitors for airborne elemental carbon. Environmental Monitoring and Assessment.
• Siegwarth, K., Doherty, D. (2020). Dornith Doherty: Archiving Eden. (Autumn, 2020) pp 14-23.
• Doherty, D., Constantini, G. (2020). Seedscapes: Future-Proofing Nature. Leonardo.
• Doherty, D., Parsons, S. (2019). “Burnt Water/Agua Quemada”, The Eyes Magazine #26, Fall 2019, pp 30-41. 30 - 41. The Eyes Magazine #26.
• Doherty, D. (2019). “Dornith Doherty: Archiving Eden” (7 reproductions). Vol. XXXV (Number 2, Winter 2019) 6 - 15. Issues in Science and Technology.
• Doherty, D., Gulati, R. (2019). “The Soul of a Start-Up”. 84 - 91. Harvard Business Review.
• Doherty, D., Hou, C. (2019). “Stockpile”. The Scientist.
• Doherty, D., Zuckerman, C. (2019). “These X-rays of Seeds Turn Biology into Art". National Geographic Science and Innovation. NationalGeographic.com
• Doherty, D., Thulin, L. (2019). “Dornith Doherty’s Mesmerizing Photos Capture the Contradictions of Seed Banking”. Smithsonian Magazine.
• Doherty, D., Grout, B., Bennet, J. (2018). Operating a Successful Cryopreservation Facility. Planer PC.
• Granberry, M. (2012). “UNT Photography Professor Wins Coveted Guggenheim Fellowship”. Dallas Morning News.
• de Kruijff, J. (2012). Noorderlicht BredaPhoto Unseen, 3 Evenementen die je Niet Mag Missen. Pgs. 70-71. Focus Magazine.
• Doherty, D. (2012). SOURCE: Antioch’s Seeds in Art, Resown. Dayton City Paper.
• Vollmer, A. (2011). X-ray images of seed life invisible to the human eye”. Feature Shoot.
• Bram, D. (2011). Portfolio published in conjunction with the Earth Now exhibition. Fraction Magazine.
• Newitz, A. (2011). “Haunting photographs of the world’s seed vaults, which may be our only hope after agricultural apocalypse. Earth Now: American Photographers and the Environment.
• Crane-Murdoch, S. (2011). New Mexico Exhibit Redefines Landscape Photography”. High Country News.
• Charissa Terranova. (2007). "Constructing Images with nature's help".
• Tchmyreya, Irina. (2006). "A Review of FotoFest 2006".
• Bubnova, Katya. (2006). "FotoFest", Digitweek, St. Petersburg.
• Bo, Li. (2006). "Houston FotoFestival, A Communication Platform for Photography".
• Mitchell, Dee. (2006). "Photo Festival Clicks in Houston".
• Klaasmeyer, Kelly. (2006). "Trees and Rocks, FotoFest Takes on the Earth".
• Martin, Merritt. (2005). "Kyoto Song" Dallas Observer.
• Van Ryzin, Jean. (2003). "A Conference that Clicks with Art".
• Ali, Atteqa. (2003). "Inside/Outside: Texas Women Photographers".
• Hepola, Sarah. (2003). "Womens' Work is Never Done".
• Doherty, D. (2003). Dallas Home Design.
• Mariani, Anthony. (2002). "American Beauty: Arlington Museum of Art Finds the Sparkle in Sprawl".
• Ingalls, Hunter. (2002). "Art Beat".
• Lin, Kristian. (2002). "House Paint".
• Devine, John. (2001). "Dream Catcher".
• Daniel, Mike. (2001). "Texas Tall Tales".
• Doherty, D. (2001). Shaping the South.
• Sime, Tom. (2000). "Camera gives new views of 'still life'".
• Richardson News. (2000). "Shelf-Life: UTD Exhibit on Contemporary photography is a mind-blower".
• Lindsey, Bryan. (1999). " The Big Picture; Dornith Doherty takes on Nature and Culture in her latest show".
• Parsons, Sara-Jayne. (1999). "Human Existence and the Natural World".
• Gray, Channing. (1999). "Images at Bannister".
• Wayland, Judy. (1999). "Voices: Recent Work from Dornith Doherty".
• Dailey, C.S. (1999). Denton Gallery Showcasing Professor's Photography. Pgs. 3-19. Fort Worth Star-Telegram.
• Doherty, D. (1999). Chronicle. Pgs. 3, 16. Chronicle.
• Anspon, C.D. (1998). "Dornith Doherty at James”. Houston, TX, Public News.
• De La Rosa, Y. (1998). “Letter from Fort Worth: Teuton for Texas". Art net.com.
• Doherty, D. (1997). “Contemporary Photography Displays Varied Techniques”. Pg. 3, Section G. Fort Worth, TX, Fort Worth Star-Telegram.
• Doherty, D. (1997). “Wide Angle View of Photography”. Pg. 61. Dallas Morning News, The Guide.
• Doherty, D. (1997). “New Exhibit at Rosewood focuses on Photography". Kettering-Oakwood Times.
• Jesse, K.W. (1997). “Still Life with Wings: Rosewood Features Magical Art of Dornith Doherty”. Dayton Daily News.
• Felps, P. (1997). “Dentonite to perform in New York". Denton Record Chronicle.
• Anspon, C.D. (1997). “Showcase of Texas Art Opens Downtown”. Houston, TX, Public News.
• Vallongo, K. (1993). “Freezing a Frame for Eternity: Exhibit Showcases Modern American Photography”. Toledo Blade.
• Doherty, D. (1993). Cover Artist. Cover. Arts Indiana.
• Cowdrick, C. (1993). Engendered. Kansas City,
• Mewhinney, J., Delaney, T. (1993). “Doherty explores life’s mysteries”. Pg. 10. Ft Wayne, Indiana, The Tribune Star.
• Blevins, K. (1993). “Suspect Terrain”. Dialogue.
• Hoffman, N. (1992). “Eiteljorg Exhibit Breaks ground as artists explore landscape”. Pg. E-1. The Indianapolis News.
• Harris, B. (1992). “Eco-aware exhibit challenges viewers”. The Indianapolis Star.
• Heilenman, D. (1992). ”Viewpoints: Two by Two”. The Louisville Courier-Journal.
• Falk, C. (1992). “Photo exhibit upholds tradition”. The Capital.
• Heilenman, D. (1991). “Louisville Art Association Review”. The Courier-Journal.
• Moore, C.M. (1991). “Showcase ‘91 features best of local artists”. The Louisville Cardinal.
• Vallongo, S. (1991). “Quality impresses in photographers’ first national show”. The Blade.
• Forestner, A. (1991). “The Medium’s a Winner Too in ARC Gallery National Exhibit”. Chicago Tribune.
• Banner, K. (1990). “Border Crossing: Indiana Women and Art/IndianaWomen Artists, An Invitational Show”. Dialogue.
• Calhoon, S. (1990). “Vernon Cheek, Dornith Doherty, Linda Robbennolt, Karen Thompson”. New Art Examiner.
• Cunningham, A. (1990). "Doherty, Pope on exhibit: Photographs Give Truth the Eye at Museum”. The Indianapolis Star.
• Matter, K. (1990). “Exhibit Focuses on Photography”,. Lafayette Journal & Courier.
• Smith, J. (1990). “Museum Hosts Two New Shows”. Lafayette Leader.
• Pratt, J. (1989). “Arts In Review: Omnibus ‘89”. Arts Indiana.
• Garmel, M. (1989). “Artist Worked her Way through Grief by Painting". The Indianapolis News.
• Chandler, M. (1989). “Seeing the Artistic Spectrum from One End to Another”. The Indianapolis Star.
• Cunningham, A. (1989). "Herron’s Omnibus is Really Ten Mini-Exhibitions”. Indianapolis New Times Magazine.
• Mannheimer, S. (1989). “Art League Gives Photographers Day in Sun”. The Indianapolis Star.

Magazine/Trade Publication

• Doherty, D., Yao, D. (2022). Herb East Sustains Like A Seed. Shanghai,
• Doherty, D. (2022). Seeds of Life:Artist Dornith Doherty finds beauty and optimism in the layers of catastrophe and preservation.
• Doherty, D., Gershorn, L. (2021). Take A Virtual Tour of Artworks Inspired by Efforts to Preserve Plant Biodiversity. Smithsonian Magazine.
• Doherty, D., Smithson, A. (2021). Conversations with Nature: Dornith Doherty: Archiving Eden. Lenscratch.
• Doherty, D., Arnold, A. (2021). Seeds of Artistry. Professional Photographer magazine.
• Doherty, D., Keller, T. (2020). Vom Sinn und Unsinn der Gentechnick. (December 2020/ January 2021) Cover and page 16-21. Pflanzenfreund.
• Doherty, D., Cary, B. (2020). Book Review: Archiving Eden monograph by Dornith Doherty. F-Stop Magazine.
• Doherty, D., Hester, J. (2020). The Unexpected Elegance of Apocalyptic Seed Vaults in Photos. Atlas Obscura.
• Rossetti, E. (2012). Institute Fellows Further Artistic Excellence. Pgs. 20-24. UNT Research Magazine,
• McWhorter, M. (2011). “Documenting the World’s Botanical Reserves”. (14) Finite Foto Magazine.
• Brook, P. (2011). “Seedbank Vaults Hedge Against Apocalypse”. Wired Magazine. http://www.wired.com/rawfile/2011/10/dornith-doherty

Contracts, Grants and Sponsored Research

Fellowship

• Doherty, D., "Idea Project Artist-in-Residence," sponsored by Museum of Contemporary Art/Ontario Science Centre (jointly sponsored), International, $6000 Funded. (2019 - 2020).
• Doherty, D., "Texas State Artist 2D (bestowed by the Texas Legislature)," State, Funded. (2016 - 2016).
• Doherty, D. (Other), "John Simon Guggenheim Memorial Foundation," Other, Funded. (2012 - 2013).
• Doherty, D. (Principal), "UNT Institute for the Advancement of the Arts Fellowship," sponsored by Institute for the Advancement of the Arts, University of North Texas, Funded. (2010 - 2010).
• Doherty, D. (Other), "William J. Fulbright Garcia Robles Lecture/Research Grant to Mexico," sponsored by Fulbright Foundation, International, Funded. (1994 - 1995).
• Doherty, D. (Principal), "Indiana Arts Commission Individual Artist Master Fellowship," sponsored by Indiana Arts Commission, Other, Funded. (1993 - 1993).
• Doherty, D. (Principal), "Society for Contemporary Photography Fellowship," Other, Funded. (1993 - 1993).
• Doherty, D. (Principal), "Summer Faculty Fellowship," sponsored by Indiana University Purdue University at Indianapolis, Other, Funded. (1990 - 1990).
• Doherty, D. (Principal), "Houston Center for Photography Fellowship," sponsored by Houston Center for Photography, Other, Funded. (1985 - 1985).
• Doherty, D., "Idea Project Artist-in-Residence," sponsored by Museum of Contemporary Art/Ontario Science Centre (jointly sponsored), International, Funded. (2019 - 2020).

Grant - Research

• Ponette-Gonzalez, A.G. (Principal), Fry, M. (Co-Principal), Ferring, D. (Co-Principal), Doherty, D. (Co-Principal), "Hazy views over U.S. public lands," sponsored by University of North Texas, Local, $4340 Funded. (2020 - 2021).
• Doherty, D., "Scholarly & Creative Activity Award: As Above, So Below," University of North Texas, $5000 Funded. (2018 - 2019).
• Doherty, D., "Faculty Development Leave: Land Bridges: Convergence and Divergence in a Moving Landscape," University of North Texas, Funded. ( - 2018).
• Fry, M.J. (Principal), Ponette, A.G. (Principal), Johnson, J., Doherty, D., "MENTORING TEAM GRANT, Air Space, Rights, and Materiality Working Group," sponsored by University of North Texas Office of Faculty Success, University of North Texas, $3400 Funded. (2017 - 2018).
• Doherty, D., "UNT Research and Creativity Enhancement Grant," University of North Texas, Funded. (2012 - 2012).
• Doherty, D., "UNT Research and Creativity Enhancement Grant," University of North Texas, Funded. (2010 - 2010).
• Doherty, D. (Co-Principal), "UNT Research Infrastructure Grant," University of North Texas, $25000 Funded. (2008 - 2008).
• Doherty, D. (Principal), "UNT Research Opportunity Program Grant," sponsored by Rio Grande Project, International, Funded. (2007 - 2007).
• Doherty, D. (Principal), "Japan Foundation Grant for 3 month residency in Kyoto, Japan," sponsored by Japan Foundation, International, Funded. (2003 - 2003).
• Doherty, D. (Principal), "Stewart Professional Fund Grant," International, Funded. (2002 - 2002).
• Doherty, D. (Principal), "UNT Research Opportunity Program Grant," University of North Texas, Funded. (2002 - 2002).
• Doherty, D. (Principal), "Arts Council of Indianapolis Recognition Grant," Other, Funded. (1990 - 1990).

Sponsored Research

• Doherty, D., "Carestream Molecular Imaging, short-term residency, New Haven, Connecticut," International, Funded. (2011 - 2011).
• Doherty, D. (Principal), "Faculty Development Leave," sponsored by University of North Texas, University of North Texas, Funded. (2011 - 2011).
• Doherty, D. (Co-Principal), "Hispanic and Global Studies Initiatives Fund Co-Recipient with Dr. Jennifer Way," sponsored by Hispanic and Global Studies Initiatives Fund, International, Funded. (2008 - 2008).
• Doherty, D. (Co-Principal), "Charn Uswachoke International Development Fund Co-Recipient with Dr. Jennifer Way," sponsored by Charn Uswachoke International Development Fund, International, Funded. (2007 - 2007).
• Doherty, D. (Principal), "Nature Conservancy, residency at Southmost Preserve, Texas," sponsored by Southmost Preserve for Rio Grande Project, State, Funded. (2005 - 2005).
• Doherty, D. (Principal), "Faculty Development Leave," sponsored by University of North Texas, University of North Texas, Funded. (2004 - 2004).
• Doherty, D. (Other), "United States Department of the Interior, Artist-in-Residence Program, Joshua Tree National Park, California," sponsored by United States Department of the Interior, National Park Service, Artist-in-Residence Program, Joshua Tree National Park, California, Federal, Funded. (1998 - 1998).