McFerrin, N. (2021). A Sense of Scale: Proprioception, Embodied Subjectivities, and the Space of Kingship at Persepolis. Handbook of the Senses in the Ancient Near East. 189-210. London: Routledge.
McFerrin, N. (2021). Andromeda Unbound: Possession, Perception, and Adornment in Pompeian Wall Painting. Dress in Mediterranean Antiquity. 215-228. London: Bloomsbury.
McFerrin, N. (2019). The Tangible Self: Embodiment, Agency, and the Functions of Adornment in Achaemenid Persia. Fashioned Selves: Dress and Identity in Antiquity. 231-246. London: Oxbow.
McFerrin, N. (2017). Fabrics of Inclusion: Deep Wearing and the Potentials of Materiality on the Apadana Reliefs. What Shall I Say of Clothes? Theoretical and Methodological Approaches to the Study of Dress in Antiquity.. Selected Papers on Ancient Art and Architecture III., 143-159. Boston, MA: Archaeological Institute of America.
McFerrin, N. (2015). Flirting with Uncertainty: Mutability, Metamorphosis, and Fashionability in the Greco-Roman Imagination. Shapeshifting: Transformative Paradigms of Fashion and Textile Design. 1-15. Auckland: University of Auckland. https://core.ac.uk/reader/56365030
McFerrin, N. (2023). A Time for Fashion: Roman Pearls, Pompeian Paintings, and the Materials of Modernity. Fashion Studies. (Special Issue on Fashion Futures), 1-27. Toronto: Fashion Studies. https://www.fashionstudiesjournal.org/
McFerrin, N. (2019). Masks, Mirrors, and Mediated Perception: Reflective Viewing in the House of the Gilded Cupids. Arts 2019, 8. (Special Issue on Ancient Mediterranean Painting, Volume 2), 1-17. https://www.mdpi.com/2076-0752/8/3/83
McFerrin, N. (2014). Excavations at Acquachiara (Atessa), 2002-2009. Quaderni di Archeologia d'Abruzzo: Notizario della Soprintendenza per i Beni Archeologici dell'Abruzzo. (3), 143-159. Sesto Fiorentino: All'Insegna del Giglio. https://www.insegnadelgiglio.it/prodotto/quaderni-di-archeologia-dabruzzo-32011/
